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Slow Dance 23.5

My Father's Sheep Is Dead

For Melancholy Brunettes (& sad women)

Mega Circuit

Cascading Crescent

Dylan Dylan new EP 'What More Do You Want?!' out now: https://bfan.link/dylan-dylan-what-more-do-you-want

Photos by Tasmyne Boumiza
Artwork by CMDP
Mastered by Perception Mastering

***

Follow Dylan Dylan:
Instagram: https://www.instagram.com/imdylandylan
Spotify: https://open.spotify.com/artist/2xwod0qobIBd0aaKo4t6BY
Apple Music: https://music.apple.com/us/artist/1143932874
Deezer: https://www.deezer.com/en/artist/66255672

Follow Pont Neuf Records:
Bandcamp: https://pontneuf.bandcamp.com
Instagram: https://www.instagram.com/pontneufrecords
TikTok: https://www.tiktok.com/@pontneufrecords
Spotify: https://open.spotify.com/user/pontneufrecords
Apple Music: https://music.apple.com/fr/label/pont-neuf-records/1548036563

2025 ©℗ Pont Neuf Records

Stream / Vinyl

Dylan Dylan - Listen To Yourselves

Cycles/Circles

Freak Eyes

Lake Fire

Candling

VDYKH VYDYKH

Nice Quiet Horror Show

Recognize Me

Balloon Balloon Balloon

Popafangout

In the Ukrainian-speaking album "Dreams of Trees | Сни Дерев", I explore the themes of
the ambiguity of dreams and their origins, nostalgia for pre-war times, and fear of the future.
The metaphorical image of sleeping trees symbolizes a postponed life. I used recordings
from the air made during 2023-2024 to deepen the atmosphere of the tracks and create
a sense of presence. These include sounds from the Carpathian Mountains, children playing
in a Lviv’s fountain, the noise of Kyiv streets, a children's choir, and more.

Each track represents a separate dream with blurred lines between surrealism and reality, where
one does not want to wake up. The layered vocals create a feeling of altered consciousness, and
the mystery of dreams brings both a sense of calm and anxiety. The entire album has a thoughtful dynamic and dramaturgy, divided into three parts: nostalgia for pre-war times, the realities of today, rebirth and faith in a bright future.

This album is my transformation between 2022 and 2024, a journey where the silence whispers
of ancient fears and unknown secrets, revealed only to those willing to feel them. The covers, like
the music itself, immerse you in this world where everything intertwines, changes, and exists
outside of time, in loud sounds and silence simultaneously.

released August 15, 2025

All tracks are written & produced by Hanna Svirska
'Svitanets' feat. Revshark
Original tracks mixed by Hanna Svirska
Original tracks mastered by UTC+16, Kyiv

Artwork by Hanna Svirska


Support my album on Ba

Svitanets

Do you ever wonder if there might come a time when you need to grab a bag full of essentials, jump in a vehicle with someone you love and get the hell away from this place? When We Gonna Run is a song about running away from an apocalyptic world when the only thing that can save you is love. 

When We Gonna Run?

Cork, Ireland's shadow-drenched duo emerge from the fallout with their debut single *Radiation Romance* — a sharp, seductive blend of brooding synths, clean guitars, distorted textures, and stark lyricism.

Named from the Irish phrase for “heartache” or “vexation of spirit,” Crá Croí’s music exists in the space between beauty and breakdown. With *Radiation Romance*, they channel the anxiety of our nuclear age into a dark pop structure — a love song built for dystopias, delivered with ice-cold clarity and post-punk pulse.

Driven by a DIY ethos, RG (music, lyrics, production) and CD (vocals, artwork, co-production) craft every element of their work in-house. The track is accompanied by a video that dives deeper into Crá Croí’s apocalyptic dreamworld.

Lyrically, the track explores themes of destruction and desire, obsession and oblivion, wrapped in irony, sarcasm and dark poetry. Crá Croí’s sound is familiar yet unplaceable — evoking echoes of ‘80s post-punk/dark and new wave without falling into retro clichés.

*Radiation Romance* is the first of several singles leading up to a full-length release. The duo is committed to artistic integrity over exposure — live performances are planned but only when the moment is right.

Radiation Romance

A dreamy shoegaze track from Ōtautahi, New Zealand. 

Levitating The Knife

Available Dec 5 https://deadastronauts.bandcamp.com/album/yuu-yuu

Kakuma Refugee Camp, nearly 30 years old and home to over 160,000 people, is one of Africa’s oldest and largest refugee settlements—a unique, multicultural “country within a country” in Kenya’s Turkana region. While often associated with the tragedies of war and displacement, Kakuma also harbors an extraordinary, little-known musical scene. Musicians from across Africa—Congo, South Sudan, Somalia, Ethiopia, Burundi, Uganda, and beyond—collaborate to create vibrant, hybrid sounds that reflect their shared resilience and cultural fusion. Artists like Smart Djaba and initiatives such as Kakuma Got Talent have begun showcasing this creative energy, supported sporadically by UNHCR and UNESCO. Advocates argue that Kakuma’s musical heritage deserves recognition not only as a powerful expression of identity and hope, but as evidence that long-standing refugee camps like Kakuma should be seen as living cultural centers—potential World Heritage Sites that embody human creativity, endurance, and unity.

Collaborations often emerge from the most unexpected places—and this collection is proof of that. We wanted to celebrate the creative evolution happening among local artists in Kakuma Refugee Camp by blending multiple styles into something new, collaborative, and spiritual.

It was important to us to preserve the song’s original spiritual meaning and honor the beliefs of the artists who inspired it. Our lyrics aimed to highlight that depth while keeping it authentic to Dead Astronauts.

This was our first collaboration of this kind as a band, and from the moment we heard the live version of “Yuu Yuu,” we knew we were part of something truly special—a small piece of the Kakuma story.

With the new version of the song now making it's way through the camp, the locals have affectionately labelled the style/genre of Yuu Yuu as "dackwave drum" and the upcoming music video partially features locals dancing to this new iteration of the original.

Partial proceeds from all sales will support Kakuma Sound’s mission to amplify human creativity, endurance, and unity through the voices of local musicians sharing their stories with the world.

Much love,
Kakuma Sound and Dead Astronauts

Yuu Yuu (Dead Astronauts 'Dead In Belize' Version)

Hot Honey

for christmas

You don’t have to read the press release for Rafael Anton Irisarri‘s latest opus, Points of Inaccessibility, to know all of its conveyed emotion. It’s already all there. That is the power of music when it’s delivered through the heart and mind by an amazing artist. Sure, there is an interesting background behind this work [and one which you can read on Bandcamp anyway], but for me, it doesn’t matter. When I listened to this album for the first time, I was immediately overwhelmed with its immersive poignant arc, and then I listened to it again, and again, and again… until the four pieces became not just the sounds for the story to be discovered later through these words, but they became the sounds for the story of my own, the one where words are not enough, the one that only speaks in music. This music touches something deeply personal, and then these words come out in abstract. But when you read them, you will know at least one thing: they have been written by a human. They have been triggered by a human. And when two humans speak without words, there is a true and genuine connection. One, which we can’t replace with a digital domain. And as we sink a little deeper every day into a world of artificial emotion, remember that you can return to music. Remember that this music is the key.


Points of Inaccessibility came from thinking about how disconnection feels in an age obsessed with connection. We are constantly online, constantly visible, yet we drift further apart. The real distance isn’t geographic anymore, it’s emotional. We mistake connectivity for community. The more we share, the less we seem to feel. This album is about that strange loneliness that hides inside constant communication, a loneliness that hums quietly beneath the surface of everything. The record isn’t nostalgic. It’s about the way the present is haunted by all the futures that never arrived. We live inside systems that promise connection but deliver repetition. Everything loops, nothing resolves.

— Rafael Anton Irisarri


The album is scheduled to be released on February 6th, 2026, via Irisarri’s own Black Knoll Editions. Preorder the beautifully mastered limited edition 12″ by Stephan Mathieu at his Schwebung Mastering, with a bleak yet stunning cover art by Jaco Schilp. Once again, you can grab the digital and vinyl versions directly from Irisarri’s Bandcamp. Don’t sleep on this one.

https://irisarri.bandcamp.com/album/points-of-inaccessibility

Points of Inaccessibility

Breaking the Unison

TRACK PREMIERE : Rafael Anton Irisarri - Breaking the Unison

When it goes like that
And it comes like this
In my heart you will
Always be the one

In my heart you will
Always be the one
Hate your guts for that

Make me hate you
I wanna
Make me hate you
Motorbike

That's what i like
That's what i like
When you ride me 
Like a motorbike

You are the one 
And you'll always know it

I like when you touch me like that 
You show me that you want my love

---

Produced, written and performed by Sissy Misfit
Mastering engineer: Baris Ergun

2025 HOLY MISFIT


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SardineKing