なんだよ

The♡ry 0€ Re/at!v!ty (Extended mix)

とおりゃんせ(exnoiz bootleg)

Bunny G1rl (d0g) Needs 1dent1ty

全ての音を100円のCDからサンプリングし、自前のサンプルは一個もつかっていません。

disk union samplist 通 【F/C [DCKS-0109] V.A. - Samplemaniaxx】

first "long" reizokore song. took a while to finish, but i'm happy enough with the final product. im gonna go hibernate now 

(half dumb list of samples iirc)
- etienne clip compilation, heard at first sample and around electric butterfly.
- bye2's "Reverse Nightmare Tower"
- many reizoko cj songs (svensk super kung-fu, all your base are belong to me, and japan style breakcore - 2)
- kasai hardcore's "Cycle Hit," used before the ending of the song.
- many obscure songs from the definitive reizoko cj archive (some used: tsugihagi construction plight remix, part of witching dream split into 3 segments, video game sfx, and some audio snippets)
- Houshou Marine's "I'm Your Treasure Box" and a snippet of her screaming given from an osu!standard & osu!mania skin
- t+pazolite's electric butterfly

that's about all i can remember but don't take my word on it being fully accurate lol

genuine reizokore shit

イキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギイキスギ

イキスギ２

A-200 bet you didn't see that one coming

Pink Slips

Untitled (13)

Dark, technical, and heavy. "Incoming" is a Neurofunk banger inspired by the sounds of Noisia and Mefjus. 

If you like gritty basslines and sci-fi atmospheres, turn this one up loud. 🔊

🛑 BPM: 175

Feel free to like, repost, and comment if you're feeling the vibe! 🙌

#Neurofunk #DnB #Techstep #DarkDnB

Incoming

reizokore creator. i love houshou marine and shishiro botan, some songs may have a few samples that include them

genuine reizokore shit

sary

Recent comments

DJ pidarasiq

Mempty

Quantum

Related tracks