The Greatest / Skin A Rat

Skin A Rat

And In The Darkness, Hearts Aglow

Grapevine

All Born Screaming

Sweetest Fruit

Broken Man

Violent Times

Amanaemonesia

Pretrial (Let Her Go Home)

this took all year lol
bananza was robbed of goty btw
do NOT upload to youtube, you will be struck

rap written and performed by wrathstetic
choir written by nintendo's ACE 
choir performance by redtv53 and churgney gurgney

lyrics:
gaze upon my scaly glory
all the kremlings they adore me
you're the kong but i'm the king
so soon, you just might fall before me

in his claws he'll hold the planet
(can't it just be mine)
it's his hour, it's his time
(come sunrise, we'll be riding high)
i'm riding high, from port to starboard
i rule these lands, from port to harbor
it's more than armor i come equipped with
you're on my hit list, so try harder
ending this is just monkey business
but i'm the one who'll come out swinging
the reptillian rooler, champ of the ring
so bow down to your king!

bananananananananananana
bananananananananananana
banananananananananananana
bananananananananananana
bananananananananananana
banananananananananananana

songs used for reference:
https://www.youtube.com/watch?v=yMBFdtRbFD0
https://www.youtube.com/watch?v=H2KjJlmpnmc
https://www.youtube.com/watch?v=qr94NBZhTWI
https://www.youtube.com/watch?v=8dAbJv7QGz0
https://www.youtube.com/watch?v=BC3w9SypLQ8
https://www.youtube.com/watch?v=aNf0DV67AlQ
https://www.youtube.com/watch?v=Zcdd9PPGn7c
https://youtu.be/1XM8ReW9NvA?si=GIG9dPse15oHhHnp

I ROOL

In the low light where sounds birth learns to breathe,
dark eroticism already hums like deep bass-line.

Let us say that it is not the body that speaks here first,
but the fragile void before the note and tension lands ... tremor held between silence and desire.

Music moves  through shadow—
slow, deliberate, never naming what it touches.

serpent of a minor chord leans closer than words,
a rhythm lingers where restraint melts,
teaching longing how to sway.

echoes,
vinyl crackle, velvet night,

 voices with secrets it refuses to confess.

It is the art of almost,
the seduction of what remains just out of reach.

In this space, sound and desire conspire.

They remind us that the deepest intimacy
is often heard, 
felt in the pulse.


8) Dark wraps her fevered grace

Psychopomp

Jubilee

Posing In Bondage

SASAMI (Sasami Ashworth) has been making music in the Los Angeles area, in almost every way you can, for the last decade. From playing French horn in orchestras and studios and playing keys, bass, and guitar in local rock bands (Dirt Dress, Cherry Glazerr), to contributing vocals/string/horn arrangements to studio albums (Vagabon, Curtis Harding, Wild Nothing, Hand Habits, etc.) and producing on tracks for other respected artists (Soko), she has gained a reputation as an all-around musical badass.

After graduating from the Eastman School of Music in 2012, SASAMI spent her time scoring and making orchestral arrangements for films, commercials and studio albums, as well as being a deeply committed music teacher in Los Angeles. She spent the previous two and a half years touring the world non-stop playing synths in the band Cherry Glazerr and is now taking a turn to focus on her own music. SASAMI's first ever self-released single "Callous" was given Pitchfork's "Best New Track," and this year she has already shared bills with the likes of Japanese Breakfast, Liz Phair, The Breeders, and Blondie.

Skin A Rat

SASAMI

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