There’s groove everywhere in this track — in the playing, in the arrangement, and even in the sound design, mixing, and mastering. It’s not just the rich textures or the depth of the low end that make you want to listen to it on repeat — maybe it’s simply because the track feels warm and unpretentious, like a good friend.  This one really deserves to be heard more widely. Well done, man.

bah bah! suer dope composition! love the flow, progression and vibes!

March is such a "two-faced" month in the northern latitudes, it can caress with a kiss of sunlit warmth, or slap the face with high winds and freezing temperatures--maybe in the same day!  It is so fickle these "ides of March" which Shakespeare told us to beware of.  The mood and playing of this song came upon me like one of those Ides, riffing on something much more mellow, when I randomly strummed an E major chord, then again with more force, then faster, stronger...I had to capture the moment, but like March weather, you can't be angry all the time, and so the caress of the Cordoba nylon. You might ask what the mellow riffing sounded like I was first practicing on--wait for it:)

Two-Faced (An Ode to March)  David Dunham, Acoustic Guitars

Here is the English translation of the poem:

There is no song of departure in the alley,
The lantern of friendship is not lit,
Don’t fear the attack of my presence,
I carry nothing but solitude with me.

When you're not here, I doubt myself,
I doubt every flower, every shade of light,
I doubt the tear of a dove, I doubt the dream of ashes,
Without you, I doubt nightmares and dreams alike.
I even doubt the flame, the butterfly.

Tonight, once again, there is no lantern lit,
There is no lamentation for the sorrow of this night.
I am not afraid of the walls, the dead ends, the shadows,
I am dark, dark, I am afraid of myself.
I am afraid of the shadows of the night without companionship,
I am afraid of being untrue.

There is no song of departure in the alley,
The lantern of friendship is not lit,
Don’t fear the attack of my presence,
I carry nothing but solitude with me.



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81_ Blade Runner Sounds Tribute (RunToTheEnd2049Mix) - released on 23 May 2025

Inspired by the Blade Runner universe, the movies, but above all the sounds, I mainly "helped myself" to the 2049 version. #electronic #space #dance #trance

(produced with Music Maker JAM)

Blade Runner Sounds Tribute (RunToTheEnd2049Mix)

Port Charm

Dusted off the trusty old Volca Drum machine to create the beat for this one. In years past I used it quite a lot, including on many of the early Smoking Trout tracks, but it had been a little while. I'm also continuing to experiment with longer stretches of guitar, and incorporated most of the synth arsenal on this one. This was kind of inspired by reading the news here in the US, a strange mixture of depressing and ridiculous weirdness haha.

End Time Blues

Darkness Comes

Tiristor

Tesk comes correct with loose single "The Sauce". An instrumental hip-hop track complete with boom bap elements, this one sounds like golden era hip-hop blasting out of vintage speakers. Old school influence yet refreshing and new. The drums knock with confidence while the syrupy synths ooze levels of cool. It’s the kind of jazzy track that loops effortlessly, pulling you in with each new spin. Part of our ongoing single series, this beat couldn't have a more fitting title. Pressing play makes it evident that Tesk does, indeed, have the sauce.

This single is the ninth release in our 2025 single series with many more to come. 

The Sauce

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Golden Sahara VII

Jazz Break Boulevard - Boom Bap Instrumental Beats

Beneath the streets of Shiraz, there’s a bloke called Sasan. He crafts sounds for himself and his mates, both real and virtual. He’d be well chuffed if you gave his work a listen, here and there.

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SASAN

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