A piece for Shakuhachi flute and my set of percussion; part of the recording of 11 tracks for the album of Shiho Yabuki. Japan, february 2013.

風の戯れ

Sascia Pellegrini: knobs, faders, buttons. 
Laptop: live processing.
Microphone and Hydrophone: signal processing.
Loudspeakers & Headphones: real time outputs.
Guests: Sound Card, Cables and Power Plugs.

Duet 1 from The Repository Project

Solo 2 from The Repository Project

Solo 1

My new 11 tracks album on Bandcamp, dedicated to the individuals behind the 8 projects I was involved in Tokyo: 11 tracks for 11 people. 
The project consists of 25 albums so far: if you like any of the music, please consider to support on Bandcamp. Thank you very much!
現在、25 枚のアルバムがあります。もし、気に入っています、このプロジェクトをサポートしてください。誠にありがとうございます。

Yukina

This thematic piece in six short sections, develop an harmonic content within expansion of pitches and rhythmical figures: the precessed content is then dis-assembled in his counter twin 'Six Fragments Thématiques'. Vibraphone and electronic live. Multi-mallets. Cover photo: 'Split Faces', processed shot.

Six Fragments Thématiques Traité

Album n 29 out of 30 for electric guitar, processing, and noise 

Bandcamp

AD six

AD three

AD one

AD four

A new work for solo natural voice, live processing, and post-processing editing

Osmeterium

Cenotaphium

Oriolus

Sabbaticus

Conundrum

Ricercare

Renovatur

Peculatus

Exquiste Corpse

Pabulum

Erratus

Musica Ficta is a composition for Piano and Vibraphone. An homage to the musical thinking of Benjamin Boretz.

Musica Ficta

Solo III Piano, Timpani and Marimba

A piece for percussion trio. The set up includes: 3 snares, 2 bongos, 2 congas, 3 rototoms, 2 tympani, 7 thai gong, 6 ogororo, 2 tam tam, chimes, burma bells, 3 cans, a zarb, a field drum, an african mbira, shakers and cowbells. 

Broken messages

An experiment with 6 sine wave oscillators

Waves 1

If you like my work consider to support my The Repository Project on Bandcamp; or buy me a coffee: https://ko-fi.com/sasciapellegrini
Sascia Pellegrini was born a piano player, grew into a pianist/composer and is now maturing as a
percussionist and performer/composer.
He researches improvised and written music with a special interest in the perception of the act of
performance and the deeper implications of musical thinking. He often leads workshops on these
themes in universities and music schools for composers, instrumentalists and performers.
In his musical research, Sascia combines compositions for, among others, live electronics,
visuals and percussion. He has written music for various ensembles and has developed
choreography and visual works often in collaboration with dancers and other media artists.
As a percussionist/composer he has performed extensively in Italy, France, Germany, China,
Japan, Hong Kong and in his place of residence, Singapore. He has performed in Concert Halls, Theaters,
Art Galleries and Art Spaces, primarily as soloist and composer.
He was trained in percussion and composition at the Italian Conservatory “Puccini” of La Spezia
and he joined percussion, composition and conducting classes at IRCAM in Paris. In the course
of these studies he has met, learned from and shared ideas with a variety of stimulating
composers and performers.

sascia pellegrini

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