John Field - Nocturne No.2

Chopin Waltz in E minor, B.56

Czerny Etude No.50 Op.740

Chopin Nocturnes Op.15 No.2 in F Sharp major

Chopin Nocturnes Op.9 No.2 in E Flat Major

Sweet Georgia Brown - with guitar solo.

Swanee

Chopin Nocturne, Op. 37 - No.1 In G Minor

Chopin Etude No.1 In A Flat Major Op. 25

Chopin Ballade No.1 In G Minor

Hummel Piano Sonata No.5 In F Sharp Minor Op. 18 Mvt. 3

Oh Danny Boy

Clarinet Etude Opus.1 by Viacheslav Dalecourt

Dalecourt's Clarinet Etude Opus.1

Righini Etude arranged for Clarinet and orchestra.

Stompin At The Savoy

Teluk Bayur

A piano and orchestra arrangement of Bellini's aria from the opera La Sonnambula.

Bellini's Sovra il sen la man mi posa for piano and orchestra

Non V'ha Sguardo For Instagram

An arrangement of an Indonesian song for the Erhu, Gu Qin, bass and vibraphone.

Bengawan Solo arranged for Chinese Classical Instruments

My rendition of Chopin's Fantasie Impromptu

Chopin's Fantasie Impromptu

Haydn Piano Sonata No37 in D major Mvt 1 Allegro

An instrumental arrangement of Piaf's La Foule

La Foule - Piaf

Inspired by fantasy, Italian operatic drama and sentimentality, Viacheslav Dalecourt’s style of composing and piano playing can be described as flamboyant, dramatic and sentimental. The sound he creates can be described as an imperious sweep with aristocratic poise and sensitivity.

Sasha is a man of eclectic interests and tastes. As a musician, there is a direct correlation between his eclectic tastes and his intention to work with different styles of music ranging from Classical, Jazz and Latin to Belcanto Opera and Chinese tradition vocal music. “Through my travels, I’ve been exposed and influenced by so many kinds of music and have experimented with all but I think I have settled on musical styles that are vibrant, dramatic and full of historical significance,” Sasha says, “My repertoire has evolved and expanded but I am still deeply connected to the Western Classical tradition.”

Sasha’s passion and aptitude for music was apparent at an early age but he also encountered the strange imbalance between his inner world of passion and restricted life experience: “I was a child, I knew so much, I felt so many emotions, but I had never made their acquaintance! I felt the tragedy in life, I felt abandon, exuberance, exaltation, but had not met these feelings in the outer world.” Sasha, speaking with the wisdom of hindsight, saw this emotional precociousness almost as a limitation of his early musical experiences. His development as an artist meant connecting these intuited emotions with real-life experiences, a difficult process of catching up with oneself in adolescence.

Whilst in his teens he studied at the Sydney Conservatorium of Music and once graduated embarked on a long trip abroad which is still continuing ever since. “Being a gypsy at heart I’ve found it hard to settle in one place for long and new experiences always beckons me to travel again.” His many travels has led him to discover so many world cultures and he enjoys immersing himself in its tradition, history, languages, art and of course its music.

Sasha Dalecourt

Popular tracks