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"Feelharmonia" is taken off Christian Löffler's debut album, A Forest, out now on Ki Records.
More info: http://www.umstrum.com/christian-loffler

Christian Löffler - Feelharmonia (Ft. Gry)

this is a free download!
you can also download a copy from my buddys sondcloud-account:
https://soundcloud.com/punk/oddvar-kai-kurve-no-tomorrow-2
you can expect more in little time 
on dantze, katermukke, zaubermilch.

peace kai & oddvar

Oddvar & Kai Kurve - No Tomorrow

Siggu don't want no one dancin above him ok?

Dancin Above Me (ft. Siggu)

taken from V.A. - BLUE LAGOON SOUNDTRACK 3 BY MARGEIR
out now on hfn music: https://hfn.lnk.to/hfn34cd

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More info:

www.facebook.com/hfnmusic
www.youtube.com/user/hfnmusicTV
www.twitter.com/hfn_music
www.hfn-music.tumblr.com
www.hfn-music.com

www.facebook.com/kasperbjorke
www.facebook.com/djmargeir
www.facebook.com/gluteus.maximus.music

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Full release info:

This third installment of DJ Margeir Ingólfsson’s acclaimed Blue Lagoon Soundtrack continues the tradition of capturing the relaxing and otherworldly atmosphere of the Blue Lagoon in a flawless mix of eclectic electronic gems. Known both at home and abroad as Iceland’s premier DJ, Margeir strikes a unique tone with tracks ranging from 1960s Icelandic classics through to brand new and exclusive unreleased material. Disc 1 is mixed by Margeir and Disc 2 by his alter ego outfit with GusGus’s President Bongo, Gluteus Maximus. Soulful, fluid, vital, and powered by an electronic heartbeat, this collection mimics the Blue Lagoon’s unique combination of the restorative power of nature and the manmade technology that harnesses it.

DJ Margeir is the Golden Calf making sacrifices on the sonic altar for the lost hordes. His infamy is forged from ironclad production, blistering DJ sets and a twisted sense of humour that keeps his disciples coming back religiously. Margeir is one half of Gluteus Maximus and a founding father of Radio Bongo, from the mighty Kompakt stable - alongside friend and collaborator President Bongo. As a club DJ, Margeir has circled the globe laying down the gospel since the early ‘90. DJ Margeir and his Symphony Orchestra, conducted by Samuel Samuelsson and featuring members of the Icelandic Symphony Orchestra, takes audiences on an aural adventure they’re not likely to forget. Margeir’s Blue Lagoon baptisms are legendary, his water-borne party sets ferrying crowds to an otherworldly land of musical plenty. The first of his acclaimed Blue Lagoon Soundtracks went gold. The highly anticipated third chapter will be released in May 2014. Testify.

Gluteus Maximus is Iceland's President Bongo and DJ Margeir. Masterminds of the Reykjavik-based events company Jón Jónsson, these dysfunctional digital artists have jockeyed their disks all over the planet, playing everywhere from Pacha to The End, armed with a combined remix list verging on the offensive - Björk, Trentmøller and Sigur Rós to name but a few. Their original hit single “Everlasting”, featuring the magnificent vocals of Högni Egilsson, heralded the birth of their own label, Radio Bongo. Both at home and abroad Margeir and The President are a supernatural institution. They’re an arsenal of rotating musical mass with a live freak show that shouldn’t be missed.

Blue Lagoon Soundtrack 3 by Margeir

Purchase here.

Kasper Bjørke - Heaven (Beatless Version)

Darkside - Freak, Go Home (Live On KEXP)

Black Sabbath may not seem a natural source of inspiration for Nicolas Jaar and Dave Harrington’s ambient electronic collaboration Darkside, but the British hard rockers provide quite a canvas for the duo in the form of their moody, slow burning track “Planet Caravan.” Performing a cover for BBC One at Maida Vale, Jaar and Harrington exert their usual bouncy minimalism, and substitute Ozzy’s vocals for Jaar’s wobbly falsetto. The most stark difference is the drum beat, which on the Sabbath original was merely bongos. The layering of the guitars and the spacey synths somehow make the song even more astral than it was before. It’s become so thoroughly a Darkside track that it barely counts as a cover. This is music for stargazing, or perhaps, for staring at the place where the stars are supposed to be.

Check out “Planet Caravan” below and look for Dave Harrington’s solo EP Before This There Was One Heart But A Thousand Thoughts.

Darkside - Planet Caravan

Reaching ten millions of clicks on Soundcloud & Youtube, Vijay & Sofia Zlatko attain massive stats for an underground artist. It must say that the Belgium duet didn't steal this success! From the recent remix of John Newman – Love Me Again to the first appearance on Sleazy Deep, the duet sail between a deep-house dance-floor oriented to a melancholic house music, as a journey. 

Like this summer in Ibiza where Vijay & Sofia decided to create this duo.

As a couple, in life and behind the decks, Vijay & Sofia, they lead the discussion on social network and on the dance-floors since 2 years, but the career of Vijay started well before, with collaborations as the like of Nico Pusch or Rodriguez Jr. Without forgetting the past, Vijay open the doors to the duet at the end of 2012.

An artist can share his life only with another artist, and that's why the duo works so well. Sofia has the soul of an artist that sticks to the skin. A well-chosen word for a tattoo artist. This graphic artist with a strong universe is also a huge fan of music and dance (More than 12 years as dancer) and Vijay led him to be with him behind the decks and software productions.

soundcloud.com/vijayandsofia
facebook.com/Vijay.Sofia.Zlatko

009 Chan Chan_Buena Vista Social Club (Vijay & Sofia Zlatko Edit)

Dutch producer Satori is releasing his debute album on Underyourskin Records. The album will be released on March 6th.

Pre-order on iTunes: 
https://itunes.apple.com/de/album/in-between-worlds/id965384576?l=en

Pre-order on Tonal Industries:
http://www.tonal-industries.com

Find out more about Satori:
https://soundcloud.com/satorimusica

Find out more aboout Underyourskin Records: 
https://soundcloud.com/underyourskinrecords

Satori - Pink & Orange feat. Miou Amadée

Monolink & Acid Pauli - The End

'In 1988, there was a referendum that asked the Chilean people: “Do you want Pinochet to stay for eight more years?” That simple, yes or no. So the resistance—which was artists, leftists, activists—created a campaign for the “no.” They effectively turned a negative message into a positive message, which seems like the most elemental change that you can do. I feel an affinity with the political aspect of dance music—maybe it can increasingly become a place of protest'

Sirens

Nicolas Jaar - No

Gold Snake

Recorded at Journey to Tarab Festival 15.07.2017

Gottlieb Scheppert - Live at Journey To Tarab Festival

es funkelt Gar auf frostgem Feld (Original Mix) CFA 005

@amu_amu
www.facebook.com/AmuAmuMusic

Remix by @tolgabuyuk

Bandcamp:https://randomcollective.bandcamp.com/album/afiafi
Spotify: https://open.spotify.com/album/4AR7PXF4hQE7uExigOkvw0


Master: Nathan Hall
Artwork: Möstros (www.instagram/mostrosinside)

AmuAmu - Afiafi (Islandman Remix)

Almunia - New moon

cut from "Nicolas Jaar - Live At Sonar Lab (Barcelona) (2012-06-15)"

Nicolas﻿ Jaar - What's the Name

Devenir Maleza was one of those projects that just arrived in our overflowing inboxes one day out of the blue. We opened the link and discovered four finely crafted, beautifully produced and captivating tracks of transformative, percussive music. 

It rare to find music that marries so well recorded percussion, live instrumentation and vocals with deep electronic productions without one dominating on the other. With Devenir Maleza Prisma and Martin Broder, a duo based between Berlin and Buenos Aires, managed to find that sweet spot that we love so much here at Shika Shika: deep, electronic but natural, acoustic and introspective. Or as the duo describes it: “a crackling, soothing, hypnotic lullaby.” 

Devenir Maleza’s was inspired by the concept of “becoming” and of transformation in many aspects. Through their long-distance collaboration the duo’s starting point was to imagine music becoming la maleza or “the undergrowth”, as if it the synths, vocals and instruments were sinking into the humid earth or drawn from the whistling wind or emerging from a rustling forest. 

The duo is joined on the EP by the talented singer and pianist Maria Barone as well as techno-producer / percussionist Merlin Genschel.
credits
released July 25, 2019 

Producido por Prisma & Martin Boder 
Voces: Maria Barone 
Percusion: Merlin Grenschel 

Turbina de amor es originalmente de Rafael "flaco" Ferriaolo 

Mastering: Rob Small
Artwork: JUMU (instagram.com/jumumonster)<3
ShSh 031

Buy on Bandcamp

04. Prisma & Martin Boder - Secreto

Have you ever gotten lost in thoughts and dreams while gazing at the night sky? Those celestial bodies sparkling in the deep dark blue have caught our attention and driven intrepid explorations since the dawn of time. The mysterious immensity surrounding our beautiful little planet has always stimulated our fantasies: scientists and philosophers have found challenges in it, while artists have found nourishment for their creativity. Our talented friend mUnO seems to fall in the latter category, since he told us that astronomy, the night sky and the concept of infinity itself, serves as the inspiration to create ‘cosmic soup’, which is the way he describes his own sound. mUnO is the borderless project in constant evolution, launched in 2015 by Gonzalo Urtizberea, also known as Gurtz and 1/2 of Kermesse. Gurtz formed mUnO as a way to express himself without stylistic constraints and to experiment with new instruments and samples. His latest EP, Mareas, meaning ‘tides’ in Spanish, includes two enchantingly melodic original tracks and four lively vibrant remixes by none other than Lagartijeando, Vruno, Betelgeize, and Señora. The beautifully diverse styles brought by these incredible artists blend perfectly with the motifs of the originals, adding some spicy beats to the cosmic soup. We at UCR are honoured to serve such a delicious meal to you, dear sonic diners, so please enjoy it…or should we say ‘¡Que disfruten!’.

Follow the artists: 

Muno: 
sc: @munomusic
fb: www.facebook.com/munomusic
bc: munomusic.bandcamp.com/

Lagartijeando: 
sc: @lagartijeando
fb: www.facebook.com/lagartijeando
bc: lagartijeando.bandcamp.com

Vruno: 
sc: @vrunomusic
fb: www.facebook.com/VrunoOfficial
bc: vruno.bandcamp.com  

Betelgeize
sc: @betelgeize
fb: www.facebook.com/betelgeizemusic

Señora
sc: @senoramusica 
fb: www.facebook.com/senora.band
bc: senora.bandcamp.com

Muno - Noche (Señora Remix)

http://snip.ftpromo.net/eatingsnowitunesdeluxe

written and produced by Maurycy Zimmermann & Mario Willms
Lyrics: Mario Willms
Vocals: Maurycy Zimmermann

BPitch Control Records 2013

Eating Snow - Siamese Twins By Choice

Fukai 2 meaning &#8216;deep&#8217; in Japanese 2 is a brand new label aiming to release tasteful deep house from around the world. The label&#8217;s first missive comes from Aki Bergen &amp; Djuma Soundsystem Feat. Lazarusman and includes remixes from Just Be, former member of Layo &amp; Bushwacka!, as well as Klangkuenstler.

Italian Aki Bergen has an assured discography, whilst his partner for this single is Djuma Soundsystem who has topped many Beatport charts with his exciting house sounds. Together they craft &#8216;Don&#8217;t Stop&#8217;, a delightfully off kilter track with an infectious mechanical groove and plenty of wobbling synth lines. Said synths glow like golden embers as the mid tempo percussion brings plenty of funk.&nbsp; Lazarusman&#8217;s slowly rapped vocals add plenty of intimacy to the track and confirm this to be a sure fire summer terrace success. 

Former member of Layo &amp; Buswhacka! now recording as Just Be provides the first of the remixes. His take is all about the funky drums and bassline combo that recall classic, shuffling US house. Here the vocal is sped and chopped up to imbue the track with more restless energy and on this evidence Just Be will likely be as big as Layo &amp; bushwacka! have been over the last decades. 

To close things German producer Klangkuenstler tackles &#8216;Don&#8217;t Stop&#8217; and goes for something much more direct, with oversized kick drums and sharp percussion doing their thing beneath a much more haunting and haunted version of the original vocal. 

A fine debut release that suggest great things are ahead for Fukai.

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