This is clearly labelled as 'Real Pimp' on the record....what is the correct title?

Powerful electro tunes on this new The Exaltics / Paris the Black Fu collaboration on the Clone West Coast Series. The 'Dis turb ance int he Tim eline' is a post apocalyptic electronic soundtrack for a world where nuclear mist, cyberatt acks and disinformation camp aigns hav e tran sform edso ciet y. W eex ist , re s istt he th rea t! !!

Dis turb ance int he tim eline

(pre)order @ clone.nl

The Exaltics feat. Paris The Black Fu - Dis turb ance int he tim eline [CWCS/TAOS01]

HATE exclusive premiere.
Full streaming of the EP soon on our HATE Youtube channel.

Support the label, buy it here:
https://burialsoil-label.bandcamp.com/album/adrien-delzius-brnsrgry-incl-umwelt-remix

Artist: Adrien D'Elzius
Title: Brnsrgry EP
Label: Burial Soil
Catalogue: BUR009 
Format: 12" Vinyl
Genre: Electronic
Style: #Techno
Release date: June 4, 2021

Tracklist:
1. Adrien d'Elzius feat. Spazmic System - Brnsrgry
2. Adrien d'Elzius feat. Miper - Toxic Flood
3. Adrien d'Elzius feat. Miper - Toxic Flood (UMWELT Remix)
4. Adrien d'Elzius feat. Miper - Toxic Flood (Lloyd Stellar Remix)

Adrien d’Elzius is giving his debut on Burial Soil, the title Brnsrgry (Brainsurgery) points out what to expect sound wise. Both originals will pull you deep down in a mystic dark whole, twirling you around and spit you out feeling dizzy from all those fascinating sounds.

Brnsrgry is more rave orientated, moving forward and leaving Devo going green with envy about how to whip it good.

Toxic Flood transports another energy, still scratching the worlds of Acid but way darker and mysterious. Great vocalist Miper asks: “Where will it lead?“

Time for you to find out!

The first remix comes from the one and only UMWELT, needless to say, this Electro banger hits you hard with its punchy acid line and it is roaring in your face: “I’m a dance floor beast!“

Second remixer on this release is the dutch Lloyd Stellar and faithful to his dutch electro origins, he created a journey to float away into cyberspace.

Follow #AdrienDElzius here:
https://soundcloud.com/hosmoz
https://www.facebook.com/Adrien-dElzius-HosmOz-143797665666382

Follow #BurialSoil here:
https://soundcloud.com/burialsoil
https://www.instagram.com/burial_soil/
https://www.facebook.com/burialsoil/

Follow #Umwelt here:
https://soundcloud.com/umwelt-music
https://www.instagram.com/fredumwelt/
https://www.facebook.com/umwelt.raveordie/
https://www.residentadvisor.net/dj/umwelt

___
DISCLAIMER: All tracks are uploaded in a low quality for promotional purposes only and with buy links to respect label and artists.

CONTACT EMAIL: hatemusic1@gmail.com

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Brnsrgry EPBrnsrgry EP

Toxic Food (Umwelt Remix)

Premiere: Adrien D'Elzius - Toxic Flood (Umwelt Remix) [BUR009]

TRUST XY.1

Herd Instinct

DJ Stingray x The Exaltics: „Herd Instinct"

Fierce electro/techno by PRZ who beams down his intergalactic 'Wishmaker EP'. An amalgam of influences ranging from Electro, Detroit Techno and Italo Disco make for a classic Clone signature EP that blends perfectly with stablemates such as Alden Tyrell, Detroit In Effect and The Exaltics on the Clone West Coast Series. Recommended!

Order vinyl: https://clone.nl/item64846.html
Follow us here:
https://www.youtube.com/CloneRotterdam
https://www.facebook.com/CloneRecords/
https://www.instagram.com/clonerecords/

https://clone.nl

Wishmaker

Wishmaker EP

Order @ clone.nl

PRZ - Wishmaker [CWCS017]

Out now: mechatronica.bandcamp.com/album/small-moves-ep

EP playlist: https://soundcloud.com/mechatronicamusic/sets/out-now-no-moon-small-moves-ep

@nomoontrax follows up on his 2018 Sirens EP, with an intricate blend of tripped-out machinefunk, colorful breaks, obscure slo-chuggers and outsider electro.

Released August 26th 2022.

--
instagram.com/mechatronicamusic

[ Buy on Bandcamp ]

No Moon - Vegetarian At The BBQ [MTRON026]

Lifted straight out of a misty basement in the East End, the spirit of a bygone era is packaged up and delivered first class in the form of two hypnotic, swung cuts ready for the modern day soundsystem

Illegal Shipment - Reims / Exchange

Preorder for DIME006 lathe cuts and full digital release available 2nd October via Bandcamp

Mastering: Plantpower
Artwork: Future Curse
Lathe Cut: The Cut House

DIME006 - Illegal Shipment - Reims / Exchange (Clips)

Jensen Interceptor and Assembler Code drop their collaborative ‘Hyper Reality’ EP on Cultivated Electronics next week (23rd April).

The two producers have proved to be amongst the most exciting to surface as part of the recent return of electro. In the last few years Jensen Interceptor’s reputation has rocketed, with releases through Boys Noize and Sheffield’s Central Processing Unit (CPU), whilst together the pair are responsible for rollicking tracks like ‘Drum Rack’ – something that’s been on office rotation at DJ Mag since it dropped in February.

Cultivated Electronics label-boss Sync 24 subsequently tapped Jensen Interceptor and Assembler Code for the ‘Hyper Reality’ EP, made up of four tracks of dark, driving electro. We’ve got the exclusive premiere of his remix of the title track above.

With Cultivated Electronics, Sync 24 has been responsible for helping push UK electro back to the fore with a string of releases from artists including Morphology, Silicon Scally and The Resonance Committee.

Speaking about his rework of ‘Hyper Reality’, Sync 24 told DJ Mag, “I went for a tight staccato robotic vibe on this one with some bubbly acid and drive for the dancefloor. I’m super happy to have these guys on the label!”

Listen to the exclusive premiere of Jensen Interceptor and Assembler Code’s ‘Hyper Reality (Sync 24 remix)’ above.

Premiere: Jensen Interceptor & Assembler Code ‘Hyper Reality (Sync 24 remix)’

Artist - Animistic Beliefs w Exaltics Remix
Title - Molucca Quake EP
Label - Cultivated Electronics
Format - 12” Vinyl LP / Digital Release
Release Date - March 2019
Cat Num - CE029
Worldwide Distribution - www.clone.nl
Preorder - https://clone.nl//item54790.html

A1 -  Molucca Quake
A2 - Molucca Quake - The Exaltics Remix
B1 - Lusty Toad
B2 - Resequenced DNA
B3 - Virgin Circuit 

After their CE debut on the From The Dark Volume 3 compilation Rotterdam's finest new analogue electro technicians Animistic Beliefs start 2019 running with a full EP on the Label. 4 tracks of pure machine funk electro with a remix from Solar One head honcho and CE regular The Exaltics.

CE029 - Animistic Beliefs - Molucca Quake EP

B1 from 'Relative Persuasions' VA. 
@xy0815
@b3emo

XY0815 & Int Main - Rigid Body

Buy the digital Mechatronica Aid EP here: mechatronica.bandcamp.com/album/aid-ep

If you’re currently lucky to be in a position to spare some funds, please consider making a charitable donation in your community to help fight the Covid-19 outbreak.

Should you still have any additional good fortune left, we have put together an Aid EP, to help support the artists on our label, currently under financial pressure due to the massive amount of event and DJ gig cancellations - and to keep the lights on in our collective, which is heavily dependent on income from event production.

The Aid EP additionally enables us to provide a bit of work for our mastering engineer, also a DJ and producer, financially impacted by event cancellations.

All sales will be split 50/50 between the artists and ourselves, after mastering costs have been recouped. 

Stay healthy out there - and if you have the means, we encourage you to find ways to reach out and support those affected in your local communities.

Mechatronica Aid EP

BUY DIGITAL RELEASE

Datawave - Interflow [MTRONAID]

Beat junkie, producer and dj who has been moving minds galaxy wide for well over the past decade with his unique blend of dark sci-fi robot infected electro sounds for the dance floor. Being influenced by the early days of electro, breakdancing, hip hop, graff, and broken beat music such as Kraftwerk, Chakka khan, Newcleus, Styx, Egyptian Lover, Midnight Star, Lisa Lisa, Run DMC, Afrikka Bambatta, Edie Grant, Kurtis Blow, and many more talented artists.

In 1995 he purchased his first set of turntables self teaching the tactics and skills he would later use to rock party people on the dance floor world wide. Weekends soon became forest and full moon parties with beats and freaks dancing under the stars in the very beautifull northern Arizona countryside. In 1996 he moved to London to pursue his dreams of production and become submerged in the UKs underground electronic dance culture and music scene. While living in the UK he performed at his first massive event called World of Dance in Aug of 1996 under the name Neon Beat batteling the Psyconauts along side the bassest from Massive Attack and Big Darren, plus several smaller events and happenings in UK/EU area. Living across the street from the legendary Blue note club in Hoxton square near Old Street he was hitting some of the first of the METALHEADZ nights, FABRIC, the End, and many other underground events collecting inspiration and ideas to create urban influenced, BASSheavy electro robotik sounds geared towards the dance floor. Through a good friend he later met a couple of guys who were working on a little bedroom label at the time. They asked for some scratching over some of the projects they were working on. This label later became one of the most prominent breakbeat labels in the world now known as Finger lickin records. They released Soul of Man, Finger lickins first release, then soon after Finger lickin vol 1 Dj tool record bothe featuring ILLEKTROLAB scratching.

Djing under the name djl3go for the first part of his career he quickly made a name for himself on the underground rave/club circuit with his fluid scratching and mixing abilities plus playing free parties around various parts of the world passing out loads of demos to the beat junkies. In the year 2000 he was forced to change his name due to the L3GO toy corporation threatening him with a law suit. The decision was then made to activate his alter ego ILLEKTROLAB and spread the robot music to all open ears and minds possible. Since then he has performed on bills with many of the most influential and well known artists in the hip hop, electronic dance and uderground music scene such as Grandmaster Flash, Jazzy Jeff, Afrikka Bambatta, Kurtis Blow, Goldy, Perry Farrell of Janes Addiction, Lady Kier of D lite, Dj Craze, Massive Attack, Dynamix, Rabbit in the Moon, Dj Icey, Jackal and Hyde, Rhazel etc....... (A more detailed list can be viewed below)

ILLEKTROLABS high energy performances, scratching, and darker style of production are known to move the crowd and tantilize the senses into a sonik assault of electromechanical madness. With the launch of his own label ADVANCED ROBOTIKS in 2008, (ADRO 01). A slamming release on Satamile records (SAT39) 2007, and a very impressive aresenal of unreleased tracks in his vault the future is looking very bassheavy and energized for the illektrokadet and his robot uprising. The sounds are spreading to every corner of the globe like an uncontrollable yet programmed sonik virus. During his explosive dj/live PA performances ILLEKTROLAB feeds off the music he plays and then projects that energy and adrenaline straight into the crowd creating a direct connection with the party people travelling with them on their galactic space journey into sound. Ask anyone thats seen an ILLEKTROLAB performance and its the same story in any language. The energy is unbelieveable.The sounds are dark, heavy, and thought provoking with ground quaking deep bass along twisted driving acidic synth lines. Best heard on an ear bleeding wall of bass!!

The bottom line is that ILLEKTROLABS music is unparalleled, beat junkies and BASS freaks galaxy wide just keep asking for more. His style is unorthodox, yet crowds keep lining up to catch the vibe of his unique and futuristic robot sounding beeps and bleeps, all sequenced together with a certain mathmatical movement to make the bones vibrate and the body girate. Many try to imitate while ILLEKTROLAB originates. His sound is all his own, ROBOTIK, bassheavy, laced with attitude - and moving minds planetary.

TUNE into the ILLEKTROLAB frequencies !!



DISCOG -
Finger Lickin Records - Soul of Man (scratching) 1997
Finger Lickin Records - DJ Tools (scratching) 2002
Satamile Records - Overdrive (system check EP) 2007
Satamile Records - Real Pimp (system check EP) 2007
Satamile Records - Internal Software (system check EP) 2007
Satamile Records - Darkness Falling (system check EP) 2007
Satamile Records - comming soon 2008
Advanced Robotiks - ADRO_01 "I am Illektro EP" Blue Vinyl/digital 2008
Advanced Robotiks - ADRO_02 "Dirty Robot"digital only 2008
Advanced Robotiks - Adro_03 "SubFreak EP" Vinyl/ Future

DJ MIX DEMOS RELEASED-
Under the name DJ L3go (used for DJ performances 1995 - 2000)

Robot Circus (electro mix) 1996
Space Kadets (electro mix) 1997
Autism (drum&bass mix)1999
HerbalisticNodulator (electro mix)2000
Drum Capsule (drum&bass mix) 2000
Koma (drum&bass mix) 2000
Endosonix (drum&bass mix) 2001
Cyclic Entropy (drum&bass mix) 2001
LIVE in London (drum and bass) 2004
Plus many unamed freestyle sessions floating around.

LIVE PA DEMOS RELEASED -

ILLEKTROLAB (live PA electro mix -2000)
ILLEKTROLAB (live PA electro mix -2002)
ILLEKTROLAB (live PA d n bass mix -2005)
ILLEKTROLAB (live PA electro mix - 2006)
ILLEKTROLAB (live PA electro mix - out 2008)

RADIO -
Power 92 - PHX (2004)
KXCI in Tucson - AZ (2004, 2005)
Voice Q FM - Japan (2005)

TELEVISION -
International exposure on Japanese Television (2005)

ARTICLES/PRESS -
Lotus Magazine, USA, review of Robot Circus, 1996.
BPM Culture Magazine, USA, review of Robot Circus, 1997.
FIX Magazine, USA, review of Space Kadets, 1998.
FIX Magazine, USA, review of Autism, Honorable comparison to Squarepusher, 1999.
New Times Music Showcase, AZ, Voted best dj in Arizona, 2000.
Sleaze Nation, UK, Cover picture/Cover story of magazine, 2001.
Electro Alliance review of System check EP by NEXUS 6 www.electroalliance.net 2007
Electro Alliance review of "Advanced Robotiks EP" by NEXUS 6 www.electroalliance.net 2008

ILLEKTROLAB HAS PERFORMED WITH -
Some of the most influential names in the hip-hop and electronic music industry.

USA-
Grand Master Flash, Afrikka Bambatta, DJ Jazzy Jeff, Kurtis Blow, Dynamix, Z-Trip, Radar, DJ Icey, DJ Craze, Uberzone, RAW, Lady Keir (of Delite), Nas, Perry Farrell(of Janes Addiction), Rabbit in the Moon, Diesel Boy, Donald Glaude, Crystal Method, Simply Jeff, Dubtribe, DJ Dan, Mr Brad Lee, Christopher Lawrence, Pollywog, Freaky Flow, Liquid Method, Hyperactive, , Nigel Richards, Ron D Core, Adam X, Sandra Collins, Ricky Breaks, DJ Dara, Twonz, Scott Henry, DRC, Eric Davenport, Kelly Reverb, Lion and T.C. Islam, Simon Apex, Hixxy, Barry Weaver, Huggie, Jabari Mayes, TRON, John Acquaviva, Rhazel, and others.

UK/EU-
Finger Lickin, Goldie, Mickey Finn, Dylan, Loxy, DJ Rap, Aphrodite, Tech Itch, Decoder, LTJ Bukem, Roni Size, Ninja Tunes, James Lavelle, Dj shadow, Jedi Knights, Andrea Parker, Psyconauts, Adam Beyer, Hype, Spiral Tribe, Neon Beat, Tomy Gun, Cari Lekebusch, Massive Attack, and others


Overdrive-by Illektrolab for Satamile Records

Electro , what is it, and its  history with Satamile Records. Almost everyone in electronic music has heard of 
Kraftwerk, and it really was these Germans that set the DNA for which the genre of Electro would spawn in the years to follow. Electro during this time in the USA was more breakbeat oriented with a multitude of them coming out of NY, and later Hip Hop (much slower tempo) spawned partially from Electro. Much of the main inspiration came from Kraftwerk during its US tour at this time, early eighties. This DNA consisited of some certain defining charachteristics such as, Synthesizers, Sequencers, vocoders of which at this time were all analog. For gear, think Roland-909,808,606 (little electro firecracker), Oberheim, Doepfer, Juno-106 and Akai samplers. Another main characteristic to define Electro  was its heavy endeavor to Science Fiction or "into the future" characteristics.  Its important not to confuse Electro with Synth Pop, New Wave , Industrial or breaks, these are all seperate genres defined by their own unique DNA and fans  (Ecspecially Electro House, and ElectroClash, both of which are not Electro).  So in short, think pop-in and lock-in robots, on the Enterprise as they break it down for their head-spins into the future Galaxy. 

Satamile Records was born out of the Rave scene of the very early 90's, which in itself had qucikly adopted the Electro genre for the rave Events giving a boost and creation of countless Electro labels, that only released Electro. We are sort of a new Electro or hybrid electro is some case's taking the best from the past and creating a bigger and fuller sound for the times.  We also really owe alot to Ravers and Promoters during this time,  for their open minds ,DIY ethic and sharp foresight into "Whats Hot". It was these pioneers that supported so many new underground genres, such Breaks, Techno, Electro
Tekhouse, Dubtek (Minimal) and Ambient (IDM) and NOT the major label executives in their cushy offices so you  really have to give a bow to the first wave of ravers and the promoters,,,the best music entrepreneurs of their time. Many labels today simply would not exist today if these people did not support the music and the politics of Law did not stop these events from happening. 

In our early years Satamile was will on the way with its involvement in Electronic music production and live performance .  We were a consistent presence in the NY underground scene and alternative Club scene. Performing live with Modulars and drummachines, Dj'ing, throwing events, sponsoring Graphic artist for flyers, all of which re-presented in some way the new electronic culture.  Hosting nights at Filter 14 (Jacky 60), The Cooler, Baktun, The Kitchen, Gas Station, Robots, Open Air, and many more. We have produced over 400 Club events in NY city for artist such as Ellen Alien, ADULT, Monolake, Pole, 
Schematics, Tipper, Mixmaster Morris, Andrew Weatherall, Keith Tenniswood, Mark Broom, Orbital, Keith Tucker, and many more.

Staying true to its nature Satamile allways pressed Vinyl along with its CD release's. Vinyl is a superior medium, and the taste of DJ ' worldwide for its
superb qualities and usability.  We had CD's in the early 90's , but who wanted to play them, when you cold play vinyl instead, it was so much cooler than a 
CD, it spawned Train Spotting, and was far better for dj'ing. Toady most of our vinyl is pressed at Brooklyn Phono, 225,000 pounds per square inch. This is still true for today  so buy vinyl when you can it rules the night waves and you wont have to worry about your computer crashing on Final Scratch. 

Today satamile exist as one of the leading Electro labels in the world with over 25 artist from all around the world on the label it will be coming up on our 60th release shortly.  Along with the main label Satamile we also have sub-labels, Bot and SatRX  to serve different purposes, Bot for downtempo projects, and SatRX for remix's. 


Overdrive-by Illektrolab for Satamile Records

satamile

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