Name: Turn This Around by Silas Hite in Chef's Table
Duration: 1 min 59 s
Description: Music from and inspired by the Netflix Original Series "Chef's Table"

Chef's Table

Prokofiev: Piano Sonata No.2 in D minor, Op. 14: IV. Vivace

Music from and inspired by the Netflix Original Series "Chef's Table"

Turn This Around

Pure Theatre

A Monks Offering

Music from & inspired by the Netflix Original Series, "Chef's Table".  Available now exclusively on Netflix. All music written, recorded, mixed & produced by Silas Hite.
All Rights Reserved.

No More Doubt - Part 1

No More Doubt - Part 2

Natural Beauty

A young man's regrets over his past loss surface while working on a case similar to his dead brother. The healing process begins. Directed by Diana Chao.

Music by Duncan Thum. Awarded "Best Original Score" by The Long Island International Film Expo in July of 2015.

http://therestorationfilm.com

First Night

Welcome...

Smaragd is:
CCsquele

Welcome is a compilation of Smaragd's first two demos.
Track 1-5 from "Demo I"
Track 6-11 from "Demo II"

All music written, recorded, performed, mixed and executed by Smaragd.
April 2025
credits
released July 13, 2025 

Declining Sun

When I am still within, I get clear. I feel deep and transcendent love that permeates all that is. In those precious moments, I am truely alive, yet not here.

Beyond this moment

Album mêlant titres de rock et néo-classique, le tout dans une ambiance rebelle et mélancolique 

Thème (Partie 5)

Meat Alone

A few selections from my score to the feature film "The Iron Orchard", directed by Ty Roberts. 

Learn more about the film here: https://www.theironorchardfilm.com/

Original Score by Duncan Thum

Performed by the Symphonica Recording Orchestra, conducted by Vladimir Martinka

Viola: Juan-Miguel Hernandez
Percussion: Tyler Sabbag
Guitars: Duncan Thum
Recordist: Martin Roller

Special Thanks to Uriel Vanchestein who contributed some lovely additional music to the score :) Soundtrack release to come in 2019.

Original Music form "The Iron Orchard"

The Iron Orchard

For more information visit: http://www.klassikakzente.de/recomposed/home 

Some works are so familiar that it is almost impossible to hear them afresh, but that is what Max Richter has achieved with Vivaldi “Recomposed”. This is no mere arrangement; instead Richter has absorbed Vivaldi’s The Four Seasons into his own musical bloodstream. At first Richter followed the example of other works in the “Recomposed” series, which re-mix existing recordings, but, he says, “I wanted to open up the score on a note-by-note level, and working with an existing recording was like digging a mineshaft through an incredibly rich seam, discovering diamonds and not being able to pull them out. That became frustrating. I wanted to get inside the score at the level of the notes and in essence re-write it, re-composing it in a literal way.”Richter calculates that, in the process, he has discarded around three-quarters of Vivaldi’s original. He opens with what he describes as “a dubby cloud which I’ve called Spring 0. It functions as a sort of prelude, setting up an electronic, ambient space for the first Spring movement to step into. I’ve used electronics in several movements, subtle, almost inaudible things to do withthe bass, but I wanted certain moments to connect to the whole electronic universe that is so much part of our musical language today.” Other resonances are no less unexpected: Richter describes part of the first movement of his Summer as “heavy music for the orchestra. It’s relentless pulsed music, which is a quality that contemporary dance music has; and perhaps I was also thinking about John Bonham’s drumming. Then, in the second movement of Autumn I asked the harpsichordist Raphael Alpermann to play in what is a rather old-fashioned way, very regularly, rather like a ticking clock. That was partly because I didn’t want the harpsichord part to be attention-seeking, but also because that style connects to various pop records from the 1970s where the harpsichord or Clavinet was featured, including various Beach Boys albums and the Beatles’ Abbey Road.” Clearly, Richter has brought his own frame of reference to the project. As he says, “Vivaldi’s music is made of regular patterns, and that connects with post-minimalism, which is one strand in the music that I write. That felt like a natural link, but even so it was surprisingly difficult to navigate my way through it. At every point I had to work out how much is Vivaldi and how much is me. It was difficult but also rewarding because the raw material is so fascinating.”Just as Richter’s Seasons plays tricks with the way we hear Vivaldi’s original, so it also asks questions of the soloist, Daniel Hope. “Violinists have Vivaldi’s The Four Seasons hardwired in their brain. Daniel is likely to play the original I don’t know how many times in a year, and for him to have my parallel text going on in another part of his brain is a challenge. I think he did a wonderful job. He brought to it a deep engagement with the original, but he was fully prepared to cut this new swathe through the text.”


Recomposed By Max Richter: Vivaldi, The Four Seasons

Richter: Recomposed By Max Richter: Vivaldi, The Four Seasons: Winter 1 (2012)

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Briony

Silas Hite is an Emmy-winning composer with music in his DNA.  He began his career co-scoring blockbuster films like Cloudy With a Chance of Meatballs with his uncle, noted composer Mark Mothersbaugh (DEVO).  His music plays in television shows around the world, from a series of investigative crime specials for the BBC, to foodie favorites Chef's Table (Netflix) and The Big Brunch (HBO).

     He has scored hundreds of commercials for clients such as Apple, McDonalds, and Chevy, earning him an Emmy, Adweek's Campaign of the Decade, and most recently a Titanium Grand Prix from Cannes.  He’s contributed memorable music to top selling video games such as The Sims 2, Skate 3 and The Simpsons.  His music has played in such venerable institutions as the San Francisco Museum of Modern Art, the Los Angeles Museum of Contemporary Art, the New York Museum of Modern Art, The Whitney Museum, and The Rock & Roll Hall of Fame.

Turn This Around

Silas Hite

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