Yeti's lament

Turn down your thoughts, turn up the music, and simply: breathe and move. 

Dusk To Dawn- Emancipator

Composed by Roberto García.

It was never necessary to find it, but to create it.

Enjoy all of Roberto's music and much more content on www.garciabrothers.es

All rights reserved (2025) ©

Was On The Future

Tiny Pause

Occasional Magic

Emancipator - Rattlesnakes

Little People is the moniker of UK based downtempo electronic musician Laurent Clerc… He returns with his second full length album - We Are But Hunks Of Wood - a whole 6 years after his first album (Mickey Mouse Operation) was released on Illicit recordings. Whilst his debut - an accomplished ode to late 90's instrumental hip hop - has unexpectedly gone on to be in the top 30 selling album downloads on iTunes in the electronic genre in the US for the last 2 years, he is still all but unknown to most tastemakers and influential blogs shaping today's electronic music scene. Having followed an unconventional route to success - thanks to in no small part to Pandora radio generating him huge amounts of exposure - he seemingly exists outside the normal channels used to promote artists. We sense this is all about to change…

'We are But Hunks of Wood' is a sonic leap forward for LIttle People (that's the least you can expect after a 6 year hiatus between albums!) which should help establish himself as key proponent of the downtempo electronic music scene. Part beats, bleeps and real live instrumentation, this new record maybe falls in a place where Bonobo and Anders Trentemoller would hypothetically meet. Having initially come from the world of instrumental hip hop where tracks are often more akin to just sketches or interesting ideas, Laurent Clerc's pieces are fully fledged songs whose arrangements create a sense of mood and movement, effortlessly going from nuanced electronic patterns to soaring string arrangements over the course of the journey. This is no beat tape.

There are many reasons why it has taken him so long to release his follow up record - like nearly turning his back on making music and becoming the father of a set of twins… But the main reason was that he felt he had to reinvent his work methodology and write and record his tracks from the ground up. He saw sampling as tantamount to taking another man's 2 bars of inspiration and passing it off as your own. The story of the samplist making the jump to creating his own material is not new… but it isn't always a successful one. Laurent took enough time to make sure that leap was taken with aplomb.

We Are but Hunks of Wood

Offal Waffle

Carefully

02 wolf drawn

Emancipator  Dusk To Dawn

Visual Electronic Music

S A Y C E T is Pierre Lefeuvre's Project ---

AN ORGANIC JOURNEY

At first glance, Saycet's journey may seem peculiar. In reality, it is extremely fluid, as if guided by an external force pushing towards the logical fulfillment of his destiny as a musician, composer and producer. A backward evolution away from our current era, which churns out artists non-stop – a path that has made Pierre Lefeuvre – the brain behind the project for the last 15 years – a figurehead in the French electronic music landscape.

When he released his first album, 2005’s One Day At Home, he built upon a genre that had fallen into relative disinterest: deliberately melancholy, errant electronic music, made somewhat more accessible by pop melodies and inventive, experimental beatmaking. An outsider by nature, he was nonetheless spotted by some influential media outlets, finding an international fan base that would remain faithful to him through the years.

With time, his creative work became more refined, and his influences merged into a highly personal approach that succeeded in linking a certain tradition of cerebral music with an opening to a wider audience. 2010’s Through The Window and 2015’s Mirage continued the project’s evolution towards a more timeless sound that shone through its arrangement work and an asserted versatility. Tours of Asia and collaborations (with Juliette Armanet and Yan Wagner among other) helped Saycet grow further (yet still outside of the mainstream’s radar,) nonetheless finding his niche on the international music map. His approach to live performances cemented his place as an innovator, always in search of new aesthetic grounds, with stage shows that implemented video projection as a source of lighting rather than as mere visual illustration, creating a truly immersive experience in the process. 

Somewhat accidentally, Lefeuvre opened the doors to composing via images – a logical, uncalculated continuation for this production artisan, whose composition work is nourished by visual art and cinematic culture. He created his first score – for the 2019 feature Un Vrai Bonhomme – and thus started making headways into the circle of pop music composers who work with filmmakers. He also composed all of the music for La Révolution, a French series produced by Netflix (to debut in the fall of 2020,) as well as a soundtrack (split with Laurent Garnier) for the Canal + documentary Bastard Lion.

An ideal preamble for a fourth album recorded in his brand-new Parisian studio, which promises to be his most accomplished work. Wavering between melodic piano pieces and powerful club tracks, the album will feature the two complementary energies that inform the unique artist's work.

Going forward, Saycet is also slated to be in residence in 2021 for a one-of-a-kind creative project built around the Château de Versailles’ architectural heritage and instruments.

Live Team, Zita Cochet: Scenography // Video

Albums featuring Vocalist: Phoene Somsavath (Through the Window & Mirages) / Yan Wagner / Juliette Armanet

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S A Y C E T

Recent comments

Emmanuelle Bastoul 1

Scheib Miro

YÉEMIRC😜

weird thing

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