near the parenthesis - trailing

Extract from the upcoming EP "Mineral" To Be Released On @XVIIIEMEPENINSULE early 2015.

www.XVIIIp.com


Buy EP

Opale

Mastering: Andrei Eremin - http://andreieremin.com

Aphex Twin - Rhubarb (emerse Remix)

https://www.facebook.com/highlucia/
https://twitter.com/highlucia

Chromatics - Yes (High Lucia Edit)
Crystallise 
Leave There 
Cord 
Dull 
Beacon

Dull_Garden

Watch Rival Consoles go Against The Clock: http://www.factmag.com/2016/09/08/rival-consoles-against-the-clock/

Rival Consoles - Against The Clock

BUY 5LP BOX/2CD/DIGI ● http://mooncircle.lnk.to/15th
More information: http://projectmooncircle.com/releases/15th-anniversary/

15th Anniversary

Buy 5lp/digital

Deft - No More on BBC Radio 1 (15th Anniversary - Project: Mooncircle, 2017)

John's contribution to 'Further Studies Beyond Decay' - a compilation of new @everyday-dust material and remixes from 'The Green Decay’.  

OUT NOW on @sparkwood-records & AVAILABLE HERE: https://sparkwoodrecords.bandcamp.com/album/further-studies-beyond-decay


More Info:
'Further Studies Beyond Decay' - is a compilation of new Everyday Dust material and remixes from 'The Green Decay’.

Earlier in the year Everyday Dust started work on new and experimental works whilst various remixes from his ‘The Green Decay’ album were also taking place. As both projects developed they fortuitously drifted together and soon became clear that the new works and remixes belonged on the same release. ‘Further Studies Beyond Decay’ is a development of ‘The Green Decay’ that feels as organic as the process from which it was created.

The contributing remix artists - covering a spectrum of ambient and electronic music - each bring their own unique interpretations in order to present a multifaceted and compelling re-synthesis of 'The Green Decay' (Released on Sparkwood Oct 31, 2016)

Everyday Dust - Roots (Era Interitus Remix by John Lemke)

spinnin

For my Grandmother Ruth Claire MacIntosh (née Hampson) [March 14th 1926 — September 15th 2017]. 

All music written, produced & recorded by Jesse Somfay.
Recorded @ ↈ during the summer of 2016. 
Optical and literary content by Jesse Somfay. 

Mastered by Illl @ Soun Studio (www.sounstudio.com). 

3GG001 
℗ + © 2017 Three Graces

Lemon Tranquil

Somfay - Spiral

🕯 Watch the 'Spirits' music video: https://www.youtube.com/watch?v=Q9MfqtyPfbY
🕯 Bandcamp/all streaming options: https://fanlink.to/spirits

After a long intermission, Brambles is finally back with ’Spirits’. Since their last album, ‘Charcoal' (2012), the sound palette has shifted dramatically but the moody and melancholic qualities that made their previous release so resonant remain deeply embedded.

With 'Spirits’ Brambles has put vocals to the forefront using a combination of their own voice and an array of samples that have been shifted, warped and blended into an otherworldly language. Influenced as much by dream pop as experimental electronic music, Brambles strives to find the middle ground between pop and ambient.

Produced by Mira Dawson
Mixed by Simon Lam
Mastered by Becki Whitton

Spirits

Berlin based composer and producer Ben Lukas Boysen has announced the release of his third album, the progressive and shape-shifting 'Mirage', on 1 May 2020. It follows 2013’s 'Gravity' and the acclaimed 2016 full length 'Spells', a record as much admired by his peers as it was loved by fans that not only yielded remixes from Max Cooper and Tim Hecker, but also opened Jon Hopkins’ Late Night Tales compilation.

Since the release of 'Spells', Ben collaborated with cellist and composer Sebastian Plano on the score for David OReilly’s landmark innovative video game 'Everything'. It was added to the long list for the Best Animated Short at the 90th Academy Awards, making it the first video game to qualify for an Oscar. 

As with 'Gravity' and 'Spells', Ben has an array of musical guests adorning Mirage, including long time collaborator, Berlin based cellist and composer Anne Müller as well as Australian saxophonist and composer Daniel Thorne — for whom Ben wrote parts specifically, having heard his 2019 solo debut 'Lines of Sight'. Lead track 'Medela' features both and takes the listener on a kaleidoscopic journey that slides with ease across sonic terrains.

While on 'Spells' Ben made programmed pieces sound indistinguishable from human playing, with 'Mirage' he set out to do the opposite and make the human touch unrecognisable, creating something of a mystery or a mirage.

“A lot of the elements and instruments you hear on the album are either not what you think they are, or exactly what you think they are but behave differently or they’re elements you definitely know but they are hidden, processed, or morphed into something else. With 'Spells' and 'Gravity' I was trying to hide the machines. On 'Mirage', I’m trying to hide the human” — Ben Lukas Boysen

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