Funny use of pitch knob 🙃 Unless this is just a short chromatic uplift @greg-notill-ii ?

Full Premiere: https://wearesoundspace.com/premiere-spektre-carnival-of-souls-push-remix

Spotify: goo.gl/phNY5q
YouTube: goo.gl/MlPo8d
Facebook: goo.gl/WGjgHO
Twitter: goo.gl/QJgbtz
SoundCloud: @wearesoundspace

Buy this track: https://www.beatport.com/track/carnival-of-souls/15888266

Push
https://soundcloud.com/mikepush

Spektre
https://soundcloud.com/spektrelive

Respekt Recordings
https://soundcloud.com/respektrecordings

MORE HERE

Premiere: Spektre - Carnival Of Souls (Push Remix) [Respekt]

05 - Untitled

We all need some bangers for our sets! This new Terminal M compilation delivers you the hottest tracks from great artists. As I am not a fan of big compilations I wanted to focus on very few tracks and give them a better standing.
So please listen to the bangers of Umek & Matt Sassari, Beico & MT93, Transcode and the newcomer from Berlin: ohne alles. (Monika Kruse)

beatport/spotify/vinyl

Beico & MT93 - Strange Vision

https://fanlink.to/BlackHorse

Riding into the 50th release on his Black Horse it's our techno knight from the UK: Harvey McKay.
Oh boy oh boy, what are we proud to have him leading the Filth on Acid cavalry.
Enjoy this 3 tracker NOW
This is Filth on Acid NOW!

Delivered by <a href='http://www.label-worx.com'>Label Worx</a> on behalf of <a href='http://www.filthonacid.com'>Filth on Acid</a>

Kopen op Beatport

Harvey McKay - Translate

Landing 10 years after his first concept album, Wehbba’s drops his debut full-length on Drumcode, featuring collaborations with David Caretta, Thomas Gandey and Brazilian vocalist L-cio.

Following a series of globally adored EPs and inclusions within the imprint’s esteemed A-Sides compilation series, the chart-dominating São Paulo native now reflects upon his life as ‘the artist’, offering an immersive montage of stories that echo a tenacious dedication to his craft. Enlisting the talents of multi-instrumentalist Thomas Gandey, Electroclash pioneer David Carretta and fellow Brazilian L-cio, with his unparalleled flute mastery, Wehbba’s synergetic cuts span the breadth of electronic music’s sonic landscape, as he challenges the notion of genres with seasoned voices.

Birthed from the purest inspiration, the album’s 13 cuts represent a myriad of musical references close to Wehbba’s heart, running parallel with the organic sensibilities of his field recordings. An ode to eternal growth, the LP highlights a cycle of perception and projection, as Wehbba studies the morphing of genres through his own musical filter. Discussing the upcoming album, Wehbba commented:

"The musical references on these works trace back to the 90s, when I started listening to electronic music and had no judgement of what was cool - when I was totally free. So they represent, without any filter, what touched me, ranging from braindance to goa trance, from ambient to hard house, and from drum n’ bass through every single mutation of techno and house music."

As a key ambassador for Brazil’s dance music community on a global scale, Wehbba’s long-standing career has seen him affiliate with many of the industry greats on both remix and collaborative projects; testament to his flourishing reputation. Following on from the geometric-led titles of his first two albums, Straight Lines and Sharp Corners alludes to the difficult decisions and blunt shifts he has faced in his career, and their capacity to shape his identity over time. Studying the great Antoni Gaudi, Wehbba’s third LP title takes reference from his perceptive quote: "There are no straight lines or sharp corners in nature, therefore buildings must have no straight lines or sharp corners. Anything created by human beings is already in the great book of nature."

Straight Lines and Sharp Corners

Buy all

Wehbba — No Sleep — Drumcode — DC220

Brennen Grey - Purified

Stream FULL album: https://fanlink.to/LitAoM
Picking up where 2018's debut album left off, Pleasurekraft continue their foray into the Cosmic Techno sub-genre they ushered into the dance music lexicon, with their new LP "Love in the Age of Machines."
Arriving exclusively on Spotify initially on April 10, with other streaming platforms to follow a week later, Pleasurekraft had one of  the biggest tracks last year on Drumcode with their remix for Adam Beyer's 'Space Date,' always bring forward thinking grooves embellished with astral melodies and spaced out synths that make for emotional as well as physical experiences. 
"Love in the Age of Machines" is in no short supply of the sonic signatures the production duo have become known for, and there is a clear maturation at work here.  The album's non-techno tracks showcase an artistry rarely seen in conventional dance music and techno in particular. From the gritty dystopian future that establishes the album's themes at the onset in "Last Sapien", to the dark, rainy, urban-lit textures that form the spine of "Nostalgic for the Future", there is a sense of impending self-wrought catastrophe, tempered with a sense of wonder of all that is, and all that could be if humanity somehow overcomes its hubris. 
Things get more intense and turbulent on "Panopticon (The Patron Saint of Global Surveillance)" [ft. Thomas Gandey] before the voyage to the edges of our galaxy continues on "I Sing the Body Electric" & "Main Sequence" which keep up the enthralling techno atmospheres with increasing pressure, before the tension is released with the cinematic grandeur of "Novacene." Two more hard hitting bangers in "At the Mountains of Madness" and "Primordial" then rebuild the all consuming techno mood before you're left adrift in the cosmos with the album's swan song "Requiem For the American Dream."
As Kaveh Soroush of Pleasurekraft puts it, "Without sounding too reductionist, humans are simply a bundle of biochemical algorithms with a few holes at either end, who mistake their sensory experiences as objective, and their sense of self as something concrete, when in fact science reveals to us with each new finding that our basic intuitions about reality and the world around us have not evolved much from our first ancestors, who just wanted to make sure not to get eaten for long enough to feed and procreate on the African savannah. While there are certainly wonders about the Cosmos we have discovered given our enlarged frontal lobes, and technologies that we've invented dating back to when the first tool was built thanks to an opposable thumb, we haven't been the best custodians of the only planet that can sustain us, and history makes it abundantly clear that our wisdom lags far behind the technological advancements we develop with each new day."

Despite the overtly pessimistic tone, ultimately there is a sense of potential change on the horizon. That perhaps a species which has come up with abstract ideas of love, justice, liberty, and created works of immense artistic and scientific beauty, might just find a way to correct course before it's too late. This sense of wonder is on full display on "The Occupant" and the potential seed for our enlightenment is planted in "Corpse Reviver Number 3", a track brimming with homages to the love of philosophy and its place in navigating a more examined life.  
Ultimately "Love in the Age of Machines" feels like a dystopian sci-fi soundtrack written for optimists who want to change humanity's looming fate.  While still firmly rooted in the techno genre, the album evokes themes and ideas that are universal to the human experience and our place in the Cosmos, and it is this aspect of the album that makes "Love in the Age of Machines" such a rewarding musical experience.  It's techno that is at once accessible and intelligent, a combination rarely heard in today's endless sea of dance music.

Love in the Age of Machines

Pleasurekraft - At the Mountains of Madness

Buy | Stream: https://snd.click/Black_Jupiter

For FOA079 it's Ramon Tapia who takes us on a techno trip to deep out of space, so buckle up and prepare to fly around Black Jupiter.
This is Filth on Acid NOW!

Delivered by <a href='http://www.label-worx.com'>Label Worx</a> on behalf of <a href='http://www.filthonacid.com'>Filth on Acid</a>

Ramon Tapia - TheCommon

Buy on Beatport

Greg Notill - Levitate

Melody's Enemy - Open Your Eyes (Original Mix)

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Second State presents SUM 9, an 11 techno track high calibre compilation from a diverse array of producers from all over the world. 

@pan-pot’s Second State delivers the next installment of their compilation series, welcoming fresh talent and label mainstays for a dynamic fusion of intensity, character and the thumping techno that the esteemed Berlin imprint is best-known for.

Footwork’s head honcho Jay Lumen pays homage to his trademark heavy bassline and vocal samples in his contribution ‘Dust’, a rasping cut with a rebounding male vocal, that evolves into rave territory for its final ascent. 

Follow Jay Lumen
SoundCloud: @jay-lumen-official
Facebook: www.facebook.com/JayLumenMusic
Twitter: www.twitter.com/JayLumen

Follow Second State
SoundCloud:: @secondstateaudio
Fcebook: www.facebook.com/SecondState
Twitter: www.twitter.com/SecondStateNews
Instagram: www.instagram.com/secondstateaudio

Follow 6AM Group
Website: www.6AMGroup.com
Facebook: www.facebook.com/6amgroup
Twitter: www.twitter.com/6amgroup
Instagram: www.instagram.com/6amgroup
SoundCloud: www.soundclod.com/6amgroup
YouTube: www.youtube.com/6amgroup

SUM 9

Premiere: Jay Lumen "Dust" - Second State

Say What? is the next stage for the prolific producer Ramon Tapia. The label is to serve as home to techno productions, backed with remixes from high-profile artists. 
Est. 2012

Greg Notill - Levitate

Say What? Recordings

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