My music

Бумбокс - Знать Бы Хотя Бы Где,с Кем Ты,тепло Ли Там Где - То На Твоей Планете,сла

The Prodigy   Smack my bitch up

Валерий Меладзе - Осколки Лета   Valerij Meladze - Fragments Of Summer [sub](360p H.264 - AAC)

БумБокс - Летний дождь

Бумбокс - Вахтерам

IOWA – Радость

БумБокс - Та4то (Версія За Туманом) by lexnuzi

Бумбокс - Та4то

Бумбокс - Ta4to

Ah, you're so complicated.
Ah, you're so complicated.
Ah, you're so complicated. (So complicated)
Ah, you're so complicated.
Ah, you're so complicated.
Ah, you're so complicated.
I don't wanna live under your terms and conditions.
Puppeteerin' n controllin, showering me with love at the coincident.
I used to never think that way when I was innocent.
But I'm all grown up now, with my own ambitions and ideas, so persistent.
I fucking hate your guts so much.
I don't know if it's from love being too tough.
All the the blunt trauma, generating response error causing you the terror.
But anyways, my heads too clanked from my repeated tangents.
Causing my angle to traject to a mathematics degree with the function of W's.
Rarely curving back just to head the opposite way, with the wholes done into chunks.
I don't know if I'll heal to i of complexity you added to my heart.
I only aspired to make music for the art.
Now I sit in my room secretly mixing and mastering on my own.
Wearing a mask to hide my identity from all but just one.
That's my backstory, did you like it?
You probably won't know cause I'm performing this away in practice for people who you don't know.
You know, I love you but a smidge develops to a tsunami of tears.
"To kill a mockingbird" developed from prejudices and fear.
But these very things you hold to keep me living a safe life like you, don't cut it.
I don't want to be roped down, but the main bleeding is my arteries tip.
Keeping me in place will just make me quit this thing I ain't mean for.
Shielding me from judgements of friends who aren't worth more dime more than our connection.
A couple more pairs of eyes ain't part of our brethren.
Whether they glare to my soul in disgust or look down and thrust their saliva of words towards the very things they hate.
I plead to you not to berate.
But I listen, cause it's my fate to listen and not overtoast n lose my flavours.
(But hold on)
(Isn't quitting this uni thing making me shit again from the lack of brain stimulation?)

Ambivalence

Валерий Меладзе исполнил саундтрек к фильму "Млечный путь".

Автором трека "Любовь и млечный путь" стал Константин Меладзе.

Фильм с участием Сергея Безрукова и Марины Александровой вышел на экраны 1 января 2016.

Рассказывая о том, как создавалась песня, Валерий Меладзе отметил: «Посмотрев нарезку из фильма, я понял, что история непростая, даже где-то драматическая. Но предположил, что новогодняя история должна быть со светлым и счастливым финалом! Настроился на позитив и спел песню. Мне кажется, композиция красивая и вызовет теплые чувства с легким налетом светлой грусти».




Валерий Меладзе - Любовь И Млечный Путь (OST Млечный Путь) - Премьера на RADIOPREMIER.NET!

Turbo 50
Tiga & Zyntherius
Sunglasses at Night Remixes

In Tiga’s Words:

Luck is everything, and it only takes an instant for your life to become your dreams. The fact that my life was changed, altered, and ultimately bettered by covering an MOR Canadian rockers 80's pop tune is a quirk of destiny that gives me faith in the magical comedy that we call existence. This is the short story of how the shit went down.

It was the winter of my discontent. I was supposed to travel to India with my family for Christmas 2000, but was unable to go for personal reasons. Upset but determined to make the most of the situation I invited Jori Hulkkonen to DJ with me at my club (SONA) for a NYE party. Jori had done a
mixCD for Turbo and we had cultivated a fine friendship based on ridicule, shared 80's obsessions and ridicule. I had a small home studio that was gathering dust and producing nothing more than frustration; and I threw out the idea (I think I did, although maybe he did) of "making some tracks". I didn't know what I was talking about.  My own creative career had followed a typical early 90's trajectory: houseclubs-ectasy-techno-rave-DJ-travel-raver-promoter-radio-recordstore-nightclub impresario etc... all successful ventures that, at the turn of the
millennium, had led me to a position of relative affluence and respect. But the elusive jewel in the crown was production; and this block  was slowly destroying me. Then came the J-fool.

My memory is bad. In school it was perfect, but it's been eroded by a potent cocktail of reefer, airports, timezones, sleeplessness, computers and time. Now, my memory is not to be trusted. I'll try my best: i think the show went ok. Jori probably played a few records I loved, and a lot that iI hated. It was very cold. New Years Day came, I think he was sleeping at my place. I had an MPC, a Nord Modular. an 808 and a JUNO, and a puppy named Uma. Recently, at a small record store in Calgary of all places, I had bought a copy of 'Sweet Dreams' by Miss Kittin & The Hacker. I thought it was incredible. It's hard to imagine now, but at the time the idea of covering a pop song in a techno style seemed interesting. This is before the world went crazy and eclectic. So we decided to try a cover.

I don't remember details of the day. I had no intention of "singing" but I couldn't really do anything else, so that became my job. I also had to walk Uma, make tea, take phone calls, make jokes. Jori did most of the work. We tried a criminally poor cover of "When Doves Cry" which thankfully is lost
to all mankind. We did a version of "Small Town Boy" with falsetto singing so bad that if you could distill the sound into a liquid it would be the pure essense of "embarrassing". We did a midi-file based cover of New Years Day, which I still love, that came out on an old Turbo comp. And then (I think it was last) we did Sunglasses At Night. Corey Hart was a Montrealer, it seemed fitting. Our lack of sample memory in the MPC combined with my hesitancy to sing complex notes (or ANY notes for that matter) is what resulted in the "genius" of eliminating the bridge and pre-chorus. I remember Jori thought it was amazing. I didn't really like it. Score one for Zyntherius.

I remember going to my record store , DNA, which was just on the corner and playing it: the first of hundreds of "listen to my new track" sessions..... my first taste of the cold sweat of public testing, and the sheer horror of hearing MY voice on speakers. I hated it.

A few months before that day in studio i had done a mixCD called Mixed Emotions, which is still one of the best things I have ever done: it featured an "electro-funk" cd and my face on the cover. Both attracted the attention of DJ Hell in Munich, who of course at the time was a hero of mine. I had a contact thru licensing a song from them, so I think I sent him the sunglasses demo. He fell in love as well. I still didn't like it.

The rest of the story is like a montage in a movie, albeit a small film, Hell came to montreal, burned dubplates, played 6 times at Love Parade,  SAN got huge in germany, , ended up selling a quarter million, doing TOTP,  and being one of the big "electro" anthems of the period. I got to ride my own
coatails  all the way to where i am now. All my dreams came true, including the one about being voted #41 on the DJ top 100 list.

I still marvel at how easily it could’ve NOT happened: My dog stepping on the power switch a little earlier, or Jori getting tired, or the phone ringing at the wrong time. And I cant help but wonder how different my life would have been. While I was never a huge fan of the record I will say that
it was a very pure creative effort, in its own way a real punk track: two friends making something without any label or plans or scene......and crucially without any expectations. To spend 90 minutes on that, in a vacuum, and to then feel your entire life altered by the results.... that
is the magic of pop culture, and testimony to the awesome transformative power of ....... the Roland Juno-60.

Love from Montreal, and love to Jori Z and a special shout out to Hell and Josef.

In Zyntherius’ words:

When I was a child I dreamt about being a god.
When I grew up I realized I could become one.
In 2000 I noticed that the post for the god of synthesizers was not taken. I didn't even have to apply for the job. No real god would have to do that. I just declared myself as ZYNTHERIUS - the god of synthesizers.
Nowadays I'm feeling much better, but occasionally I still get the urge.
Which is why you should be aware of the wrath of Z and respect the holy Oscillators.


Бумбокс - Та4то

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