Tune out the world and find your hyperfocus with these ambient tracks. Updates every Wednesday with popular tracks in Saudi Arabia.

Ambient Flow State

Download | Stream:
http://lnk.to/thehealingfields

Follow me:
@unnholy
open.spotify.com/artist/5um0tGaoeKhLVjLjPFG0UX
youtube.com/@unnholy
instagram.com/unnholypl

Released by @dreamscapeee

Download | Stream

the healing fields

way back home

ㅤ ♡ ㅤ ㅤyou

Stillness

Fancy Mars

Cornfield Chase

Inside Out

Rest

rundt ro

Sleep Relaxation Track 24

Cinematic chill-lounge concept album that traces the emotional arc of a single day in my beloved coastal city — from pre-dawn stillness to midnight introspection. Each instrumental track captures a moment in time, blending ambient textures, downtempo grooves, and minimalist sound design to evoke memory, movement, and mood. This is not music for dancing — it’s music for feeling, drifting, and returning to where your heart never left.

All That Lingers - Part I

eRecords is a digital record series created by Whitelabrecs, to run alongside our physical releases. These editions aim to transform the digital format into something that can be experienced in a similar way to a listener’s interaction with a real, white label vinyl record. Each edition includes a special PDF scrapbook including polaroids and liner notes.

We do not publish details about the concepts or production methods of a release, so that the liner notes and content in each scrapbook will give you the background of each edition in the series.

catalog: eR039
artist: akira film script
release title: live at the modern
runtime: 1:44:03
location: san francisco, usa

Akira Film Script - V

To Speak in Embers

i want to make this feeling last

doors

in the bleak midwinter

Beautiful meditation music with ambient piano and soothing soundscapes. Music by Astralla.


Meditation Music

Boris Rogowski – The Darkness of Future Past
(out on piano and coffee records on November 7, 2025)

Jonas Burgwinkel—drums
Viktorija Kukule—vocals
Roland Muenchow—flute
Boris Rogowski—keyboards, (bass) guitar, percussion, programming, vocals
David Schuette—cello
Isabelle Seemann—vocals

Press info:
Somehow, Boris Rogowski’s The Darkness of Future Past manages to go from Renaissance and Baroque influences and minimalist piano pieces via Ambient all the way to arena-sized pop music. It has no right to work, but it works perfectly. I don’t know how.
If I had only one word to describe its general mood, I would call it haunting. And the album itself is haunted, too, by the ghosts of the past, of classical composers (Orlando DiLasso, Eric Satie and Alfred Schnittke explicitly, many others lurk in the shadows) and more recent musical specters. It’s called The Darkness of Future Past, and yes, that’s a Twin Peaks reference… but let’s not make too much of it, there are no real connections (I think!) except for a general love of mystery, darkness and beauty.

In contrast to Rogowski’s 2023 album The Waste Land that was largely defined by a good amount of classical rigor, consistent chamber instrumentation and a complete lack of vocals, The Darkness of Future Past is almost loose: We have long, winding instrumental pieces that straddle Ambient (The Past, Like a Strange Bird), Minimalism (The Bloom and the Flutter) and Jazz noir (the title piece). They are humming with sounds and melodies that always seem in a state of either synthesis or decay, giving way to one another or sticking around in the form of eerie echo loops that build up a dreamlike musical structure always on the verge
of collapsing into itself.
Those long-form soundscapes, some of which feature ominous spoken Journal Entries, alternate with solo piano pieces that sound like at least three different instruments—but were, in fact, all recorded with an old upright built in 1906 by some regal German manufacture. The audaciously titled Gymnopedie No. 4 wears its influence on its sleeve—and delivers on its promise: Rogowski’s love, respect and understanding of the original works of Eric Satie shine through in every note. Similarly, the other piano pieces, from the tiptoeing Sleeping Dogs to the dreamy, improvisational One Lonely Autoresponder Message, feel a bit like memory palaces—reminiscent of music that has always been around, but at the same time very much their own beasts.
And then, of course, we have the songs: Nothing Wrong is strikingly beautiful, its sparse musical arrangement serving as the perfect bed for Rogowski’s falsetto and the ghostly choir backing it. breatheINbreatheOUT is downright scary, like a field recording of some strange initiation rite: The words ‘breathe in, breathe out, it’s all right/mankind is no longer your kind’ are delivered in a moody croon that seems to channel the later Scott Walker.
And then, just when you think you have finally figured out how this album works, it leaves you with Them!, a monolithic sound colossus that begins as a shoegaze-y electro pop song and develops over 6 minutes into an arena-sized hymn with an otherworldly female voice lamenting ‘What a lonely world’ over and over. Rogowski did much of the work on The Darkness of Future Past in a desert cabin near Joshua Tree—maybe he passed Coachella on his way back; that, at least, would be a good explanation of the sound of Them!

There is a very clear and distinct consciousness of the past, and there are projections into the future that are as nebulous as they are frightening. The Darkness of Future Past has the power to conjure up mysteries, to shed just the right amount of light on them and keep us intrigued—without ever giving them up or serving us easy explanations. The beauty of the music itself remains a secret, one that Boris Rogowski as its composer seems hell-bent on protecting. After all, no-one needs to know who killed Laura Palmer.

A Pane of Glass

empty

Official Audio of Susan's rendition of sir Tanishk Bagchi's Saiyaara (from the movie "Saiyaara" 2025) in Acoustic.

Originally composed by Tanishk Bagchi, Faheem Abdullah, Arslan Nizami, and Irshad Kamil.
Re-Arranged & Performed by Diana Susanti in Acoustic
Produced by Angga Bassoni Al Barkah & Ishrikat Jahan Habiba

Recorded in Susan's home in Al Ain, UAE
Mixed & Mastered by Siti Cut Meutya @ DIANA Studios, UAE

© YRF Music

©℗ 2025 ANASTE RECORDS

Saiyaara (Acoustic)

04 C418 - Blind Spots

DIARIES PART ONE – THE HOTTEST SUMMER (ORIGINAL SOUNDTRACK)
Musik & Konzept: Colin Warner-Rochlitzer
Der Soundtrack zu meinem ersten Roman Diaries Part One – The Hottest Summer (BoD 2025).
Eine Klangreise durch den Sommer 2003 – zwischen Liebe, Wärme, Dämmerung und Erinnerung.
Jeder Track steht für einen Moment aus dem Buch:
☀️ „Main Theme – The Hottest Summer“ – die Hitze eines Nachmittags, der alles verändert.
🎞️ „Jack (Boy Made of Heat)” – innere Ruhe, Licht und Unsicherheit.
💛 „Danielle Thompson“ – laut, bunt, ehrlich.
🌙 „Rain on Düsseldorf“ – Nächte voller Regen, Zigarettenrauch und Gedanken.
🕯️ „First Light on Skin“ – ein neues Kapitel, wenn alles leiser wird.
Dieses Album ist eine Hommage an eine Zeit, die gleichzeitig vergangen und ewig ist –
und an all die Figuren, die in The Hottest Summer leben.
📚 Buch erhältlich ab 08. November 2025
ISBN (Paperback): 978-3-7597-9052-3
ISBN (E-Book): 978-3-7597-9053-0
© 2025 Colin Warner-Rochlitzer
All tracks written, performed and produced by the author.

Ambient Flow State

Discovery Playlists