The Anta Doma project is a crossover between Jeune Walker and Édith, two producers from Lille (FR) and Brussels (BE).

Mantis

A compilation that resonates with the spirit of its environment.
Crafted as a snapshot of the LOCH INN series hosted at De School, 'V/A LOCH INN at De School' encapsulates the diverse talent that contributed to the collective exchange during these events at Het Muzieklokaal.

At the core of LOCH INN is a dedication to the local music scene, providing a platform for artists to showcase their work and fostering an exchange of knowledge and inspiration between the artists and audience. This compilation not only captures the essence of the project but also stands as a tribute to the abundant local talent. This compilation unveils the tip of the iceberg, offering a glimpse into the vast pool of artistry within Amsterdam’s electronic music scene, and beyond.

Immerse yourself in a curated selection of tracks that represent the versatility of the music played during these listening sessions. Ranging from meticulously crafted techno by Elisa Batti and Carlotta Jacobi, CDF's dreamy house music, FIGI & LUUKA’s off-kilter electro, Teqmun’s stripped-down, direct bass music, to R&B singer Tico Mac, along with theater maker Keely Westwood, 'V/A LOCH INN at De School' plays as a curious, genre-defying ride.

Curation: Mijke Hurkx
Mastering: Wouter Brandenburg
Label art: Sjon de Baron

Team effort! Shout outs to: Ghamte Schmidt, Jamila Barry, Nathan Kofi, Joy Caupain, Garnett Watson, Elena Kuvshinova, Kate Cameron, Rollo Mason, Willem Bijleveld, Vijay Weemhoff, Liz Aarsen, Anna Sophia Stöver, Colin Wegman, Stefan Prokop & Team DS & many more who supported along the way.

Digital release on all streaming & merchant platforms: 09.02.2024

Teqmun - Continue (snippet)

From 'missed heaven' LP by Toma Kami

Out October 25th: https://tomakami.bandcamp.com/album/missed-heaven

Toma Kami - Fungi

"determined.
clubfocused.

this is about strength,
stating value.

translating empowerment.

This is about sisterhood,
a call for union."
—Leese & Chewlie

We are standing for representation!
crédits
paru le 9 janvier 2025

Curated by Leese & Chewlie
Artwork by Julia Häller
Mastered by PRECISE
Set free into the wild by YUKU

01. Leese & Chewlie - Saamna [YUKU]

SPE:C Remixed [SPE:C 025 01] PREVIEW

Buy via Bandcamp

Suns

@count2count

MR006 crashes in straight from Brno, carving out a sonic current mirroring the ever-mutating scene. COUNT’s latest EP, a playful yet razor-sharp exploration of sound, provides a pack of oddly satisfying rollers. Spanning a spectrum of 140+, this four-track offering blends three originals with a remix from HEDO HYDR8 

THIRD TAKE starts off with CONVULSE, a pacey breakbeat track created to shake the early (and quicker) hours of the morning. The project then takes a more introspective approach as FIREWALL BLOCK rolls into the #2 stop. With a similarly quick BPM register, FIREWALL BLOCK employs traces of dub and jungle along its varied storyboard. Coming up next is BLACKTAIL, a headbanger turned electro track suitable for a variety of people, places, and things. Bring up the caboose* is a remix from HEDO HYDR8. This time it's a fully pumped up techno remix of the aforementioned track.

*a crewed North American railroad car coupled at the end of a freight train (for our European listeners)  

www.instagram.com/markhamroadrec/

THIRD TAKE

THIRD TAKE [MR006]

BANDCAMP

COUNT - BLACKTAIL

"Claustrophobic, disorienting, uncomfortable - ‘Only Time Will Tell’ consists of 3 of my latest attempts to push functional club tools as far into the realms of dissonance and abstraction as possible whilst retaining their inherent purpose as body-moving dancefloor tracks.

I’m drawn to sounds that are insistent, deliberate, futuristic and unorthodox. YUKU have always shared a similar vision, so it was little surprise when the label picked the very first 3 tracks I sent over in a large vault of demos - the exact 3 that I quietly hoped that they would take, in the exact order I felt would be most effective.

‘Inertia Of The Real’ has been the closing track for many of my sets over the past few months - unhinged electrical zaps appear out of nowhere and rain down over a sparse grime rhythm to catch the crowd off-guard and cause as much chaos as possible.

‘Plated Brass Recursion Mechanism’ continues the theme of frantic digital laser assault, but this time with a locked breakbeat groove and unyielding low-end snarl - more conventional beat patterns for electro and techno lovers, but weird and unpredcitable nonetheless.

Lastly, ‘Fool’s Errand’ dials back the intensity just a touch, with eerie pads and disembodied vocal chops cutting through machine-gun hihats and start-stop call and response in the low end.

My attitude to production has always been a rejection of the nostalgic rehashing of sounds from the 90s and 00s that has come to dominate the dance music landscape in the current decade. If there isn’t at least one sound in a track that’s surprising or new to my ears, I’m not interested. As a statement of intent, I hope that ‘Only Time Will Tell’ will bring something exciting to the listener in that respect. Endless love to YUKU and everyone who gives the release a spin - getting the chance to share my music on such a perfect label is really such an honour."

- Hedchef 

Written & produced by Hedchef
Mastered by Sam at Precise
Artwork by Lex Cyril
Set free into the wild by YUKU

Download

Hedchef - Inertia Of The Real [YUKU]

HIERØGLYPHIC's first RIDDIM album.. The bass is heavy, the drums are punchy, the texture is scratchy and crunchy, the fx are glitchy and the bpm is high. Hope you enjoy! 

Follow me on IG ~> @ HIEROGLYPHIC.wav
Follow my collective ~> @ _SWIPERGANG

PHARAOHS WRATH (free)

KEAN DYSSO - Hit That Beep (Slowed)

Giggles freestyle edit

Bass focused mutations

Say hi on Instagram @_.subshell

¨⁄•

Suns

Subshell

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