Great remix the 7 .im loving your lastest tracs they have been abit harder

Omg, thank god the break is over. Things were getting a little dry over here. We’ve really be missing the action-packed and drama-fuelled race weekends. Sadly, this recent break in the F1 season has been tainted with the news of Daniel Ricciardo being dropped by Visa Cash App RB in a horrible break up. They did Danny dirty. Why was this not announced before Singapore so Danny could have got the send off he so deserved? He’s done so much for the sport via both his driving and endearing personality that captured the hearts of so many new fans when Drive To Survive came out. He deserved so much more. Our hearts melted at the recent pic of Danny sporting a cap saying “I’m retired - having a good time is my job” - yes! Good time Danny is what we love to see! We will miss him so much. Now there’s only two seats left to be signed for 2025 with Liam Lawson not quite signed on for next year and the second seat at Sauber with rumours of Mick Schumacher returning to the grid. 

There really wasn’t much else that happened during this break - we’ve enjoyed seeing the holiday snaps where Charles desperately trying to stay undercover in disguises that look like he’s raided his mum’s wardrobes whilst Lando Norris is launching a new sultry fragrance campaign with Ralph Lauren. The two sides of the coin. 

Now onto the seventh edition of G-FORCE. We’re thrilled to have the esteemed French producer Voiski on the series who delivers a delicious serving of exhilarating techno and trance. In the accompany interview, Voiski mentions that he “tried to put myself in that tunnel Senna mentioned after his qualifying lap in Monaco '88”. This mix is pure psychedelia sped up to the nines. Strap in!

https://gforceseries.substack.com/p/g-force-007-voiski-usa

@voiski

G-FORCE 007: Voiski (USA)

Saroor - Live at UNFOLD LXXXVII - 24.11.24

𝙑𝙀𝙎𝙀𝙇𝙆𝘼 𝙋𝙊𝘿𝘾𝘼𝙎𝙏 086 | 𝙎𝙏𝘼𝙉𝙄𝙎𝙇𝘼𝙒𝘼

STANISLAWA blends her values and music, crafting 90s trance, sexy techno grooves, and progressive house bangers. Founder of queer party collective Deep Down East (2017), she co-created “Slava” for Ukraine and “Rave Against Fascism.” Active in Belgian venues, festivals across Europe, and radio “gimic,” she debuted her EP "Forever Strong" in 2024 with personal, hard-hitting tracks.

𝙑𝙎𝙇𝙆: How was your first DJ gig?
𝙎𝙏𝘼𝙉𝙄𝙎𝙇𝘼𝙒𝘼: I started DJing when I was 12, playing at small parties in my village during my teenage years. But my first proper club gig happened completely by chance. I was working at a bar, and after my shift, I went to a small club where some friends were hanging out. I went behind the booth to say hi to the DJ and somehow ended up playing an unplanned 30-minute closing set. A few weeks later, I returned to the club for a proper, announced set. The owner recognized me and, as a thank-you for the music, gifted me an Adidas tracksuit. That moment really stuck with me, it felt like a small but meaningful initiation into the scene.

𝙑𝙎𝙇𝙆: Intimate club vs. festival atmosphere. Your pros and contras:
𝙎𝙏𝘼𝙉𝙄𝙎𝙇𝘼𝙒𝘼: I’ve always been a club kid. I started going out in Brussels clubs at 15, worked as a student party promoter, and launched Deep Down East when I was 17. Clubs shaped me, not just musically, but socially. They introduced me to good friends, my chosen family, and a sense of belonging. Brussels clubs, in particular, have this unique, close-knit energy, whether it’s at C12, where I work and know everyone, or at Fuse, where the artist care team makes you feel welcome, whether you're playing or just passing through.

Festivals came later for me. I couldn’t afford to go as a teenager, so I always told myself, I’ll go when I get booked. That mindset stuck with me, and last summer, I was so happy to experience Dour and Pukkelpop for the first time, by playing there. The energy at festivals is wild, the lineups are massive, and the scale is completely different from a club. But after my set, I always love to retreat backstage; being in a huge crowd can feel overwhelming, especially for neurodivergent babes.

𝙑𝙎𝙇𝙆: “The future is queer!” Is this true?
𝙎𝙏𝘼𝙉𝙄𝙎𝙇𝘼𝙒𝘼: Absolutely. Queer culture has always been at the forefront of nightlife, music, and creative spaces, it’s where new ideas, sounds, and movements are born. The DIY ethos, the resilience, the sense of community, these things shape not just club culture, but the way we think about inclusivity and freedom in music. And beyond nightlife, you can feel the shift in wider culture. More and more people are embracing fluidity, rejecting rigid norms, and creating their own spaces rather than waiting for permission. The future isn’t just queer, it’s unapologetically so.

𝙑𝙎𝙇𝙆: Any secret spots in Brussels you can recommend?
𝙎𝙏𝘼𝙉𝙄𝙎𝙇𝘼𝙒𝘼: SuperFourchette! It’s a restaurant and record store in the city center where I used to work. The food is amazing, fresh, well-sourced, and good whether you’re vegetarian or not. But beyond that, they also host punk concerts a few times a month, which gives the place an extra edge.

𝙑𝙎𝙇𝙆: What does your upcoming summer look like?
𝙎𝙏𝘼𝙉𝙄𝙎𝙇𝘼𝙒𝘼: Let’s just say it’s shaping up to be a good one! Some returns to festivals I loved playing in past years, some exciting debuts at places I’ve been dreaming of… but I won’t spoil too much just yet. Keep an eye on my socials, announcements are coming soon.

Listen, enjoy and never forget:
𝙏𝙃𝙀𝙍𝙀 𝙄𝙎 𝙉𝙊 𝙍𝘼𝙄𝙉𝘽𝙊𝙒 𝙒𝙄𝙏𝙃𝙊𝙐𝙏 𝙔𝙀𝙇𝙇𝙊𝙒 𝘼𝙉𝘿 𝘽𝙇𝙐𝙀.

Pic credits:
https://instagram.com/margolavign

𝙎𝙏𝘼𝙉𝙄𝙎𝙇𝘼𝙒𝘼
https://soundcloud.com/stanislawa
https://instagram.com/Stanislawa.dde

𝙑𝙀𝙎𝙀𝙇𝙆𝘼 𝙆𝙔𝙄𝙑
https://soundcloud.com/veselka_kyiv
https://instagram.com/veselka_kyiv
https://facebook.com/veselka.kyiv
https://ra.co/promoters/129341

VESELKA PODCAST 086 | STANISLAWA

Space Drum Meditation’ first release on Paryìa dives deep into their artistic identity, blending tribal rhythms with hypnotic techno. Known for their ability to fuse ancient and modern soundscapes, the duo has developed a signature style, combining esoteric instruments with modern electronic elements to create an immersive genre-blurring sound. This release embodies their signature style, balancing hypnotic textures and combining them with driving energy. Adding a new twist, the artist Blue Hour delivers a more fast and powerful techno remix, intensifying the rhythmic flow while staying true to the duo’s entrancing aesthetic.

Pushing their sonic vision forward, Space Drum Meditation once again showcase their ability to bridge fast and slow tempos, creating music that moves both — body and mind. For the first time, they step beyond their own label to release on Paryìa, marking their first debut- EP outside of their own Label.

ParyìaBandcamp

A1 Swamp Spirit

SCAN 7 Shari Vari Remix

SHED is the 434th guest of our original Hate Podcast series.

René Pawlowitz is a man of many aliases—SHED, Head High, Hoover, WK7, and Evil Fred—each representing a different facet of his wide-ranging musical identity. With a career rooted deeply in Berlin’s underground scene

Download available.

Follow #SHED here:
https://linktr.ee/nowt_030
https://soundcloud.com/shedofficial
https://www.instagram.com/shed030/
https://twitter.com/nowt_030

HATE Podcast

HATE Podcast 434

Follow SHED

Shed — HATE Podcast 434

 LRC Radio - Operator 26-04-2025
Lenson b2b 543ff 

Lenson b2b 543ff - LRC Radio - Operator 26-04-2025

Tan Tan has been producing and mixing for four years. He got his start in the vibrant scene of Nashville, TN, inspired by the Phaaser crew. Tan Tan also throws parties in Knoxville, TN, with the Teknox crew, contributing to the rising scene in Tennessee. He recently relocated to Phoenix, Arizona.

His sound is heavily inspired by old-school artists such as DJ Bone, Oliver Ho, and Fumiya Tanaka. He continues to draw inspiration from great underground American talent like Blaine Mason, Kanyon, and Freeman 713, as well as international artists like Leod and Dylan Fogarty, who are pushing dance music forward.

Tracklist:
Percy X – Maintain (Steve Bicknell Mix)
DJ Gregory – Damelo
James Ruskin – Correction Centre B1
Samuel L Session – They Stole the Soul (Vinyl Mix)
Hertz – Phont 35 (A1) (Phonk)
Dirty House Crew – Internal Affairs
Tan Tan – ranger park ranger (2)
Tan Tan – Core
Fumiya Tanaka – BOSSA
Semh – Andrachle
Samuel L Session – Untitled, Pt. 3
Kanyon – Poser Exposers
Phuture 303 – Vintage Drums
Deetron – Vibrando
Al Loud – COOL OUT
Braga Circuit/Leod Monix – Filter Feed
Jen Cruz – Tubular
Samuel L Session – Brooklyn Finger (Vinyl Mix)
RUIZ OSC1 – Funkaton
Head Front Panel – Surdo
El Irreal Veintituno – Taquión
INVT – TOBOGÁN
Erik Travis – IN THE MIND OF ERIK
Fumiya Tanaka – PUT YOUR
James Ruskin – Is It Really Me?
Devilfish – Afro
DJ Dan/Gutter Brothers – Put The Record Back On
Max Duley – Slap
Marco Lenzi – Taboo (Jeroen Search Remix)
Oliver Ho – Life

GB-RADIO-027: TAN TAN

Waves of pulsing, layered techno from the revered Mala Junta resident.

If the electronic music industry is caught in the crosshairs of a battle over what makes for true techno, then D.Dan is one of the underground's great modern emissaries.

A figurehead from the new guard of DJs to arise in the '20s, the Berlin-based artist and Mala Junta resident is an ambassador for a sound that is strongly anchored in the classic roots of techno. His productions, like his mixes, are revved-up takes on the hypnotic wormholes that defined dance floors last decade, but with a fresh (and high BPM) millennial twist. 

Originally from Seattle, D.Dan became enamoured with the spectral stylings of psych rock and shoegaze in adolescence. It's not difficult to see how the cosmic tapestry of bands like Cocteau Twins became a blueprint for the entrancing music he's gone on to make as an adult. His releases on Mutant Future and summerpup are latticeworks of loops and layered percussion, custom-tooled for lost hours on the dance floor and drawn-out mixes behind the decks. 

This approach directly extends into his DJ practice, where he pairs song selections from contemporaries that mirror his own reduced, controlled approach to techno. RA.994 is a Grade A display of contemporary four-to-the-floor from flagbearers like Roll Dann and Marcal.

And like D.Dan's standalone records, his RA Podcast finds room for sweetness—the intermittent peal of an open clap, the steady ripening of a chord—while ultimately emphasising the beauty of function and form over flair.

@ddan-sounds

Find the full interview and tracklist at ra.co/podcast/994

RA.994 D.Dan

Robert hood @ Ostgut, Berlin 14-07-01

The Essential Mix is a weekly radio show on BBC Radio 1 currently broadcast between 0:00 - 2:00 AM UK time on Saturday morning. Originally broadcast on 30 October 1993, the Essential Mix features contemporary DJs and music producers of electronic dance music. The show has been presented since its inception by Pete Tong and features an uninterrupted two-hour mix from a different artist each week, overlaid with occasional continuity announcements delivered by Tong. With a broadcast run in excess of 25 years, the Essential Mix is one of the longest-running programmes in the current BBC Radio 1 schedule, and is one of very few Radio 1 shows which is not broadcast live.

BBC Radio 1 Essential Mix

Essential Mix 1999-08-22 - Carl Cox - Live @ Space, Ibiza

FRENETIC
fre.net.tic
Fast. and energetic in a rather wild and uncontrolled way.

SCAN 7 Shari Vari Remix

SCAN 7

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