Scandroid

Race

Buy the EP on bandcamp: http://synthesizer.bandcamp.com/album/148-miami-beach-force-the-revenge

Moving Target

Distorted Fantasy

Site: http://cleevemorris.com
Twitter: https://twitter.com/cleevemorris
Facebook: https://facebook.com/cleevemorris1983
Spotify: https://play.spotify.com/artist/61D22Ez4c3MeQ4316ivMtN
Instagram: https://instagram.com/cleevemorris
Youtube: https://youtube.com/cleevemorris
Bandcamp: https://cleevemorris.bandcamp.com

2016 © Cleeve Morris - All rights reserved.

Final Lap

See More!

My first EP 'Arrival Of The Stalkers' will be coming this year! Be ready!

Timestalker - Rise Of The Pariah

Nightwave - Moving Lights

Destination Unknown

Shout (Instrumental)

2517 (Instrumental)

Salvation Code (Instrumental)

Aphelion (Instrumental)

EP DOWNLOAD HERE:
dreamreapermusic.bandcamp.com/album/dreamreaper-ep

FOLLOW:
facebook.com/dreamreapermusic

DreamReaper EP

FREE DOWNLOAD

DreamReaper - Terminal

”Tears in Rain” is a tribute to Blade Runner – one of my favourite films of all time. Knowing that a sequel was in the making left me worried, so for the past year or so I've tried to channel these emotions into making a track. Here's the outcome.

Now, just hours before the world premiere of Blade Runner 2049, I thought it was a good time to release it. Enjoy!

-----
Lyrics as spoken by Rutger Hauer:
“I've seen things you people wouldn't believe. Attack ships on fire off the shoulder of Orion. I watched C-beams glitter in the dark near the Tannhäuser Gate. All those moments will be lost in time, like tears in rain.”
-----
Composing (tracking), vocals, mixing: Timbral
Lyrics: Rutger Hauer (and the script writers)
Mastering: Christian Mars (analogsweetening.com)
Artwork: Christopher Shy (studioronin.tumblr.com)
-----

This track, as well as my other #Atariwave branded tracks, is made on an Atari Falcon (1992) with a whopping 16 MHz of RAW COMPUTING POWER! What you hear is generated by the Atari in real-time. No external synths/samplers.

Tears in Rain (Atari Falcon)

EP + short story available for purchase at: https://alternet.bandcamp.com/album/prologue

2055: The end of the new.

Technology is in a constant state of evolution and the world now responds in opposition. Advancements in artificial intelligence and computation devices no longer correlate with furthering prosperity, but oppression and fear.

Underneath it all lies mankind's crowning achievement: a confidential and highly selective digital world created to shelter the world's greatest minds against society's regressive ideals - the Alternet.

Upload

Life in the gutter of small town America was nothing new for Darrel Santiago, but after a brutal storm hits the sleepy beach town of Silver Lake, its once peaceful citizens transform into blood-thirsty maniacs! It is up to Darrel and his motley crew of ne'er-do-wells to get to the bottom of this phenomenon, and what they find is a hellish nightmare that they could never have imagined. Evil is at work in Silver Lake and it is literally tearing its inhabitants apart. Whatever you do...try not to PANIC!
____________________________________________________________

In the summer of 1980, just outside of Staten Island’s scenic Silver Lake Park, a small team of ambitious, young filmmakers set out to make a motion picture that would be regarded as the most gruesome and controversial horror film of all time. Written, directed and scored by the aliased phenom, Destryur (“Endurance” 1976, “Midnight Maniac” 1979), “Panic” or “Panic! Curse of the Vile” became an overnight cult hit, portraying graphic images of demonic possession and grotesque imagery. It capitalized on the recent wave of public shock in the occult known as the “Satanic Panic”. Shot in the course of only two weeks on 8mm film and a shoestring budget, the picture plunged Destryur into the realm of amateur cult film-making and a notable director/composer in genre cinema. The film also featured guitar slinging celebrity Dominick Martes of rock and roll supergroup Wild Street in the lead roll as street-wise punker, Darrel “Grimer” Santiago along with Cobra Wipeout as cinematographer, supporting actor and fledgeling composer. We’re still not sure what his actual name is. Cobra was currently working with Gold Line Pictures, a studio specializing in B-Horror and mob-funded exploitation films such as “Murder of Crows” 1974 and “Swamp Thing” 1979. Destryur also enlisted the writing talents of another aliased master of the subversive. Prestigious science-fiction-horror writer, artist and composer STRNGR (“The Skurge” 1968, “Mass” 1973) who had recently returned to the states from Italy after finding success in the European horror movie market. “Panic” went international only three months after it’s initial screening at Tales of Terror Film Exhibition in Greenwich Village where it received a notable tip-of-the-hat from some of horror cinema’s most celebrated film makers. The film was almost immediately boycotted throughout Europe. A violent protest broke out at a midnight screening in Istanbul resulting in the entire theater burning to the ground. Meanwhile, in the states, outrage escalated with various public interest groups demanding that the film either be removed from theaters or undergo strict censorship. However, even after the studio’s agreement to censor, picketing continued and threats from many religious organizations overwhelmed the Film Board. On October 1, 1980, “Panic” was officially pulled from every theater. Some say this marked the end for Destryur’s career. Some say it was only the beginning. Today, you can find Destryur at a monthly midnight showing of the film at St. Vitus Cinema in Greenpoint, Brooklyn hosted by Sam Valentine.

____________________________________________________________

Special thanks to everyone involved in the production of this album and you for buying it. A big thank you to Sam Valentine for pushing me to make new music to play live. I hope you genuinely enjoy this album just as much as I've enjoyed making it. 
credits
released October 1, 2019

Guitars - Dominick Martes

Additional Programming - Cobra Wipeout, STRNGR

Remixes by DreamReaper, Misanthropix

Mixed and Mastered at Gold Line Studios in Brooklyn, NY

MBR011

Exit Wounds

Scandroid, the modern Synthwave project from Detroit based artist/producer Klayton, best known for his multi-genre project Celldweller, is Klayton’s love letter to the 80s.
-----------------------------------------------------------
Red has scoured the depths of the ancient wasteland he calls home for something lost and buried, something revolutionary. What he unearthed was the New Retro sound of a forgotten era. He formed Scandroid to bring that sound into his world. 

Based in an abandoned warehouse in Old Tokyo, he is surrounded by ancient technology and sound from the era of the 1980's. Beneath the shadow of the elite and unreachable Neo-Tokyo, he plan's a revolution…

2517 (Instrumental)

Scandroid

Related tracks