hard to believe imaginative, an instant favorite (and what a great work with/on the break beats)!

excellent! tnx for free download, aweh :)

@user-740956833: thank you! good to see you're back!

More on this 491st weekly Disquiet Junto project – Footsteps Sequencer (The Assignment: Compose a piece of music structured upon a walk through your home) – at: https://disquiet.com/0491/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0491-footsteps-sequencer/

There’s also a Disquiet Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

The image associated with this project is by pyrogenic, and used thanks to Flickr and a Creative Commons license allowing editing (cropped with text added) for non-commercial purposes:

https://flic.kr/p/pinEP

https://creativecommons.org/licenses/by-nc-sa/2.0/

Splash Rash (A Waltz) disquiet0491

track for the 2nd lines community remix project

all participants submit 2 samples each
then we make new tracks out of them

album for download here: https://chiplightning.bandcamp.com/album/sounds-of-summer

more on process: https://ello.co/scannerdarkly/post/c9xsbblv1khfhao3gkrm8g
http://llllllll.co/t/summer-lcrp-samples-sent-song-deadline-31st-august

one ran away

Quadrangle Collusion Ver 3

Which do you think this track is music or not?
Made by Max8.

Thanks for listening!! :-)

On The Border1

Tracing Your Sulci - from the album 'Let's Be Happy!'.

Hot on the tail of Neuro... No Neuro’s full-on ambient onset - “A Particular Timeline” - “Let’s Be Happy” provides a mélange of arrangement techniques. Rhythmic, yet less percussive. Melodic, with broken pieces everywhere. Ambient without the long-form structure. Lowercase without the minimalism. Using the practical frameworks of “Scans”, the tracks take on the length of a pop-music track, but are full audio sculptures of a moment in time. Not fragments, but concise, complete builds. While completely without traditional percussive elements, “Let’s Be Happy” is abundant with rhythmic aberrations. Pulling from the looping elements of modern music, then breaking the traditional loop traditions. Beautiful melodies, gentle stop/starts, chattering, and positive harmonics are the specialty of the day. As before, these pieces are about prior and current neurological experiences. Epileptic auras, memory loss and its point of departure, visualizations, behaviors, and emotional content. This is a method of recall.

Neuro... No Neuro - Tracing Your Sulci

https://vaaticanrecords.bandcamp.com/album/woleb-os-evoba-sa

Woleb os evoba sa

Grave 2 (VIIRGIILE reload) ⚰

00009

©2019 ༼ つ ◕_◕ ༽つ ♥♥♥♥ X4 RECORDS  https://x4records.bandcamp.com
Produced & Mixed by Danny Playamaqui 

Artwork by Wou-Wou & The Wormling 
https://wouwouandthewormling.com

Sound Consulting by Studio900 Barcelona http://bit.ly/_STUDIO900

Managed by PUPUT 🐦 

Record Executive 👧🏽🖤

479: 🕳🕳🕳🕳

Rogelia: BrokenBeats and sab•o•tages 👩🏻‍🦰
Potoo: Basses 🦉
Hall: Noise and Sweets ⛑
Valentino Arco: Synths 🦊

🌸🦄💥

Bandcamp

Harriet

A weird little experiment in manipulating drums into strange new worlds of sound conducted for a Kanga Corp Australian artist showcase compilation called The Pool Room.

You can find the full release here:
https://kanga-corp.bandcamp.com/album/the-pool-room-an-aussie-collection

Klaang

1st Section: Bb Major
synthesizers performed by DD

2nd Section: A major/minor. 
Performed by
Flute (Bobby Rangell, Denver USA)
Percussion (Nico Arnicho, Montevideo Uruguay)
Fretless Bass, bowed basses drone (Daniel Diaz, Buenos Aires, Argentina)

Recorded circa 2007 in Paris, reworked and remixed Friday November 13th 2020.

Photo by Louis Maniquet 

For this challenge:
Step 1: Think about how a gradient functions, as one thing transitions into another.

Step 2: Make a short piece of music that aims to explore the idea of a gradient in sound.

As mentioned on a previous junto, lately, when I have time, I’m recycling old masters I got back this summer from a publisher deal, I have dozens of 10 or 15 years old tracks to re-listen, re-work and release or use at will.
For this junto I decided to do a gradient between two old tracks: one completely electronic (synths and treatments) and one acoustic (live in the studio performance with actual musicians and instruments)
It starts with the electro-drone song , and instead of just crossfading volumes between tracks I decided to make my own interpretation of gradient: the second song’s tracks start unmuting one by one, starting with the flute and some percussion, then bass, etc, while the first song’s tracks start fading or muting one by one.
To make things interested, the first song is in the key of Bb major, while the second plays around A major and A minor, so the long middle section of this track, where the mutation happens, is in two superimposed keys, providing dissonance and instability instead of the original track’s clear mood.

Project discussion takes place on llllllll.co:

llllllll.co/t/disquiet-junto-pr…aking-the-gradient/

Two Memories Gradient (disquiet0463)

Set multigénero para todxs lxs manijxs en este piknte 2021.

Bailen manga de LOROS.

Agusxxl les saluda desde la nube. 

XOXO

SETACEO D3sk0ntr0l4d0

i write music and code that writes music. all tracks with a very few exceptions are under CC license and downloadable, so remixes / overdubs / collaborations are always encouraged.

one ran away

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