@lasaril: Thank you! Afraid it didn't go anywhere in particular :) - this was a quick jam to get a feel of the instrument (Gotharman little deFormer)

This and TipRop made me to place the order for deFormer 2 :)

"scattered ways" (2015) EXCERPT
for orchestra 
(3.2.3.2/4.2.2.1/harp/2 perc/toypiano+synth/strings min. 6.6.6.4.3)

Radio-Symphonieorchester Wien (RSO Vienna)
Johannes Kalitzke (conductor)

*
picture: excerpt of a drawing by Elisabeth Naomi Reuter (from the 1970ies)

scattered ways (2015) RSO Vienna - EXCERPT

kalanchoe

Merzbow stands as the most important artist in noise music. The moniker of Japanese artist Masami Akita was born in Tokyo in 1979. Inspired by dadaism and surrealism, Akita took the name for his project from German artist Kurt Schwitters's pre-war architectural assemblage The Cathedral of Erotic Misery or Merzbau. Just as Schwitters attacked the entrenched artistic traditions of his time with his revolutionary avant-garde collages, so too would Akita challenge the contemporary concept of what is called music. Merzbow would draw further influence from the futurist movement. Not only would he embrace the futurists' love of technology and the machine civilization, he would push their fondness for noise to the very boundaries of the extreme. Working in his home, he quickly gained notoriety as a purveyor of a musical genre composed solely of pure, unadulterated noise. By 1990’s, Merzbow had a significant underground reputation for creating harsh and power electronics album. Dadarottenvator was released in 1995 by the magnificent German label Praxis Dr. Bearmann in a limited edition of 175 hand-numbered copies, pressed on green vinyl, and housed in a wooden box.
The tracks fall right in-between the atmosphere of Merzbow's early 90's work and his more hyper-aggressive mid 90's power electronics work and it's a charming mix, presenting the listener with some of the best elements from each phase of his evolution. Along with Noisembryo, Venereology and Pulse Demon, it represents the top of the immense artist’s production. All tracks performed using cheap electronics and junk, no use for synthesizer and midi sampler. Remastered at Munemi House in 2019 by Masami Akita.
The record has been pressed on 140 gr black vinyl with full color label and sleeve plus poster everything housed in amazing wooden box with laser engraving. Artwork by Masami Akita.

Merzbow - Koji Tsuruta Had Big Grinder Extract (from Dadarottenvator)

very rough mix, playing with Gotharman little deFormer which might be hard to tame but is very fun to play

7 oscillators and samples used on the deFormer
additional effects - BugBrand, Cocoquantus, Koma and Sherman


pattern [little deFormer]

Participation in the "Disquiet Junto" project led by Marc Weidenbaum:
Seamless Bridge. The Assignment: Create a 20-second piece of music to connect two preexisting 20-second pieces of music.
https://disquiet.com/0448/

A bridge between Sevenism - 777minus1 - 06 Fake choir hidden
https://20x20project.bandcamp.com/track/fake-choir-hidden
and haLF unusuaL - semI autO biO graphicaL - 04 Semi 4
https://20x20project.bandcamp.com/track/semi-4

The material of the bridge comes entirely from the 2 original sources.
Editing with Audacity.

-----------------------------------------------------------------------------------------

Participation au projet "Disquiet Junto" de Marc Weidenbaum.
Créez une musique de 20 secondes reliant deux musiques préexistantes de 20 secondes.
https://disquiet.com/0448/

Le matériau provient entièrement des 2 sources originales:
 - Sevenism - 777minus1 - 06 Fake choir hidden
https://20x20project.bandcamp.com/track/fake-choir-hidden
 - haLF unusuaL - semI autO biO graphicaL - 04 Semi 4
https://20x20project.bandcamp.com/track/semi-4

Montage avec Audacity.

-----------------------------------------------------------------------------------------

Major thanks to 20×20’s Neil Stringfellow for proposing this project. More on 20×20 at:
https://20x20project.bandcamp.com/

More on the Disquiet Junto at:
https://disquiet.com/junto/

Subscribe to project announcements here:
https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:
https://llllllll.co/t/disquiet-junto-project-0448-seamless-bridge/

ABridge - Disquiet0448

https://vaaticanrecords.bandcamp.com/album/woleb-os-evoba-sa

Woleb os evoba sa

Grave 2 (VIIRGIILE reload) ⚰

“For a word to be spoken, there must be silence. Before, and after.” 
An Improvised piece with a new DIY instrument inspired by reading about Hugh Davies and featuring silence and piano.

More on this 451st weekly Disquiet Junto project, Ursula’s Silences (The Assignment: Make music inspired by a line from A Wizard of Earthsea ), at:

https://disquiet.com/0451/

More on the Disquiet Junto at:

https://disquiet.com/junto/

Subscribe to project announcements here:

https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:

https://llllllll.co/t/disquiet-junto-project-0451-ursulas-silences/

There’s also a Disquiet Junto Slack. Send your email address to twitter.com/disquiet for Slack inclusion.

3 Whiskered (disquiet0451)

169 ⋯ res

Keep Saying Its Easy

Cocoquantus, Tetrax, Deerhorn, Plumbutter. Bliss.

Psylic

Crashlands

music for donkeys who like music

i write music and code that writes music. all tracks with a very few exceptions are under CC license and downloadable, so remixes / overdubs / collaborations are always encouraged.

pattern [little deFormer]

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