beautifully chilled and organic track-tranquility meets trippy funk

3_bot set 9

From the album Not Human
https://scapeone.bandcamp.com/album/not-human

Phonic Legacy

Buy: scapeone.bandcamp.com/album/tears-in…in-the-mix-cut
Stream: share.amuse.io/cuYWPyoRh0mM

Tears in Rain (The Mix Cut)

Tears in Rain (The Mix Cut) Part 2

Buy: https://scapeone.bandcamp.com/album/calisto-rising
Stream: https://share.amuse.io/BA47Tg3-CbuG

Calisto Rising

Variants of the Form

Diffusion of Innovations

A Certain Interupt

Buy: https://scapeone.bandcamp.com/album/a-certain-interupt
Stream: https://share.amuse.io/TiQp47OoLKE5

Altered Carbon

From the new album Moments of Vertical
Buy: https://scapeone.bandcamp.com/album/moments-of-vertical
Stream: https://share.amuse.io/OQC1u9QAs9v7

Inner Demons

https://bricolageglasgow.bandcamp.com/album/colour-kinetica-bc095

The Dormon brothers have been honing their craft since the 90's. Releasing a raft of albums and EPs on some great labels like Piehead, Lom, Senton, Progerik and the seminal Toytronic, over the years. "Toytronic" in particular, was one of the labels that inspired what we do here at Bricolage. It had a huge impact on me as a teenager and the Multiplex "Pinghaus Frequencies" album from the label was constantly on rotation in my bedroom. It's pretty surreal that now, more than twenty years after hearing that album, we can welcome them onto the label. The world works in magical ways.

"Multiplex recordings are far from the standard studio format, as we build up the tracks on two sets of music equipment, in two countries, with two biased opinions of what the final result should be. But instead of fighting for control of the studio and the mix, we surrender control of our ideas to each other, which has worked well so far."

The result makes for raw, analogue chaos. When they go hard they go all in but there's also the other side that seeps through with their more textured electronica that breezes along so smoothly.

The "Colour Kinetica" album has all the Multiplex hallmarks. Abrasive yet vibrant melodies, cyber basslines and elastic rhythms. They take the genre's bleeps and bass elements and put them through their own audio grinder to create a unique brand of head spinning electro.

"Colour Kinetica" is their first new album in quite some time and it's safe to say it's been worth the wait as we get to enter into an innovative sonic realm. 


https://soundcloud.com/user-64321338

Colour Kinetica

Multiplex - Citra21 (from the "Colour Kinetica" album)

this is my contribution to the 10-year anniversary compilation album released by Bricolage (https://soundcloud.com/bricolage-g5) - available here - https://bricolageglasgow.bandcamp.com/album/x-bc094

I have been a big fan of this label for a long time, as well as the founder John whose music you can find here https://soundcloud.com/fragilex
it takes a very special commitment and love for music to do this for 10 years - identifying and highlighting great talent across the SC community - and John exemplifies that.

this track was made for this release, and is a bit of snapshot into where I am right now. more to follow.

made, as always, with Reason 13 on a Panorama P6, apogee duet, and sennheiser HD-650. 
this uses instruments from spitfire audio, klevgrand, and reasonstudios.
final mastering done by Bricolage. 

note: this is not available to download as it's part of the overall release. please consider buying the full compilation from bandcamp as it has some really great artists on it.

troubled (part of Bricolage X compilation)

Büszke vagyok, hogy részese lehetek ennek a fantasztikus módnak, amellyel megünnepelhetjük a zene egy évtizedét.

https://bricolageglasgow.bandcamp.com/album/x-bc094

Büszkeség

ARTIST: DMITRY DISTANT / LECTROMAGNETIQUE
LABEL: BASS AGENDA RECORDINGS
CAT. NO: BA039
FORMAT: VINYL
RELEASE DATE: 04 MARCH 2016
MASTERED BY: ALEK STARK at Fundamental Audio

TRACKLIST:

DMITRY DISTANT – ‘THEOSOPHIST’
DMITRY DISTANT – ‘LOBOTOMY’
DMITRY DISTANT – ‘CONTEMPLATION’
DMITRY DISTANT – ‘LOBOTOMY’ (OBERGMAN REMIX)

LECTROMAGNETIQUE – ‘ORBITER’
LECTROMAGNETIQUE – ‘ANN’
LECTROMAGNETIQUE – ‘NOT FOR MANKIND’

Continuing Bass Agenda’s mission to highlight the gems hidden away in the underground enclaves of Electro and Techno the label releases its 4th vinyl. Russian Dmitry Distant and Ukrainian Lectromagnetique take a side of the red marbled vinyl disc each; both artists that have made more than a blip on Dave Clarke’s radar over the last couple of years.

Since his debut, also on Bass Agenda, Lectromagnetique has had the support of the Baron both on and off his White Noise Radio show and appeared on the ‘White Noise 500’ compilation released in 2015. Dmitry Distant’s first release on Bass Agenda also got a vote of confidence when his track ‘Forme De La Nuit’ made it into Clarke’s “Best of Electro 2014” show.

Both artists have a penchant for the darker, more sinister side of electronic music and through channelling that dark energy take familiar track structures and twist them into something individual.

Dmitry Distant’s side of the record sees a journey through abstract soundscapes, hefty dark atmospheric Techno and Electro, rounded off nicely by a dark funk injected remix from Sweden’s Obergman. All made live with machines, Dmitry’s tracks are the authentic type of electronic music the popular scene would have you forget. No surprise then that his live schedule is taking him across Europe including a gig alongside the mighty Rude66 and Luke Eargoggle in Berlin.

Lectromagnetique takes you on a ride through some edgy, acidic and melancholic broken techno experiences. Whilst many seek to portray that cold, sci-fi, and industrial vibe in their music, few get to draw on the experiences of living in the Pripyat region on Chernobyl’s doorstep. As you listen you can feel and visualise places you would otherwise never dare tread or let your mind wander to.

This is a record for those who don’t accept the norm and want to challenge and excite their audience; all with the Bass Agenda seal of quality.

“the influential Bass Agenda radio show & label…” [DJ Mag]

“Bass Agenda is killing Electro with its releases, consistently ground breaking” [Dave Clarke]

The release will be available direct from the label via Bandcamp bassagendarecordings.bandcamp.com and is also distributed by MSR in Vienna: info@minimalsoul.com

Split vinyl | EP side preview [BAR#039]

From the album Fall into the Sky
scapeone.bandcamp.com/album/fall-into-the-sky

Heads or Tails?

Orig:Ritchie Hawtin
Rmx : Goran Alavuk - Alavux
country of residence : Serbia ,Belgrade
email:goranalavuk@gmail.com
Download Slots Opened @ 31th Dec , 17:00 CET

PLASTIKMAN - Ask Yourself ( Alavux Remix @burnstudios)

DJ Dreibot is together with Ian Lee cofounder of abseits Recordings. The label is based
on parties called abseits which were celebrated in the end of the 90īs. They set the focus on 
unconventional music. Their goal is to present a variety of different music styles and art to blow up your mind. 
Dreibot is at home in creating electronical music and played in clubs, partys and a lot of famous radioshows 
(eg. FM4, Elektrodos, Tracklistings, Threads, Techno-Club, Arkada Podcast, Science Cult Radio etc...). 
Another important thing is in doing lotīs of enginbeering. The artist name is 3Bot.

Take a look at:
https://ra.co/dj/dreibot
https://abseitsrecordings.bandcamp.com/
https://www.mixcloud.com/dreibot/
https://dreibot.bandcamp.com/

https://scapeone.bandcamp.com/follow_me
Kurt Baggaley, also known under the alias as Scape One is an electronic music producer based in England. Over the course of his career his music has ranged from driving futuristic electro of his early EPs to more deep and experimental ambient electronica of his Tau Sagittarii releases. His output has gradually become more conceptual with works such as 2012's Natural Phases which focuses on down tempo stripped down low-fi beats with wave formed harmonics. 2015's Former Self consisting of intricate and a slowly building hypnosis of synth sequences.
https://soundcloud.com/kurt-baggaley
https://soundcloud.com/tau-sagittarii

Heads or Tails?

Scape One

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