All the elements come together so smoothly here. The arp adds a lot of movement without being distracting. I really like this.

ran to the computer to see what was this lifting up and serene loopy never reproducing the same loop, I love it. And the texture of each sound is so sharply spacy and charismatic (smthg like that? I mean each layer is really is crafted to give it its best blossoming) !

From the bandcamp EP “UNFOLD” (https://martinhoogeboom.bandcamp.com/album/unfold) with
Jukka-Pekka Kervinen: guitar/trumpet/electronics
Ulrich Langenbach: cello/viola/guitar/tapes
Martin Hoogeboom: objects/treatments/electronics

Mixed by Martin Hoogeboom
Mastered by Rupert Clervaux

Jukka-Pekka Kervinen: https://soundcloud.com/jpkervinen
Ulrich Langenbach: https://soundcloud.com/ulrichlangenbach
Martin Hoogeboom: www.martinhoogeboom.com
Rupert Clervaux: www.rupertclervaux.com

A Martin Hoogeboom Project (DS1388/2023)

UNFOLD

UNFOLD I (Jukka-Pekka Kervinen/Ulrich Langenbach/Martin Hoogeboom)

chillout2

seapeople

Catwalk

From 'Year Zero'

Weird drums on this one which feel like they're falling apart a little bit.

Synchrobanking

photo - https://www.pexels.com/photo/green-fern-plant-884547/

Verdigris Part One

This piece explores the concept of algorithmic improvisation, asking the question: "Why do we want our computers to improvise?" It was generated using a Python algorithm that constructs a sequence of 3-note cells. These cells can mutate over time but also return to previous states. The sequence is initiated by a single random seed and a parameter that controls the probability of variation. The timbre parameters of the instruments, on the other hand, are constantly changing, also triggered by a single random seed.
---
More on the 651st weekly Disquiet Junto project, Why Compute? — The Assignment: Respond to a prompt from George E. Lewis — at https://disquiet.com/0651/

The cover image for this project uses a photo by Ioan Sameli, thanks to a CC BY-SA 2.0 license; it’s been cropped and text has been added to it.

Thy CPU Meow - Disquiet0651

Buy: https://scapeone.bandcamp.com/track/silver-in-the-firelight
Stream: https://share.amuse.io/QbyzK0d1Oq82

Silver In The Firelight

2024-10-12

A Trip

https://cosmicleaf.gr/releases/579/discovering-plexus-music
https://cosmicleaf.bandcamp.com/follow_me
https://www.patreon.com/cosmicleaf
https://cosmicleaf.gr/playlists
https://cosmicleaf.gr/tag/63/free-download/releases


Check our playlist:
Psychill Blossom 🌸 Псайчил / псайбиент / Psybient
https://www.submithub.com/link/psychillblossom
Psychill Blossom is a vibrant journey through psychedelic chillout, psybient, and downtempo soundscapes. Blending ethereal melodies and deep grooves. Let the music guide you beyond the ordinary. #Psychill #Downtempo #Psybient


Soulalive - Windfall

Rudder In The Sky

 ‘I want to give each sound the space it deserves to breathe’
Slow Moon is the solo project of Berlin/London based musician Tomáš Kašpar. After many years writing, releasing and performing as part of dancefloor focused duo ASTRYD and alongside Laura Misch on guitar and synth duties, These Things Take Time is his first solo release.
The process for this music began through conscious observation of the minute details of the everyday world; light dancing on water, the texture of a rusted sheet of metal, shadows of trees playing along a wall, the reflection from a pane of broken glass, ripples of raindrops in a puddle. In the slowing down, tuning into, and experiencing these details; a new process for exploring sound, presence and the writing music was teased out.

Space . Texture . Listening . Detail . Slowness

In exploring these ways of looking and, and listening to the world, taking steps back from the density of life I found a delicate and soothing way of relating to and creating sound. These Things Take Time is the result of several years experimenting and exploring writing with these ideas at the core. The album title is a reference to this process (and in part a joke to myself about how long it takes to finish and release music).
‘Listening softens us, and opens us to how much is really going on all the time. Being present to the immense, beautiful and infinite detail of the world around me is what led to this music.’
These Things Take Time is made up of 8 tracks ranging from delicate ambient synth work, to processed vocals soaring over textural rumbling drum grooves, to soft piano and clarinet explorations. It explores many palettes and energies but the connecting thread of ambient, slowly evolving detail and textural richness underpins this collection of work.

🛒: https://slowmoon.bandcamp.com/album/these-things-take-time
youtube: https://youtu.be/OYAzBjgcK4A

https://soundcloud.com/slow-moon-1
https://soundcloud.com/e2-e8

follow Social Club:
youtube: www.youtube.com/@44100HzSocialClub
instagram: www.instagram.com/44100hz_social



PREMIERE| Slow Moon - Cusp

https://scapeone.bandcamp.com/follow_me
Kurt Baggaley, also known under the alias as Scape One is an electronic music producer based in England. Over the course of his career his music has ranged from driving futuristic electro of his early EPs to more deep and experimental ambient electronica of his Tau Sagittarii releases. His output has gradually become more conceptual with works such as 2012's Natural Phases which focuses on down tempo stripped down low-fi beats with wave formed harmonics. 2015's Former Self consisting of intricate and a slowly building hypnosis of synth sequences.
https://soundcloud.com/kurt-baggaley
https://soundcloud.com/tau-sagittarii

Silver In The Firelight

Scape One

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