Rest Of Our Lives

Ganar - Rest Of Our Lives [Preview]

Brand New Episode Of XPLD And LeT Me Warn You IT GOES HARD.

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Kai McLean Pres. XPLD 02

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Ryan Ganar - Pack Up Your Sh*t & Go [500TH Lifetime Pack Track] (Click Buy NOW)


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Can You Feel The Love

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Stompy and Eazyvibe's 'I Touch Myself' is a turbocharged happy hardcore banger, propelled by an electrifying vocal hook that's an absolute adrenaline rush. This track is a dance floor anthem that guarantees non-stop euphoria and an unforgettable sing-along experience, making it a raver's dream come true. Make sure to follow Scarred Digital on Facebook, Spotify, Instagram, Tiktok etc for regular releases, events, radio shows, streams and fresh merchandise

I Touch Myself

SD227. Stompy & Eazyvibe - I Touch Myself. Release 27/12/2023

Catch our newest track - the brilliant rework of the amazing Trance smasher by Ben Gold and Christina Novelli.

This is All or Nothing coming Friday March 8th on Excite Digital.

Filter & FX - All Or Nothing (SC Sample)

Tipsy - Bar Song Feat Shaboozey - Stu - C UKBMix
OUT SOON - SAMPLE klubbed friday

Tipsy - Bar Song Feat Shaboozey - Stu - C UKBMix

I can lift a reindeer with my right arm
I'm coming down your chimney in the dark
This season belongs to me
No one else can compete

You know when they say the North Pole is melting?
They mean I'm on fire

I invented Christmas
Wanna know how I did it?
I'm Santa Claus
So don't cross me

I live forever like a vampire
I can run faster than a reindeer
And if you've been good this year
Maybe I'll invite you

You know when they say the North Pole is melting?
They mean I'm on fire

I invented Christmas
Wanna know how I did it?
I'm Santa Claus
So don't cross me

I own December
My elves work for me
I'm the one to remember
'Cause I'm Santa
Santa
Santa
Bitch

I invented Christmas
Wanna know how I did it?
I'm Santa Claus
So don't cross me

Santa Dominance

After the triumph of "In The Human Voice," R9 was eager to face his next challenge—Kiara! She was the most enchanting female voice he had ever heard, and he instantly fell in love with it—a feeling simply unknown on Threxilon and throughout the entire Xyloid system. They don't even understand the concept of male and female in our culture; they operate on the premise of two similar-looking races! How exactly this worked for the Xyloids remained unclear, but more on that another time. First, he had to meet Kiara in her hometown.

Winter Hollow was a relic of a bygone era: abandoned houses reminiscent of ghost movie sets, a lighthouse, and a studio where Kiara and her late father recorded Christmas carols, nursery rhymes, and folk music. Together with locals, they created music whose sounds permeated the thin concrete walls and spilled out onto the street for decades. Far from the glaring metropolises, a musical phenomenon was blossoming here—one that R9's sensors detected during the Interplanetary Sound Battles. Tracks like "Love & Light," "All Souls' Day," and many others blared from the speakers of clubs, bars, and cafes, and R9's curiosity grew.

His angular quantum ship landed right on the beach, its titanium alloy hull gleaming in the moonlight as he stomped down the ramp. His eyes shifted from a vibrant red (activity mode) to an inquisitive blue as he registered Kiara's studio. No need to wait—the coordinates were precise. The mysterious singer, with a voice like liquid silver, resided in the loft above the studio, surrounded by vintage synths, antique instruments, and microphones. The door creaked open, and there she stood: Kiara, her red hair cascading, her blue eyes sparkling like distant stars. Her presence was electrifying; Even without singing, the air around her vibrated.

“R9 from Threxilon,” she said, her voice as smooth as a glissando yet possessing a depth that resonated with overtones up to 2 kHz. “I heard your composition ‘In The Human Voice,’ and it deeply moved me.”

R9’s processors hummed. “Your voice… phenomenal. Those harmonies, the nuances.” Kiara’s voice doesn’t simply produce notes or words; it plays with subtle nuances—her lines are gentle yet clear and defined. It was precisely these nuances that fascinated R9. “I need to analyze them, integrate them. A track! Us!” He hoped he had made himself clear enough.

Kiara smiled and led him into her studio. Walls lined with records, a mixing console glowing in the dim light. She immediately demonstrated a warm a cappella intro, her voice soaring from 250 Hz into dizzying falsetto passages, modulated with natural vibrato. R9 scanned feverishly—VOXALG-2 was already loading data: formants like crystal resonators, breath sounds as a granular layer. “Perfect for XYLO.”

They talked for hours—or hummed, as R9 did. Kiara conveyed human emotions: longing through drawn-out vowels, strength in subtle pauses. R9 shared xyloid algorithms with her and showed her holograms of Threxilon's resonating cavities. The chemistry was right; no long discussions. “Let's get started,” R9 said.

Kiara laughed brightly. “Your enthusiasm is contagious. Let's develop ‘Our Language Is Music’—your beats, my soul.”

R9 connected his interface to her setup; VOXALG-2 adapted live. He laid the foundations: deep bass at 35 Hz, metallic clang. Kiara contributed a hypnotic hook: “Rhythmic clicks align our minds…” Her voice blended seamlessly, higher harmonics dancing over crystalline synthesizers. R9 modulated in real time, adding xyloid clicks. The first drop exploded: seismic, yet carried by a gentle power.

By dawn, they had a rough mix. “This will connect worlds,” R9 hummed, his eyes glowing a soft pink—a new, unusual signal? Kiara touched him gently. “And more. Let’s keep going.”

The fog of Winter Hollow lifted as their track sent out its first ripples on the second Sunday of Advent. R9’s plan had worked—immediate, intense, revolutionary. The next evolution of XYLO was imminent.

Our Language Is Music

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uniting hardcore from around the globe, various sub genres and all under one name - This is the future.....
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SD227. Stompy & Eazyvibe - I Touch Myself. Release 27/12/2023

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