Classical

Ballade in G minor, first draft.
Harmonically and melodically mostly written in the last couple of months, although some themes were drafted almost a decade ago which in itself has a special meaning for me since it always lingered in my mind until I decided to finish it.
Will possibly expand upon the composition in the near future.

Ballade for Piano, G Minor

Fantasy for Piano, F-sharp minor
Like in the case of my previous ballade, the main theme is one of my oldest one, written on a guitar almost two decades ago, in a secluded house, when I took guitar lessons with my friends under a guise of a senior, eccentric professor who was probably semi-drunk every single lesson.
It came almost seamlessly and it never left my mind, and finally it found a satisfactory growth and expression in a piano composition.
Paul Anthony Romero made spontaneously numerous improvisations on it (He received it with a bunch of other musical themes), and a lot of those variations ended here as a homage to him, as this work is dedicated to him.
Initially the theme was planned as an initial statement in a nocturne I was writing, preceding the main theme, but after Paul's suggestion I separated the two distinct themes and decided it was best to let them grow separately.
The fact that I developed one of my oldest melodies with a superb composer and pianist, and a musical inspiration since high-school, makes me beyond blessed and happy.
The watercolour artwork, like in all other released compositions, is done by Vanja Kalemba.

Fantasy for Piano, F-sharp Minor

My first experiment in a somewhat sonata-like movement that loosely follows the exposition-development-recapitulation cycle, where the second, G major (tethering even on D major) returns in the recapitulation in the home key of C minor. It took me longer to finish than anticipated but in the end, I'm extremely pleased with the result. 

The main theme is one of those themes that simply appears almost on its own when your hands land on the piano. It was a delightful, but chalenging experience trying to develop it and derive new themes from it, in the end I've scraped as many themes as I've included. 

I dedicate this work to my dear friend Ivan Dadić and his wife, Katarina Dadić, who liked the melody so much that she used it as a ringtone for her alarm clock.

Allegro for Piano, C Minor

My new Nocturne that I've started writting a few years ago, the main theme and the E-flat majorish restatement of the main theme came quite swiftly and naturally. However, I found myself a bit stuck on how to proceed further, and as a result, I neglected it for quite some time and focused on other musical pursuits.

However, just around this Christmas, as I leisurely sat by my piano, a new theme and continuation unexpectedly presented themselves, and the composition practically wrote itself from there.

I feel that this piece really captures the essence of a Nocturne, depicting the stillness of the night, scarcely moved by a lonely star or a lamppost on a street, and also conveys the painful but sometimes even sweet melancholy of one's solitude.

Nocturne for Piano, C Minor, No. 2

The 33

It has sad tones at the beginning and end but some happier bits in the middle, as I imagined Vincent sitting outside in the sun with his paints and easel.
This piece meanders a fair bit, taking new turns before developing each new thought, perhaps like a bipolar state of mind in the artist, but if you listen carefully there's a theme that repeats throughout the work. In Van Gogh-coda, the sequel to this piece, the score is well structured and "makes sense", perhaps reflecting Vincent's state of mind when he is well.

Van Gogh-Part 1

My first composition with wind instruments, and it was an extremely refreshing experience and a distraction from composing strictly with a piano the last few years.
The main theme itself is a long ago composed simple keyboard theme that I've always kept close at heart. 
I've rarely left B minor in this piece, save from some chromatic sections and D Major/ E minor restatements and an new F-sharp major and minor theme in the quasi development section.
I've tried to give prominence/independece to every instrument in different section, but since I know next to nothing about wind instruments, I probably made a ton of stylistic errors.
All in all, I've very pleased with how this piece turned out, it has a certain rustic or medieval feel to it, coupled with few sections that feel, at least to me, dark-folkloric or even eldritch.

A Movement for Wind Trio, B Minor

The origin of the main theme of this prelude is a progression I came up with while working on the Fantasy and the Nocturne in the same key. It couldn't fit in, but I found it very beautiful and had fruitlessly tried to find a composition where it could find a home. 
I admit it took me too long to realize that a new composition can be made from it, and it also took me too long to realize that another theme (the second one in the Prelude) I made at that time fits almost perfectly. All in all, I'm extremely pleased with the final result. 
There are almost jazzy (a friend had even said proggy) elements that work unusually well with the dark, almost folkloric ambiance.

Prelude for Piano, F-sharp Minor

Azure Room (mirrors) - Fleursonseaux
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Azure Room (mirrors)

Generic D&B, but what the hell.   From Bristol ? want to collab or need a guitarist.  Hit me up.

Payoff (You can hate this remix)

Hi, Please read my bio! New piece I made - any comments, feedback want to discuss anything at all - collaboration etc always love to connect with new artists... Also

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Sadness Within

Purple Room (wardrobe)

MOVEMENT 1 - EASE BACK
MOVEMENT 2 - CAREFUL NOW
MOVEMENT 3 - THE END IS NOT
MOVEMENT 4 - BIT FURTHER

NON WRITTEN SYMPHONY [ FULL CONCERT ]

While I was composing my F-sharp minor Fantasy, I found myself stuck on a particular middle section, struggling to find the right variation to complete the piece. Eventually, I succeeded, but before that happened, I wrote numerous segments that didn’t quite fit into the piece.

Fortunately, some of these discarded variations began to resonate with each other, leading to the creation of smaller pieces that I grew very fond of. The first of these became my Prelude in F-sharp Minor, and the second, the Moment Musicaux in A Major.

These two compositions share some motivic figures down to the note, yet in feeling and meaning, they couldn’t be more different. Despite the brief scope of the Moment Musicaux in question, I believe there is much to discover within it, with every new small section providing something unique and unexpected.

Moment Musicaux for Piano, A Major

Music producer/musician in Bristol.  Still learning so feedback is greatly appreciated, good or bad. 
I won't get offended if you tear my track apart and tell me it stinks.  Just tell me why it stinks.
If anyone ripps my tracks from here and plays them, just let me know what reaction you got. I rather that than you play it in a set and I never know. 
 Brizzle Drum N Bass producer and musician, mostly guitar.  I'd like to be in a band,  I can play a mean lead guitar, sing a bit and rap.  I also play a little drums, keyboard and harmonica.  My Influences span from Blues and classical through to hip hop, electronic and metal.  I believe there is at least one genius in every genre.

Classical

Scatterbrain33