This a cool chill bop def dig the production heavy

This is so sick dude. This beat is so unique I love it

nice collab i like the vocals on this and the beat is cool too

evan ): I been trying to get a hold of you

Other WRLD (prod.flower x @wh1tespxce)

330am Biloxi

Dystopia

Whats up Peeps,heres another all Original track has a great Vibe to it 80s with a little New era Flair.As always i mixed mastered Prod and performed this one, All lyrics are mine Enjoy listening and Much Love :)

Call My Phone (Prod-By Scotty Evans)

THE LAWS OF WILLIAM BONNEY SAXOPHONE QUARTETT
complete CD on  https://handaxe.bandcamp.com/album/the-laws-of-william-bonney
-->Thank you very much for your likes, reposts and comments. New followers are welcome! <--
On Jeffrey Morgan's initiative - the man from Seattle had recently settled in Cologne - a saxophone quartet was formed in 1993 that did not use the usual licks and patterns, but felt committed to the production of sounds under the premise of free association of free wind musicians. They acted musically, they talked later - also a reference to the subtle irony of the eponymous title: after all, William Bonney was none other than Billy The Kid, who became famous under his working name.

Certainly, a lot was demanded of the audience's ear canals, but no less of their own musical production. Freely improvised saxophone quartets don't just know beautiful melodies over repetitive beats: how many such combinations have always bored us?  The challenge was not only to develop the saxophone's own sounds, but also to combine the various playing practices and attitudes of the players into an expressive whole.
Keune, Zoepf, Morgan and Speicher were not afraid to take risks and often came alarmingly close to the edge of falling without ever losing the desire to cross it.  Safe paths were unknown to the quartet, even if everyone knew how to contribute their own personal and tried and tested ingredients.
No wonder the quartet remained an underground insider tip, shunned by people with an affinity for jazz ("where's the form here?" ...) and regarded with a nasal sniff by the acrobats of the ping-pong style as not always capable of satisfying.

It came as it had to: 2007 was the end of this kind of instrumental conspiracy.

What a pity!

IV - LWB

BIOLOGICAL CLOCK

Hell's Farewell (FT.Son'Zai O$Rs) prod. by vish

Dedicated 2 Jacobo Padilla, Martin Garcia, Nancy Moerman y Conny Louwage.

Hell's Farewell (FT.Son'Zai O$Rs) prod. by vish

SchizZzo

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