Name: Reaktaur by SheldonDrake
Duration: 2 h

HARDER 3

Euphoric and organic fusion of African, Afro-American, and Afro-European rhythmic sensibilities and production styles... Africa is the Future.

AFROTEK 1

AFROTEK 2

Afropop Exclusive Guest Mix from DJ Zhao. 

Most definitely not for the faint of heart, made with Berlin's Berghain Club in mind, this one needs the best sound system you have access to (preferably a Function One), as well as very loud volumes. 

Check out more DJ Zhao: 
http://ngomasound.com/
https://www.facebook.com/zhao.ngoma
_____________________________

"Percussion music is a contemporary transition from melody driven music (of the European tradition) to the all-sound music of the future." - John Cage

Techno, an umbrella term for various styles of electronic music, can be characterized by an eschewing of narrative song structure and melodic content to focus on repetitive machine beats, usually with a steady 4/4 kick drum, snares on the 2, and a compulsive high hat in between.

A culture of mechanical anonymity and electronic universality, Techno purportedly embodies values from a post-human future, cut off entirely from the mess of our collective past. But reality of the music is the opposite: it came out of specific histories and locations, and is a direct product of both the 20th Century as well as much older rhythmic traditions from the mother continent.

Similar to older Afro-American styles like House, Disco, Funk, Soul, Motown, Rock, and Blues, the 4 on the floor beat emblematic of most techno is a good example of the duple rhythm, which became popular in America (and the world) from the legacy of slaves playing African percussion music without drums, with influence from European folk music. Fast forward to the 1980s, Africa Bambataa meeting Kraftwerk was a new chapter of fusion, and produced new strains of African rhythm mutation under new and specific circumstances. The simplicity of the 4/4 duple rhythm and machine sounds spoke to new generations raised in urban industrial settings, and part of its wide international appeal.

But in Techno African rhythm traditions survive and thrive, in mutant form, re-imagined and reconstructed based on earlier re-imagination and reconstructions. The brightest minds in modern electronic music have all made use of specifically African musical ideas and rhythm sensibilities, and IMHO, the best Techno is polyrhythmic, a reduced and streamlined version of African percussion. The music of the genre's most important innovators often includes off-kilter syncopation, beats falling not squarely on the grid, as well as different interlocking rhythms playing at the same tempo, such as 3/4 with 4/4. Often subtle in its interaction with the dominant duple beat, these percussive elements and dynamics are expressive of complex rhythmic sensibilities which are, if indirectly, unmistakably related to African traditions. Today it is no different, many of the brightest minds are making the deepest, hardest, most forward thinking and uncompromising underground Techno with, consciously or unconsciously, African rhythm ideas in mind. Synthesizers play the part of Djembes, bleeps and blurps are drum accents: the African-ness of these beat patterns may be more obvious to me and others who spend a lot of time with African music, but i think will also become apparent to anyone who has an open mind and really listen.

If dance music itself can be defined as the design of sound patterns according to, and for, the proportions and speeds of the human body - African traditions have had many tens or even hundreds of thousands of years to perfect exactly this. Techno is often said to be about "functionality" on the dance floor - for this reason it makes sense that the evolution of new dance music should increasingly look to Africa for inspiration.

This mix was made to demonstrate all of this, including legends like Underground Resistance and Jeff Mills, as well as later and present day innovators such as Surgeon, Ancient Methods, Redshape, Peter Van Hoeson, etc, with a sprinkling of samples from field recordings and traditional music from Africa. (It would have been too easy to include UK Funky and other kinds of new bass music, which are often even more explicitly Africanized, so i am keeping this one mostly genre specific.)

Tracklist: 
01 Intro: Cultivateur Plochant - Halements Rythme de L'homme, Bruit de Ploche / Shaped Noise / etc.
02 Kenneth Kirschner - 031297 X Mystica Tribe - Zen Stone
03 Unknown Artist - Variance (Function Edit) X Underground Resistance - Kill My Radio Station
04 Surgeon - The Crawling Frog Is Torn and Smiles
05 Burkina Faso - Jimi Rewbe De Kouyé X Samuli Kemppi
06 NO UFO - Symbolic Demarcation
07 dBridge - Scarlett
08 Planetary Assault Systems - X Speaks to X (Al Tourettes and Appleblim Remix)
09 James Ruskin - Under 3
10 James Ruskin - Surfaced
11 Instramental - Vicodin (Skudge Warehouse Mix)
12 Dj Boss and Radial - We Don't Know Either
13 Peter Van Hoeson - Challenger
14 Ancient Methods - Ust 1
15 ASC - Proton
16 Jack Sparrow - the Chase
17 Ferox - Critter X Burkina Faso - Chant Responsorial
18 Egyptrixx - Alta Civilization
19 Redshape - Future Shock
20 Redshape - Goom
21 Underground Resistance - Base Camp Alpha 808
22 Dj T - Dis
23 ASC - Transit X Rhythm Movie
24 Jeff Mills - Hallucinations

DJ Zhao- MUTANT 1

Music to die for, in celebration of life and a bright future for West Asia. These 3 mixes in the series were inspired by the rapproachement between Iran and Saudi Arabia, the movement towards rapproachement between Syria and Turkey, and the recent developments in West Asia towards peace and stability after 40 years of continuing foreign invasions and bombs which destroyed hundreds of cities, killed tens of millions of civilians, and created hundreds of millions refugees.

PEACE IN WEST ASIA 3

PEACE IN WEST ASIA 2

mix for Reaktivate label, 2015

tracklist

Stay Out of the Cellar // Figure
Rephrax 3 // Coppice Hallifax
Jules // Neuma
Obscur // Svreca, Marcel Dettmann
Turbulence // Frank Sonic, Mike Maass, YanCook
1028 // Calman
Penetration // Echologist
Hypnosis // Hans Bouffmyhre
Fwd // Mike Parker, Donato Dozzy
NBtool 004 // Sheldon Drake
NBtool 007 // Sheldon Drake
Blinding Truth // Xhin
Walking in da Wood // MMorris, U Zetineb
Between the Sirens // 2Loud
Shake Well // EchologistEgoist Tool // Gary Beck
Abseiler // Tunnel
Sonamb 03 // Sheldon Drake
Narratif // Svreca
Taarom // MPfeiffer, Mas Teeveh
Strange Technology // De Hessejung
NBtool 006 // Sheldon Drake
Function 42 // Lucy, Planetary Assault System
Rigid Rhythm // Eugene
The Mask You Are Wearing // Sintek
Pick Pok // Subjector
Symbolism // Sawf, Patrick Krieger
Melancholic // A Thousand Details
Coercive Persuasion // Adam X
Rove // Scorn
Vector // Michal Wolski
Butter Plus // Pome Research lab
Far Out // Speedy J
Structure // Brian Sanhaji, Drumcell
Blasphemy // Albert Kraner
Knights & Bishops // Ancient Methods
Monday and Monday // DJ Olive
Security // Shawn O Sullivan
Transformer // Echologist
NBtool 010 // Sheldon Drake
Prison of Self // Conrad Greggor
Disclosure // Ryuji Takeuchi
Hungary Mutation // Xelinox, Tosi
Black Propaganda // Perc, Oscar Mulero
Xuntitled3 // sleeparchive
Short Trip // Gabeen
lldtmps // SHXCXCHCXSH
Asiel // Radial
NBtool 012 // Sheldon Drake
Adventure Trip // Egonoise
Dry Event // Horizon Proem
Headline // Loso
Becoming // Ryuji Takeuchi, Logotech
Pure Bliss // Calano, Hysterikmaniak
Through The Lines // Xhin
Resources // Xenum
Deformed Soul // Stevie Wilson
Complaxity Zero // Quantic Spectroscopy
Oxidrot // Thomas Brinkmann
Barotrauma // Ryuji Takeuchi, Mike Ban, Dietmar Wohl
Code #02 // Forward Strategy Group
Meridien Arc // Adam X
No Matter Where // Virgil Enziger, Ryuji Takeuchi

Reaktaur

Home Daggering is Killing the Corona Virus!

All time favorite riddims from early 2000s

Dancehall Special

Digital Africa 4

Digital Africa 3

Digital Africa 2

for 65 mixes, please go to https://hearthis.at/sheldondrake/

I was fortunate to be around NYC for the Illbient scene in the mid 90s, and for years played dark ambient and experimental/ psychedelic sounds all over town, including Twilo, The Kitchen, and The Brooklyn Museum. I co-hosted the weekly chillout party Undercity for four years at the original Halcyon. A big part of the reason I came to Berlin was to play bigdarkcrazytrippy techno, which I flavor heavily with the ambient tools and more. I make sounds for the freaks.

Along with Dr. Walker (Air Liquide), Omsk Information, adsx, and others, I was a resident on lsb_tv, Liquid Sky Berlin's weekly chillout/experimental TV show that aired on Alex Berlin cable every Saturday from midnight to 6am, from 2013-18. Many sets from there are featured on my hearthis.at page.

Reaktaur

SheldonDrake

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