Light Of The Seven (slowed + rain and distant thunders)

Imperial Orchestra Interstellar

New Hans Zimmer Remix is out now! https://soundcloud.com/gounibe/alex-d-gounibe-master-3-01db?utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing 

Here is my edit of Hans Zimmer's masterpiece "Our Destiny Lies Above Us" from Interstellar's OST.

Our Destiny Lies Above Us

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Yet another brilliant film by Christopher Nolan and yet another beautiful score composed by Hans Zimmer. Here I perform my piano version/cover of Interstellar's main theme, First Step. It's a slightly extended version since I play almost a full repeat of the song. I've also added string effects in the background for certain parts.

Hope you all enjoy my cover of this celestial piece!

Download

INTERSTELLAR (Hans Zimmer) - Main Theme/First Step (Piano Cover) + SHEETS DOWNLOAD

Buy/Stream: https://lnk.to/RWVN016

Mango & Cloudcage once again deliver an immersive single called "Come Home," this time accompanied by the talented vocalist and musician, Astroleaf, making his debut on Rewoven. Serving as the fourth collaboration between Mango & Cloudcage, and the second one between Mango & Astroleaf, this release transports listeners into a realm of romantic nostalgia and dreamy introspection. With its calm rhythm, serene melodies, and candid vocals, "Come Home" emerges as the perfect soundtrack for moments of relaxation and contemplation.

Website: linktr.ee/rewovenmusic
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Come Home

Buy/Stream

Mango x Cloudcage x Astroleaf - Come Home (Extended Dub Mix)

Version Two:
*Fixed sequencer synchronization issues from 0:52.5 - 1:39.5
*Reworked everything after 2:17 - added pipe organ, tremolo harmonic violin stems, more accurate chord progression, built further upon "Quantifiable Connection"
*added high string stem from 3:46 - 4:05
*Changed the ending - merged outro of "Our World" with the outro of "What happens Now?", (this is what was missing, and is a big deal because now the ending is 100% accurate to the real end credits suite)
*other misc changes based on the IMAX End Credits bootleg recording


-----

---this version was made while the movie was in theaters, we have the real one now---

I had to write most of the piano stems over from scratch, it borrowed from like 5 different tracks, switching back and forth from one another constantly, repeated bars, ninja edits, pieces I had to make from scratch because it used unreleased material, etc. etc. I had to re-create "Quantifiable Connection" and layer it because it was damaged and the "Fixed" version sounded like shit.

It makes for a beautiful ending of an amazing story.

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Hans Zimmer - Interstellar: IMAX End Credits (Custom edit)

Zack Hemsey - The Way

This song was originally composed by Howard Shore and appears in the movie "The Lord of the Rings - The Two Towers" (2002).

Cover Art by Amanda Aalto

Lyrics:

Ú i vethed nâ i onnad
Si boe ú-dhannat(ch)
Ae ú-esteli, esteli ach nad


(Ú i vethed 
nâ i onnad

Nâ boe Ú i) 

Estelio, 
Estelio han, 
Estelio,
Estelio han, 
Estelio veleth.

(...teliach nad
Estelio
han

A chéneg)

Estel le iôn
Adar lin

Evenstar (Howard Shore)

Avaible on Deezer : https://deezer.page.link/AysaJBbW8iQfkXsZ8 
Avaible on Spotify : https://open.spotify.com/track/0WTYPP0AbciucSGlEM2QlK?si=c50ff80fae3a47ab

Cover piano de la musique du film Interstellar.

Christopher Nolan, réalisateur du film,  demanda à Hans Zimmer de composer la musique de son film "Interstellar" de manière peu banale. Ne voulant pas qu'il sache la moindre chose du film, Nolan écrivit un texte sur une page, non directement lié à l'intrigue, et demanda à Zimmer de composer selon ce que le texte lui inspirait. A partir de cette proposition, il fallut 2 ans pour réaliser l'habillage complet du film.

Interstellar

Interstellar - S.T.A.Y (Piano Extended Version)

Ryuichi Sakamoto - The Revenant Main Theme (Edit)

Photo by Andrew Neel | Unsplash

Guitar tab and blog: https://wp.me/p5JUVc-3RR

Guitar performance and guitar tab for, Allowed to be Happy, by composer Gustavo Santaolalla, from The Last of Us Part II.

This is definitely my favorite piece from The Last of Us Part II soundtrack. The chorus section has a slight pop sensibility to it. I love how Santaolalla creates long passages. Each piece feels like a journey.

As is often the case, Gustavo Santaolalla is playing atypical stringed instruments: the Fender Bass 6, and Ronroco. Allowed to be Happy employs the Bass 6 for the low octave -- and the Ronroco for the high octave. Much of Santaolalla's work on The Last of Part II has a (both a low and high) octave variation of a particular motif. Sometimes they're in the same song. Other times they're split into two theme variations. [This makes it tricky when creating a single arrangement for guitar.]

Often, what works in a soundtrack (as a multi-instrumental) won't work as a lone guitar piece. I sped up the tempo slightly because it felt better for a solo guitar performance.

My name is Evan. Each week I create modern content for guitar.

-Guitar tabs and blog: https://www.intellimusica.com/

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-Gear: https://bit.ly/3ebz22y

Ryuichi Sakamoto - The Revenant Main Theme (Edit)

😶‍🌫️

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