hardtekk 05/2023

Dauerfeiern

Part aus dem VS mit Insanity
Was fässt du den Trabbi an? Nach dieser Schelle drehste dich wie e Brummkreisel
Biss übergemastert

VerkratZzt und VerZzerRt

Genetekk @K7 Stendal 24h Tekk & 5Y Asmodeuzz

DreiAchter - Intro K7 Stendal 11.06.2022

Cosa Nostra Vs. Bassmotorik @ Mikroport Club Krefeld 18.03.23

175-180 BPM
PLUS PATTERN
FL STUDIO 21

EYCER BDAY SETCUT IHR FREAKZ

ZE$$ION IN DEN WERKEN

KarZi - Röhrengemisch [EMX & ESX]

IchHaB'nScHussWeg!! || 172Bpm || ERSTES SET BEI THF ♡

𝑷𝑼𝑺𝑯𝑬𝑹𝑳!𝑭𝑬-𝑳𝑨𝑺𝑻 𝑺𝑻𝑬𝑷 𝟏𝟕𝟏𝑩𝑷𝑴

Der Verklatschte *LiVe* - Miss U p4rTy - KurzerRastEr biZz ins Aus und v0orb3ii

hier ein kurzer vorgeschmack. die Tage kommt denn das Komplette set mit übel viel neuer Mukke

Danke für das fette Jahr <3

Kannadiss - China High

wir haben mal nen Set gemacht mit meiner E2 und seiner ESX.


viel spaß damit.

#assimukkemitherz

Kannadiss & Massakker Live @ Lappeninfektion vs. Kuppenreizstörung 30.10.2023

BUNKER CUT 23

The Bells · Jeff Mills T.A.M.F. remix

Schranz and Its Connection to Jeff Mills’ “The Bells”

Connection to Jeff Mills’ “The Bells”: Jeff Mills’ The Bells (1997, Purpose Maker, PM-002) isn’t pure Schranz but heavily influenced its development. Its raw, hypnotic loop and pounding 4/4 kick resonated with the harder, minimal techno sound that Schranz built upon. Here’s how it ties in:
* Influence on Schranz Producers: Mills’ use of repetitive, functional loops in The Bells inspired Schranz’s stripped-down aesthetic. Its 140 BPM tempo and relentless drive aligned with Schranz’s ethos, making it a proto-Schranz track for DJs like Liebing or Boris S.
* Club Play: The Bells was a staple in late ’90s hard techno sets, bridging Detroit techno’s soul with Schranz’s aggression. Its iconic bell riff added a melodic hook that Schranz often avoided but still absorbed as a reference for tension-building.
* Remixes and Legacy: Later Schranz DJs (e.g., Eric Sneo, DJ Amok) remixed or drew from The Bells’ energy. For example, the 2006 10th Anniversary The Bells 12” (PM-020) had a louder, Schranz-friendly master that fit harder sets.

Original Pressing Context: As mentioned earlier, The Bells appeared on the Kat Moda EP (1997, Purpose Maker, PM-002, 12” vinyl). Its raw production—gritty kicks, unpolished mastering—mirrors Schranz’s unrefined edge. Schranz DJs likely gravitated to originals or early represses for their analog warmth, though the track’s quieter mix (compared to 2000s Schranz cuts) required DJs to crank the gain.

Where to Find Schranz-Inspired The Bells:
* Original 1997 Vinyl: Hunt on Discogs/Reverb for PM-002 ($20–$50). Check matrix: PM 002-A/B (RE I) NSC.
* Streaming: The 1997 version (on Spotify/Beatport) retains the raw vibe Schranz fans love.
* Modern Schranz Comps: Look for The Bells in hard techno mixes or CLR/Tresor compilations. Check X posts or SoundCloud for recent Schranz sets featuring it.

Schranz Today (Oct 2025): Schranz remains a niche but vibrant scene. Recent X posts highlight new releases on labels like Schranz Total or Hard Drive, with DJs like Fernanda Martins and Luciid pushing 150+ BPM bangers. The Bells still gets play in retro sets or as a remixed bootleg in Schranz raves.
Want me to dig into a specific Schranz artist, label, or a The Bells remix in this style? Or maybe check X for recent Schranz chatter? Let me know! 🔔

Deep Dive: Schranz – The Hard Techno Beast 🦖
Since you’re doubling down on Schranz, let’s go full throttle. This is the raw, pounding heart of German hard techno—no fluff, just facts, history, essentials, and where to score it today (Oct 16, 2025). The Bells connection? It’s the proto-Schranz blueprint—hypnotic loops + brutal kick = Schranz DNA. Ready? Gas it up!

Schranz 101: What the Hell Is It?
* Born: Late 1990s, Frankfurt/Germany. Evolved from Jeff Mills/Rene Pawlowitz-style minimal techno into a weaponized sound.
* Tempo: 140–160+ BPM (faster = harder life).
* Sound: Distorted 909 kicks that hurt, razor-sharp hi-hats, zero melody (unless it’s a stab), industrial noise loops. Think: a jackhammer in a warehouse.
* Name Origin: Chris Liebing (2001) called it “Schranz” to mock haters saying hard techno was just “schrammel” (grating noise). DJs flipped it into pride.
* Ethos: Anti-EDM, sweat-soaked, 6AM warehouse raves. No peaks—just relentless drive.

Schranz vs. Regular Techno:
Feature	Schranz	Standard Techno
BPM	145–160	120–140
Kick	Distorted, punchy AF	Clean, groovy
Melodies	Minimal/none	Hooks & synth

Vibe	Dark, aggressive	Hypnotic, soulful
Clubs	Berghain, Tresor	Fabric, Output
Timeline: Schranz Evolution
Year	Milestone	Key Track/Artist
1997	The Bells drops (Mills). Proto-Schranz loop energy.	Jeff Mills – The Bells
1999	Frankfurt explosion. Liebing coins term.	Chris Liebing – American Madness


SCHRANZ ON! 🦖🔔 Drop the needle—let’s destroy some speakers.

Recording 16-10-25, 11.15.16 am

Eycer Vs Bondage - BoNEycer Style

WICHTIGE INFO 
HIER DER LINK ZU MEINEM NEUEN INSTAGRAM ACCOUNT. HABE EIN NEUEN INSTA ACCOUNT 
https://www.instagram.com/offiziell_czkind/

BITTE BITTE BITTE  TEILT ES, 
FOLGT MIR UND HILFT MIR WIEDER AUF MEHR FOLLOWER ZU KOMMEN 
DANKE ❤️ EUER CZETTI 💋


Viel Fun leute .. mal etwas schneller :-) könnt ja meinungen da lassen 
Peace .. CzKiND <3

C.Z-KiND Live - Fragnich Isnich [192Bpm]

✉️ • Booking: office@strezzkidz.com

📑 • Referenzen

Sky Club Leipzig
Altes Ziehwerk Delitzsch
Alte Weberei Nordhausen
Sandsteinhöhlen Halberstadt
Love Music Festival Magdeburg
Elektroküche Köln
Musikbrauerei Rathenow
MBIA Club Berlin
Alwo Altenburg
Kesselhaus Berlin
Kraftwerk Lübbenau
K7 Eventlocation Stendal
Factory Magdeburg
Alter Speicher Petkus
E-Werk Reichenbach
Aresol Arena Magdeburg
Ellen Noir Magdeburg
Areal Orbis Leipzig
Hell Festival Kelbra
Opentekk Stendal
Flash Club Osterburg
SEZ Klub Berlin
Zeusus Club Rathenow
Crazy Friesack
Joker Club Stendal
Nachtwerk Zwickau
NoLimit Neustadt/Dosse
Event Arena Sportnitz

ZE$$ION IN DEN WERKEN

Schuko | Strezzkidz

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