Your tuning is similar to what I used on my Excursions

Listen to Drop D Tuning (Excursion No.  5) Solo Acoustic Guitar by Michael Stella for Saxton Road Productions. by Michael Stella: Guitars Bass Vocals & Production on #SoundCloud https://soundcloud.app.goo.gl/pTFps

Beautiful. Reminiscent of Jennifer Warnes

legitimately, my favorite record this past year. excellent through and through.

'IIUII', out now on R’COUP’D: https://fink.lnk.to/IIUIISo

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IIUII

This Is The Thing (IIUII)

From Chris Staples' Barsuk Records debut 'American Soft', available August 12, 2014.

http://www.chrisstaplesmusic.com
http://www.barsuk.com

Chris Staples "Dark Side Of The Moon" (from American Soft)

Nadia Reid - Listen To Formation, Look For The Signs comes out Nov. 27 on Scissor Tail (U.S.) and Spunk (New Zealand).

Pitchfork -
Love is sold on the promise that it's better than any solitary satisfaction, so you might as well bet everything on it, time and time again. On "Call the Days", New Zealand songwriter Nadia Reid cuts to the heart of this deception: "I was happy on my own," she sings in a plainspoken lilt. "I would call the days as they were known." Yet there's no trace of vengeance in her deep, capable voice, and the surface of her gorgeous song remains steady, as a raga-like drone anchors rolling acoustic guitar and languid cello. Instead, like Laura Marling or Joan Shelley, the self-assurance Reid had once cultivated acts as its own safe harbor, turning the event into a meditation rather than a rupture. For a new artist, her confident grace is all the more remarkable.

NPR - 
Love is knowing what's best for yourself. We grasp at straws trying understand what that is, but even in that knowledge, we betray our best intentions to get stupid about another person. On "Call the Days," New Zealand folk artist Nadia Reid sings, "I was happy on my own / I would call the days as they were known" with a knowing yip, against a droning backdrop of closely mic'd acoustic guitars and longing cello. It's a heartbroken song, but made self-assured by Reid's warm, marbled alto.

Phoebe Mackenzie and Emily Berryman direct this beautifully shot video for "Call the Days," as the characters Nadia and Ross travel through New Zealand roads, forests and countrysides. Its muted palette is in keeping with the song's calm, yet gray skies; they betray the days ahead.

Nadia Reid - "Call The Days" (album excerpt)

Transfiguration of Vincent

Let’s Dance

Isbells

Reunite

Beast Epic

Call It Dreaming

The Weather Station

Thirty

My Finest Work Yet

Manifest

Good Woman

www.scissortailrecords.com
American Independent Imprint started in 2010 as a cassette label. The label houses a private letterpress studio where much of the packaging is created for the releases in house. 
Willamette - Diminished Composition (LP)
Nadia Reid - Listen to Formation (LP)
Scott Tuma - Hard Again / The River (2xLP)
Chuck Johnson - Blood Moon Boulder(LP)
Robin Allender - Foxes in the Foyer (LP)
Bruce Langhorne - The Hired Hand OST (LP)
Dylan Golden Aycock - Rise And Shine (LP)
Padang Food Tigers / Lake Mary - split (7")



Nadia Reid - "Call The Days" (album excerpt)

Scissor Tail Records

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Michael Stella: Guitars, Bass, Vocals

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