Willow, the whispers are calling me, and they sound so sweet, like may rain

I went to the fog of lost souls and everybody knew you

DC Promo Tracks #834: "Seaside Construction" by Ordos Mk.0 is part of the release "Sisyphean Audio Therapy" on Ordos Mk.0 @ordosmarkzero  

Buy Now: https://ordosmarkzero.bandcamp.com/album/sisyphean-audio-therapy 

Sisyphean Audio Therapy is an album comprised of 8 tracks of ambient music releasing on the 26th of July 2021. The predominant mood for the album is melancholic and meditative but there are also moments where the tone is more uplifting and mysterious.

The album was mostly created using synths which vary between more melodic and more textural parts. Most tracks also feature a collage of atmospheric samples taken from a variety of sources.
The majority of the album was written in 2020 but one track was written in 2019 and another in 2018.

Sisyphean Audio Therapy is releasing on Bandcamp, Spotify, Apple Music, iTunes & most other streaming services.

More Promo Tracks: https://www.dreamchimney.com/promo

DC Promo Tracks #834: Ordos Mk.0 "Seaside Construction"

@frunolima is one of the new exponents of the local scene in Balneário Camboriú, Brazil. Co-founder of Banzeiro, resident of Radio Tempo Não Pára and a strong active in his city's music scene, he presents in his mixes a plural, investigative repertoire and a great diversity of musical identities.

Radio Sofa • Latitudes Lunatiques #5 : Girasol invite Fruno

https://www.facebook.com/francisscissor/
https://www.instagram.com/francisscissor/
https://www.facebook.com/scissor.and.thread.nyc/
https://www.instagram.com/scissorandthread/
https://www.youtube.com/user/ScissorAndThread

Beginning with 2012’s Leland New York artist Francis Harris has been doing a deep dive into the sonic swells and contrapuntal granularities that articulate our most abstract, and sometimes slowest moving, virtualities. Through found sound, analog synthesis, and concise instrumentation Harris has delivered works that transcend the diagrammatic exposition often found in electronic music in an attempt to redraw the landscape of how such music is received and understood. Rather than valorize the fragment, the ambient, even in some cases the song, Harris’s albums offer networks of complex interiorities that endeavor to act as whole worlds unto themselves replete with memory, possibility, loss, and a radiant albeit tenuous hopefulness for the future. 

While previous albums, most notably Leland and Minutes of Sleep (2014) as well as two albums released as one half of the duo Aris Kindt (most notably the stellar Swann and Odette from 2017) have relied on singular thematic and narrative drives that were often of a personal, collaborative, or hermetic in nature, Thresholds is an album that aspires to sonic universality and the presentation of a fully formed psychoacoustical world. That being said it is not an “album of ideas”. Inspired by the ecological and political upheavals of the present and the role of speculative thought as an avenue of global transformation Thresholds is the work of a mature artist fully in control of his powers. Both expansive and nuanced the album widens the aperture of the affective possibilities of the electronic assemblage; themes skip from one track to the next, elevating and informing each other in tangible fields of abstract figuration. The titles, while often heady, concisely allude to strategies implicit in the construction and arrangement of the works: Cut Up, within the context of the album, is exactly that. Luck Takes a Step juxtaposes stately synths with just the right touch of playful fluctuation and latent atonality. The title track itself is a knotted mass of uncertainty and propulsive beats the breakdown of which is a nervous series of fits and starts that resonate not just within the track but as the fulcrum of the entire album: the threshold of our Threshold: 

“…we are caught up in our own original transversals of time to the point of dissolution, and that which remains a part of the contrivance of ourselves is ultimately that which crosses the threshold and is somehow, miraculously, reconstituted on the other side of it. Because it is via the threshold that we can best observe the conditions of experience as lived even as we cross to the other side of understanding, rejoining the ancient equilibriums of which we, in our depths, are comprised.” (From the liner notes) 

No track overstays its welcome and with the help of standout vocalist Eliana Glass, and instrumentation by Dave Harrington, Mark Nelson (Pan American), Will Shore, Greg Paulus and Gareth Redmond, and mixed by Phil Weinrobe, the result is a dizzyingly pure inward gaze that is first and foremost an album about connection.

Thresholds

I Can Still See Us

Francis Harris - I Can Still See Us

Francis Harris - Thresholds

The Put On 030 w/ Leo Gretener 11.03.2022

Kiosk Radio is an online community radio streaming 24/7 from a wooden shack in the heart of Brussels’ historic “Parc Royal”.
More info and music: https://kioskradio.com

Yoav Sa'ar @ Kiosk Radio 16.05.2022

После "перерыва" на переосмысление мы продолжаем.  В качестве очередного подкаста выступает часовой диджей сет от Евгения Джакса, соучередителя Washing Machine. Этот микс был записан в один из воскресных вечером в клубе Stackensneider во время дружеской встречи единомышленников и как многие удачные вещи всего лишь фиксирует момент для воспоминаний. Именно по этому спасибо хочется сказать людям без которых этот "момент" бы не случился.

https://soundcloud.com/evgeny-jax

https://soundcloud.com/michel  - Cпасибо что ты приехал и собрал нас в этой точке времени и пространства.
https://soundcloud.com/xlqupnazqd01  - Благодаря тебе эта запись случилась, спасибо!

Графика (акрил) - Регина Тимирова
https://soundcloud.com/reggishow


After a "break" to rethink, we continue.  The next podcast is an hour long DJ set from Eugene Jax, co-founder of Washing Machine. This mix was recorded one Sunday night at Stackensneider club during a friendly meeting of like-minded people and like many successful things just captures the moment for memories. That's why I want to thank the people without whom this "moment" would not have happened.

WMPodcast #025 Jax

Sicodelic techno music

IG: @inigovontier

www.thelotradio.com
www.instagram.com/thelotradio
www.facebook.com/thelotradio
www.twitter.com/thelotradio
@thelotradio

Iñigo Vontier @ The Lot Radio 06 - 01 - 2022

Joseph Power, AKA Joey, a local Toronto DJ possesses little musical talent but holds a perfect 100% buyer rating on Discogs.com

🌐 "Outsiders" is our daily show hosted by global independent record labels
📡 Connect with the Outsiders, every day, at 9 am or 9 pm CET
🔗 kioskradio.com

Outsiders: Invisible City w/ Joey Power @ Kiosk Radio 17.10.2022



These tracks were recorded between 2011 and 2020 with some musical overdubs in 2019 and 2024.

Composed and performed by Paul Landry
Mixed and mastered in The Progulator by Paul Landry
Paul Landry, Guitars, bass, Keyboards, synths, VSTi drums and vocals

© 2025 Paul Landry
℗ 2025 Ditto Music LTD



Chrysalism

sounds of hope

youtube: ://www.youtube.com/@andrew35music
spotify: https://open.spotify.com/artist/5k8JI9DoxpWKkVc5Hb4ETA?si=xkxfM2A3Q3yNh7hIAARg4A
apple music: https://music.apple.com/ca/artist/andrew/1787733681
instagram: https://www.instagram.com/andrew35music/

Francis Harris - I Can Still See Us

Scissor and Thread

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