can't wait for that release, this one sounds beautiful like all your other productions!

let's go

a morning in a cherrytree

This was meant to be an attempt at a cover of 'Chase the Tear' by Portishead. Instead, I layered the original vocals into the track that I have been working on. 
I have kept the arpeggiator that was in the original since that was the basis of the track and then I figured out my own chord structure and applied my own sound design.

Chase The Tear (Demo ReWork)

Taken from the 'Voices In My Head' EP - Released 14/10
Pre-order here - https://apollorecs.lnk.to/sinoptik-music-voices

AMB1604

Sinoptik Music - Messages From Jupiter

James Hadfield feat Danny Linton - Soak (Axel Boman Dubb)(MMM#03)

We are thrilled to bring you the third chapter of THE GOLDEN RA VEDA YS saga, released in March 2017. Number 3 of the series introduces two further tracks of the haunting sound adventure that SUPERPITCHER is taking his fans on during 2017. Side A features 1984. It has nothing to do with George Orwell’s magnificent book but it could remind some of how the apocalypse might sound one day. 1984 is as sweet as the very first track, Little Raver, of "The Golden Ravedays" album, but it stresses the fact that even though Superpitcher produces music mainly intended for the dance floor, he creates sound that is bordering on the shamanic. 1984 might as well be the meeting of a group of supersonic bottlenose whales that are overly excited to see each other after being separated by many an ocean and moon.

Side B of this edition brings us POCKET LOVE. Or shall we rather say, Side B gifts us "Pocket Love"? Because we believe this is nothing other than a gift to us all. Imagine looking into a kaleidoscope and turning the dial and experiencing all those colors as pockets of love rushing your way and exploding in satin wonderment the moment they past your eyes and ears. Imagine how it must sound like if all the e mails, tweets, facebook posts, instagrams, pinterests, grandma’s postcards, text messages, letters on rice paper, hearts scratched into trees, declarations of eternal loyalty written in sand, phone calls and videos of the whole universe were all messages of love stuffed into pockets and sent to you. Imagine the treasure you will receive! Imagine being one big ear drum and listening to the very energy that this love exists of – imagine it and you will find yourself inside "Pocket Love".


This digital download has been watermarked to prevent unauthorised distribution or copying.
The enclosed music is intended to be listened to solely by the authorised recipient and no portion of its contents may be distributed, copied or reproduced in any manner.
This inaudible unique watermark enables us to trace this audio back to you.
Thank you in advance for your understanding.
Download the ZIP to access the audio, press release and pack shot

The Golden Ravedays

The Golden Ravedays 003

Superpitcher - 1984 (snippet)

Label: FHUO Records
Artist: Parviz
EP Title: Le Cyprès D'Abarqu
Release Date: December

FHUO Records:
https://soundcloud.com/forheavenuseonly-records
https://www.facebook.com/forheavenuseonlyrecords

Parviz:
https://soundcloud.com/parveez
https://www.facebook.com/parveezmusic

Available on YouTube: Soon
----------------------------------------------------------------------------------------------------------------------------------------------------
Houseum:
https://soundcloud.com/houseum
https://www.facebook.com/houseum.yt
houseum.yt@gmail.com

PREMIERE: Parviz - Ta'm—e Gilās (طعم گيلاس) [FHUO Records]

* Read more : http://boltingbits.com/armless-kid-peter-tosh-copie-blanche/
* Watch on Youtube : https://youtu.be/_MH6TpVNsnA

With 2017 coming to a close, and absolute heat like Fewnolder and Aquecoucou burning up floors and headphones across Europe, rising Parisian producer and label owner Pierre Moritz has a few tricks up his sleeve on the latest release on Copie Blanche; a two-sider featuring local favorites Rochenoire and Armless Kid. Today's feature is the B2 by Armless Kid, Peter Tosh.

An accomplished selector with mixes under his belt for RinseFM and Defected, Armless Kid takes a very effective stab at low swung disco, replete with diva coos, sultry basslines, and a percussive gallop that really locks. The main energy of the track is laid down early by some extended samples of the song's namesake; a member of Bob Marley's original Wailers, Peter Tosh was an accomplished reggae artist and activist. Armless Kid makes clean work of Tosh's gravely tone and jamaican cadence to add real weight to the overall track, helping to showcase and outline some pleasant contrasts between the sentiments expressed vocally and the musical feel by which it is accompanied. Peter Tosh may have spent his years making music at a significantly lower tempo; that being said, with the help of Armless Kid's flawless editing and taste, he might've had a promising career in house.

PREMIERE : Armless Kid - Peter Tosh

manman, happy Xmas time!

download via Hypeddit: https://goo.gl/cJYBEq
done via Bandcamp: https://goo.gl/6HSZe9
video via youtube: https://goo.gl/ihhQ5p

001FREE (free download)

* Read More: http://boltingbits.com/apparel-wax-002a1/
* Watch on YouTube : https://youtu.be/4gOpuyfz414
* Buy: http://bit.ly/2AVy2ff

Most of our readers have probably heard of the anonymous collective known as Apparel Wax. If you can’t recall their name, I know for a fact that you've heard the lead track from the label's phenomenal 2017 debut “001A1” that rose to the top of Juno’s deep house best sellers.

Although the title doesn’t quite roll off the tongue, the song’s opening seconds are one of the most memorable and satisfying moments of dance music we’ve been lucky enough to experience last year. We loved it so much we asked the label’s curator Giuseppe D’Alessandro to do an interview and mix for us a few months back. I suggest you read it to get a better understanding of their history and why the label’s contributors are anonymous. Hint: IT’S ALL ABOUT THE MUSIC!

In their follow-up record, Apparel Wax have once again employed the work of ghost producers to come up with a record simply titled “002.” Similar to the first, this release contains a mixture of four-tracks that fall on different spectrums of the disco-jazz-funk plane - a real taste-tester you can say. We were lucky enough to get our hands on the A1 of the release, and it’s quite the thumper.

Featuring moody vocals and an assortment of looped guitar licks, “002A1” relies heavily on a throbbing bassline to carry the listener and their feet throughout its entirety. However, I would say the real gem of the tune lies within the horns that come in around the 3 minute-mark. Once those bad boys come to the forefront, “002A1” begins to exude a vibe that’s more romantic and care-free than what the yearning vocals signify at its start. Day-time disco enthusiasts and DJs alike are sure to love this track for it’s funky, yet soothing aesthetic.

PREMIERE : Apparel Wax - 002A1

www.facebook.com/francisscissor
www.facebook.com/scissor.and.thread.nyc
@cfrancisharris

Francis Harris is a founding member of the Scissor & Thread label - a Brooklyn-based imprint established 2011. Previously releasing under the alias Adultnapper, Harris established Scissor & Thread as an outlet for deeper, more personal sounds, as well as music from a range of associated artists including Black Light Smoke, Bob Moses and Aris Kindt. Harris’ own output has gone from tightly wound tech house bombs as Adultnapper to intricate and expressive musical journeys, and has seen him branch out with a new label - Kingdoms - a home for adventurous music from across the board.

More We Cannot Do is a perfect example of Harri’s feel for depth and dynamics - the track is seeming submerged warm amniotic fluid - cocooned in compression that the listener can get instantly lost in. A think, subby bass provides much of the groove, with skittering percussion on top and luscious fragments of melody. Minor Forms, the EP’s title track is cut from similar cloth - emerging form a subtly distant place to inhabit a melancholic, beautifully evocative space - somewhere between ambient, jazz and the dancefloor. Valentino Mora offers up two exquisite reworks of Minor Forms to complete the EP. Mora, the Berlin based Uruguayan producer, brings his own layer of depth to Harris’s originals - the Underwater Rephrase version adds a propulsive kick and manages to shimmer and shake in subtle, beautiful ways. The Cosmic Trans Rephrase is somehow even deeper - a bubbling bass pulse anchors the track while pads drift in and out, adding to the blissful, meditative whole.

sat034
23 Feb 2018

Tracklisting:
A1. More We Cannot Do
A2. Minor Forms
B1. Minor Forms (Valentino Mora Underwater Rephase)
B2. Minor Forms (Valentino Mora Cosmic Trans Rephase)

Minor Forms

Francis Harris - Minor Forms

Download: https://www.xlr8r.com/mp3/2018/03/markus-gibb-dernier-souffle-malcolm-remix/

@markusgibb
@malcolmaudio
@kumplabel

[via XLR8R]

Download

Download: Markus Gibb - Dernier Souffle (Malcolm Remix)

READ > https://inverted-audio.com/premiere-beesmunt-soundsystem-yayang

Back two years after their last VA, Munich-based label @permvac are set to release the 5th number in their acclaimed compilation series - including cuts from Chloé, Personal Message, Chinaski, Sascha Funke, Cooper Saver, Christian S, Julian Stetter and Amsterdam duo @beesmunt-soundsystem.

Beesmunt Soundsystem - Yayang [Permanent Vacation]

Exclusive Filament Deejays '1 p.m.'

Newly founded Dutch label Filament's concept is quite simple yet effective and reveals deep insights into the founders' mindset. As 'Deejays', label heads and promoters the Filament crew aligns the procedure of an event to the music they put out on their label. Consequently 'Fest I', the label's debut EP, includes four tracks, each representing a different stage or chapter of an event, with each track ready to be played at a different time. While '4 p.m.', '8 p.m.' and '11 p.m.' come from Monty, Møzaika and Hysteric, the track that gets it all started, '1 p.m.' is the preserve of Filament Deejays themselves. But not only does '1 p.m.' mark the EP opening, it's also Filament Deejays' production debut. Warm synth chords combined with a Japanese vocal introduce the listener to their premiere work and set the pace and tone for what is to follow in the next few minutes in the track itself as well as the event, where the track is played out. A triumphant chorus is accompanied with the implementation of subtle acid sounds, which at first hearing seem to get off and take on a leading role, but remain in the background and serve more as carrying track element that still leaves enough space to the afore-introduced synth-chords and the soft vocals. A day or event couldn't start any better than with a sound-aesthetics as Filament Deejays provide their audience with.

'Fest I' will be released on Filament on July 17th, 2019.

Buy the EP here
Vinyl: www.juno.co.uk/products/mozaika-hysteric-filament-deejays-fest-i-ep/732707-01/

Artist & label information
Filament: www.facebook.com/filament.amsterdam // @fila-ment // 
www.instagram.com/hetfilament

Visit & follow Torture the Artist at:
www.torturetheartist.net
www.facebook.com/torturetheartist
www.instagram.com/torture_the_artist
www.twitter.com/TorturingArt

V/A - Fest i

1 p.m.

Buy here

EXCLUSIVE: Filament Deejays - 1 p.m. [Filament]

A. Giske
B. Mozart

Written and Produced by Lost Scripts
Artwork by Arnau Pi

Release date: September 26, 2019
Digital release date: October 24, 2019

Order here: https://bit.ly/2W96MGg

© 2019 Hivern Discs

HVN055

Giske

Extract from our concert in Oslo on the 10th of August 2010, together with the Pinquins on classical percussion. The audience was sitting and 3 ballerinas were dancing to our music. Thanks again to Mattis With, Håkon Vinnogg and everyone else involved!



Brandt Brauer Frick & Pinquins - Live at Øya Festival, Museum of Modern Art, Oslo

Scissor & Thread is cut from a different cloth than your average dance imprint.

Francis Harris - Minor Forms

Scissor and Thread

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