Written by Judson Henry/Recorded by Dreaded Chupabolos

Dreaded Chupabolos

Cab Salvation

Banana Peel Protocol

Somewhere Went West

Late Nights

John Darnielle of The Mountain Goats recorded this, and I'm suddenly regretting that I didn't ask him for his story ideas earllier.

Star Wars: the Official Soundtrack

The Ultimate Jedi Who Wastes All the Other Jedi and Eats Their Bones

I wrote this song about a light in the sky. I recorded it with members of an acoustic group that I play with in Jackson called Animal Farm, along with some other amazing Jackson musicians, including Patrice Moncell, a renowned blues and gospel singer, on background vocals (she’s sung at Carnegie Hall, and was featured in the Robert Mugge documentary Last of the Mississippi Jukes). 

It’s a rollicking, fun song, but there’s a deeper idea in the lyrics: the innate desire, in all of us, to reach out for something greater than the world around us and “jump off this planet.”

Spaceship

Midnight at the Insect Club

Traveling alone for centuries and then showing up for a brief, dazzling display to make us all dream of wonderful worlds.

Comets

You'll keep climbing up and up, and see more and more, and each step will open new worlds that you never even knew existed. - Daniel Keyes

Flowers for Charlie

Flights of Fancy

Revelers

Something in the water, alright
Can't read but we're going to write
Illinois, Missouri blight
Cruising with the current all night

False Blues

“Scott Albert Johnson manhandles his harmonica with a master’s flair. He is a triple-threat artist who can sing, write and blow his emotions clear on out of his harmonica like nobody’s business.”
Goldmine [USA]
 
“Scott Albert Johnson is a great songwriter. He writes about man's journey: who we are, where we stand and where our lives take us. His musings about life are cast in clever melodies, sung by a voice that seemingly knows no limitations. He is extremely versatile on the harmonica… sometimes you hear the influence of Toots Thielemans, then Howard Levy, and then Stevie Wonder. Johnson has made another excellent record.”
Rootstime [Belgium]
 
"Scott Albert Johnson’s new record Going Somewhere knocks me out. The songs are memorable, the singing intense, and the harmonica new and powerful... It’s the most daring rock harmonica record since Blues Traveler came along to shake everybody up with a completely different take on the instrument."
 Richard Hunter, author of Jazz Harp (the original instructional book on jazz harmonica), hunterharp.com

"Scott Albert Johnson is a virtuoso harmonica player and an excellent singer and songwriter as well. After a few spins, the lyrics remain all around in your head. Johnson has made an equally beautiful and special album. ”
Rudolf’s Music [Netherlands]
  
“Scott Albert Johnson is fiercely original. This isn't just an album to listen to. It's an album to explore. Great songs, vocals and harp and instrumentation.”
Jon Gindick, author of Rock N’ Blues Harmonica and one of the preeminent harmonica teachers in the world, gindick.com

 “There are harmonica players and then there is Scott Albert Johnson… One of the best harp players in the world.”
Cashbox Music Reviews

Born in St. Louis and raised in Jackson, Mississippi, Scott Albert Johnson was bathed in the wide range of the American songbook, as well as the sounds of his 1970’s and 80’s childhood.  The soul and spirit of that diversity is at the core of his new album, Going Somewhere. Johnson incorporates elements of rock, jazz, blues, funk, country, and world music, mixed with thoughtful lyrics, strong vocals, and virtuosic harmonica playing, to create a unique, modern concoction of sound.

“I’m influenced by almost every kind of music that I’ve ever heard,” says Johnson.  “Growing up in the heart of the South, obviously blues has had a big impact on me.  It’s also the heart and soul of virtually every type of modern music.  But I also grew up a big fan of artists like Peter Gabriel, the Police, Led Zeppelin, the Beatles, Bob Dylan, Van Morrison, Bruce Hornsby, Ray Charles, Louis Armstrong, Daniel Lanois, John Scofield, and Rush, just to name a few.  So I draw on all of that, and I try to write lyrics and music that have an emotional as well as intellectual impact.  Then I throw in some harmonica for good measure.”

Johnson has become a true harmonica master, utilizing a unique and difficult technique known as “overblow,” which allows the diatonic harmonica to be played as a fully chromatic instrument.  He is one of a small group of players who can do this.  He also utilizes digital effects to expand the sonic palette of the instrument, and he counts such harmonica masters as Toots Thielemans, John Popper, Howard Levy, Stevie Wonder, and the late Chris Michalek as major influences.  Yet Johnson sees the harmonica as just one piece of what he does musically.

“I've always felt most influenced by artists who are kind of what I would call triple-threats,” says Johnson. “They sing well, they play at least one instrument very well, and they write great songs. I take each of these three parts of the equation as seriously as any other part. I also feel most in-tune with artists who kind of are ‘their own genre,’ borrowing from many different kinds of music. I hope my music reflects that.”

Spaceship

Scott Albert Johnson

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