FuzzyBunny from a live performance on KFJC on July 19th 2013. Chris Brown and Tim Perkis computer and electronics Scot Gresham-Lancaster guitar

FuzzyBunny KFJC July 2013

5 Tones for Slonimsky for Computer and Disklavier (1996)
Played live on KPFA in Berkeley interactive max patch that tried to avoid areas of activity

orchestrate clang mass - anagram

5 tones for Slonimsky

Shaman Sam Ashley channeling spirits through his 4 limbs to make cymbals and bass drum sounds their voices

EveryHeavenIsBest

from a live performance of a piece by Scot Gresham-Lancaster based on his text piece "The Strange New Life of the Dark Dark Meat". This performance was at Cuba Kultur in Münster, DE with Mark Paaping, Sam Ashley and the voice of Alex Bendahan who also helped correct errors in the primitive translation by a early version of Google translate

Das Merkwürdige Neue Leben Des Dunklendunkle Fleisches

In 1982 Larry Polansky was doing preliminary tests of HMSL (it might have been called Bird at that time) He created the recursive patch that listened to itself and then used that information to generate all the parameters for the next cycle of sound. Very recursive, very James Tenney ... The synthesis was a patch that I created on my Serge modular and HMSL was spewing control voltages which were being listened to by a Gentle Electric pitch and envelope follower into the 2 Ad inputs on the HMSL prototyping S-100 based forth machine that Larry was coding on.

BleepsBlops

Various examples of my work for the Experimental Site-Specific Meta Theatre Performance Installation Media group Dead White Zombies in Dallas TX who I have  done sound designs for 7 productions since Since 2012

Advertise the Bull Game (2013)

T.N.B. 06.Flows

Corridor Karaoke Motel

DP92 Muzak1 01

Corridor Chant 01

Sansnatra (no Frank only Nelson) (w)hole 2012

DP92

DP92_RadioRoom

(1991) Live on Barb Golden's "Crack O' Dawn" show on KPFA from an interactive computer music piece designed and played by Bill Thibault and Scot Gresham-Lancaster. All parameters derived from USGS survey Digital Elevation Models (DEM) of various locations. Data from TAR tapes provided by the USGS.

Terrain Broadcast

Terrain Broadcast #1

This "sound design" was completed in 1998, shopped around, but never actually played by a real quartet ... I am using the term "sound design" in an ironic sense in that this is how I currently am identified professionally, as a "sound designer" which is apropos for the role of most committed composers now days, except for the lucky few ... 

TheHeartThatWandered

using Yamaha Disclavier, Mac powerbook running max, the
software interacted with the players keyboard gestures to augment the
playing. From a live recording on KPFA Carl Stone's "Ear's Wide Open" in 1998.

5tonesForSlonimsky

The Onyx string quartet played this piece as part of a project SGL did in 1999

Pr57

for cello quartet and electronics. Uses acoustic resampling with electronic sounds generated by the MBox II. The Pacific Cello Quartet and Scot Gresham-Lancaster on interactive electronics. Score by Scot Gresham-Lancaster BMI

In the (UnlikelyEvent) of a water landing

Composer- Performer- Research Scientist 
Visiting Researcher CNMAT UC Berkeley
1st Frank & Marjorie Malina Art/Science Research Fellow
The HUB - 2018 Winner of the ZKM GigaHertz Lifetime Achievement Award
Sound Designer/Composer deadwhitezombies.com - Dallas Observer, Best Theatre Company 2017
Performer/Composer/Designer Talking Trees

Scot Gresham-Lancaster

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