TONY PRICE 

RECORDED LIVE AND ALIVE ON CIUT 89.5 FM TORONTO

FRIDAY JULY 21 2023

STRAIGHT TO THE AIRWAVES

DIRECTLY TO TAPE

PLAYING ALL ORIGINAL HITS FROM HIS "HIT PIECE" LP AND BEYOND

LIVE ON DRUM MACHINES, SAMPLERS AND SYNTHESIZERS

TONY PRICE - "RAW" LIVE ON CIUT 89.5 FM TORONTO

This mix on cassette originally is a promo Mega Mix that we sold in high school to promote parties my friends and I did back then (The Witch Is Back). M.O.A. Productions, Frantik Party Productions was some of my earliest House crews, Us (Marky P, DJ Juice, DPC, James. We did underground house parties in basements and around while in high school. This mix, this era '92,  is a mix fusioned of Chicago house, and the European minimal techno that was coming into Chicago then. A timestamp on our histories, early roots and what we love :)

High School Party Promo '1992 Mega Mix  (The Witch Is Back)

Trushmix 240 presents The Burrell Connection. Live from Globus/Tresor 13th of December 12. At Wania presents!

The Burrell Connection aka Alfie, Dream_E, DJ59. Scotsman now living in Berlin releasing on wax since 19 (labels of Craigie Knowes, Pace Yourself, Tartlet and Optimo.

Here he presents a 55 min live session. Techno and House. Depp electronic performed live with an Elektron Analog Rytm + Octatrack, Roland JD-08, Korg Minilogue + FX.

Enjoy music from the top!

Trushmix 240 - The Burrell Connection

My "just for fun" extended edit of this fierce 80s gem. 
Too bad this record wasn't more successful back when it came out.
This track rules and Marchella has great style.

Marchella Mah – I'm Yours Maybe (Hysteric edit)

3 hours of me spinning 100% vinyl ~ some pop, some club, Italo, easy blends,

Captured on the 22.03.25 at Doka (Amstersdam), which has a very DJ comfortable booth. Play time was from around 3am-6ish.

This live recording is my first in at least 5 years - I’ve always struggled with the concept of DJing without a crowd/dance-floor so for my usual mix output I “record” in Ableton. I also enjoy “mixing” on the sofa as horizontal as possible so go figure.

H.A.N.D. MIX 073 : Bell Towers

A recording of my set for the Morphology Festival at the Botanic Gardens in Dundee 12th July 2025. Accessing the neglected corners of my collection;  a dance floor clearing concoction of new age music, folk and psychedelic records made as the hippy dream died, private press oddments, kraut rock, minimal synth dirges and forgotten gems that should have been big hits.

1. Michael Bundt - Tropic of Night Frost
2.  Thorn Wych - The Blue Rose of Forgetfulness
3. Chris and Cosey - This is Me
4. Erin - Goodbye Mother Nature
5. David Apell Band - Feeling Fire
6. Passion Theatre - Vacation Day
7. Ocean - The Jesus Pill
8. Angelo Mallia - Hideaway
9. The Cover Band - Big in Japan (Vocal mix)
10. Tony Hughes - You Broke My Heart
11. Aeson Zervas - untitled
12. Wire - Pink Flag
13. Sudeten Creche - Are Kisses out of Fashion?
14. The Seraphims - The Consciousness of Happening
15. Heldon - Bolero part 2
16. Michael Bundt - The Brain of Oskar Panizza
17. Conrad Schnitzler - The Shark Eats Ice
18. EMAK - Tanz in den Himmel
19. The Scrotum Poles - Pick the Cat's Eyes Out
20. Tresa Leigh - Until Then
21. Decompressed Possibility - You Can't Ride Away
22. The Bachs - Tables of Grass Fields
23. Chris and Cosey - Walking Through Heaven
24. Dennis Harte - Summer's Over
25. Love - Everybody's Gotta Live

Morphology Festival mix

Live recorded on 3 turntables, vinyl only.

B2B with Helena Hauff Live at Trädgården, Stockholm

This mix is a promotional mix for Manga Corps, published by Never Sleep. It was created for several media outlets, but none of them responded. That’s probably because this mix is pure, authentic Hardcore. It was just too real and too hard.

Maximum respect to HAMMER BROS & KAK-A Rec, OUT OF KEY & Bass2 Rec, Kill The Rest, Jap Hardcore Masters Team, and all the pioneers.

Manga Corps
https://neversleep.life/products/manga-corps-book-2nd-edition

Inside Japan’s ’90s gabber and hardcore underground(huck magazine)
https://www.huckmag.com/article/japan-90s-gabber-hardcore-scene-toky-osaka-manga-corps-never-sleep-gabber-eleganza

Yuta Umegatani - 90’s Real Japanese Hardcore Mix (You’ll Never Get It)

Track List:

01. HAMMER BROS - Calling Enola Gay "Jump A Little Higher"(Remixed By Mike Coldrave)
02. HAMMER BROS - Paul Sucks!!!
03. HAMMER BROS - Here I Am
04. Die Or Die– Snow Crash
05. Johnny Key - We Are Here
06. HAMMER BROS - Battle Of Britain (Who's Lingerie Is This?)
07. SIESTE - Death Rate
08. SIESTE - Kitty Whip (HAMMER BROS Mix)
09. OIL HEAD - RAVE IN HIROSHIMA (TOUR 1989)
10. SIESTE - T34
11. 2 Terror Crew– 108D
12. OUT OF KEY - Drill
13. HAMMER BROS - Fuck DJ Mutha Fucker (Remix)
14. 10 Yard Fight - Nokori 6 Yard
15. YamYam – Hardcore Kingdom
16. OUT OF KEY - Fuck'n Y-2-C
17. S.C.R.– Bitch Men Song (Edit - A)
18. S.C.R.– Sendai-Rotterdam Connection
19. DJ Lib & MC Shit B - Somethin 4 Ya Mind
20. KAK-A SHADOW AUGUSTA - Haus of GPYS

Production Assistant: DJ TECHNORCH
Image Provided by: Big The Budo

Yuta Umegatani - 90’s Real Japanese Hardcore Mix (You’ll Never Get It)

R E L A X E R goes leather 2005

** Part 1 now available from here - http://soundcloud.com/alexchase/ohm-dedication-series-2-jd **

For my ears, Adrian Sherwood is the most sonically innovative producer the UK has ever given birth to. If you don't know anything about Mr. Sherwood or his ON U Sound label, either do a bit of Googling, have a listen to this mix or read this interview I was fortunate enough to conduct a couple of months ago (when he was in Glasgow) that is on the Racket Racket website - http://racketracket.co.uk/music/jd-twitch-meets-adrian-sherwood/

This mix covers music from the years 1979 - 88 and focuses on Adrian Sherwood's dubwise productions, most of which were released on his ON U Sound label (a great overview of the label can be found here - http://www.skysaw.org/onu/)

The mix is DUB in the widest (and wildest) sense of that word and veers from beautiful, heart-melting songs to cavernously deep, hard bass pulsations to the odd bit of brain melting sonic radicalism. To this day I don't think any other producer has pushed the envelope so hard which is partly down to a general lack of balls on the part of other producers and partly due to the fact that these productions were all recorded to tape and mixed on a desk with 100% outboard gear, so that pushing the tape way beyond its intended limits forms a large part of the character of the sound. His totally deranged dub techniques are perhaps a little more prevalent on part 1 (see below) of this podcast while this part is in the main more of a continuous heart throb with odd moments of sonic destruction, offering a masterclass in dub mixing techniques many of which Adrian Sherwood pioneered.

In my late teens and early 20s, Adrian Sherwood's work impacted on me more than anything I had previously heard and made me think about sonic possibilities in a completely new way. I would buy any record he had been involved with unheard and got into a lot of other artists purely because he had been involved with making their records. Indeed, my nom de plume "Twitch" came from a record he produced and our Optimo slogan "We Love Your Ears" came from the sleeve of a record he remixed. I hadn't listened to a lot of these records for many, many years and fell in love with them all over again while putting this together. It was a complete labour of love to do and a revelation to hear how fresh and wild this music still sounds.

The tracks are mostly mixed together but this podcast really isn't about my mixing at all - it's all about the 25 sonic missives included on it (several of the tracks are different versions of the same rhythm edited together). All the tracks were taken from vinyl so any unintended sonic imperfections are a result of the source records having been played countless times in the past.

This is part 2 of this podcast. Part 1 which focuses on his more electronic wild side (Tackhead, Fats Comet, Keith LeBlanc etc.) is now available here - http://soundcloud.com/alexchase/ohm-dedication-series-2-jd
Should you so desire, the 2 podcasts can be synced together to provide one continuous mix of around 3 and a half hours.

As usual we aren't making a track listing available for the podcast, simply because we feel that knowing the contents often precludes actually listening to it. But, if you want to know what anything is, feel free to get in touch and I will let you know. The mix is a 320kbps mp3 (230mb) and is 101 minutes long.

Morphology Festival mix

Il Discotto

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