Tech house and minimal DJ set, support for TOBEHONEST at Afterglow Music Festival (University of Miami)

Max Flory live @ Afterglow 4/27/24

Max Flory Live @ Pub52 4/16/25

Swing Gitan

Swing 39

Untitled 1

Clip Joint Calamity Piano + Double Bass Cover

1994-02-26 boxcar

This song was written in one evening on a 4-track recorder synchronized to a W-30 (a setup I had fun with for years).  The drums are played on a W-30 keyboard.  The were laid down first - the whole song, one take.  Then, I moved on to the synth bass, same approach, whole song in one take.  It started developing some changes and shape to it.  Next up was the organ. This was also done on the W-30, but connected to my TX81Z sound module - love those analog organ sounds in it.  Next is one of the rhythm guitars - there are 2 guitars most of the way.  Towards the end, there is an additional one running backwards.  I distinctly remember recording that.  You basically turn the tape over and in the 4-track recorder and what you hear is backwards - then you record yourself playing forward.  Make sense?  Once you flip it back you have a backwards guitar.  If you listen close to the backwards guitar, you will hear a voice.  Thats Jon Rustad - my room mate at the time.  He came home while I was tracking and I think he was saying "hello, whatcha doin'?"

This song is in my top 3 of all those I've ever recorded.  A nice journey.

1993-11-27 workarttime

This one is pure 4-track.  Again - laid down in one evening session.  Drums first, bass, and then 2 guitars (I think).  It literally was like taking the guitars out for a walk - each one seeming to want to go its own way.

1994-02-26 boxcar

Scott Flory

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