I remember all of my friends trying to find every one of these records.  Came close too.  Found out from Scott years later that some were white labels that we couldn't get......

I remember hearing this in Nola back in 96 to 99 : )  Great mix!!

Find me Dj Who Rise volume 1. First mix tape i owned ❤️

So many Gen X memories from Buzz & Fever.  Could probably use those brain cells back now but, oh the times we had. 😎

This series changed my life.  Scott Henry = legend

Man this first track still is a bomb opener

Henry is the fucking man. all of his shit what do you like to do? party all weekend long!

techno

This is the third in a series of amazing mix tapes from East Cost legends Scott Henry and Charles Feelgood, developed to promote their long running club night "Fever" in Baltimore, MD. This is the first side containing Scott Henry's mix. This mixtape was released in 1995. 

Our goal is to promote the tracks on this mixtape to educate the youth. Please let us know if there are any errors in the track listing.

Track Listing: (Time, Artist, Track)
00:00 - 08:48, Paradise 3001, Progression's In Heaven (Long Distance Call To Heaven Remix)
08:48 - 14:29, Keoki, Caterpillar (Rabbit In The Moon's Disco 2001 Mix)
14:29 - 19:13, Funk D'Void, Jack Me Off
19:13 - 25:06, Wicked Wipe , Rock The House (Ian Pooley Mix)
25:06 - 30:59, TC'95, Just Get Up And Dance (Sure Is Pure Remix)
30:59 - 36:27, Aftrax, The Mask (Swept Q)
36:27 - 39:25, The Crystal Method, Keep Hope Alive (There Is Hope Mix)
39:25 - 45:00, George Acosta, Way Up To The Sky (Groove Man's Hypotherapy Mix)

Scott Henry - Fever - Time To Get Ill - Vol. 3 (Side A) - With Full Track Listing

This is the fourth in a series of amazing mix tapes from East Cost legends Scott Henry and Charles Feelgood, developed to promote their long running club night "Fever" in Baltimore, MD. This is the second side containing Scott Henry's mix. This mixtape was released in 1996. 

Our goal is to promote the tracks on this mixtape to educate the youth. Please let us know if there are any errors in the track listing.

Track Listing: (Time, Artist, Track)
00:00 - 06:21, Astral Pilot, Electro Acupuncture (Rabbit In The Moon’s Transcutaneous Electrical Stimulation Mix)
06:21 - 10:17, Slab, Rampant Prankster (Carl Cox Jumper Mix)
10:17 - 15:26, Wink, Are You There...
15:26 - 20:28, Way Out West, Domination (Bonkers Break Beat Mix)
20:28 - 24:08, Basco, The Beat Is Over
24:08 - 29:12, Fatboy Slim, Everybody Loves A 303
29:12 - 34:16, Sunscreen, No Angel
34:16 - 45:00, Clifford N Williams, Reach Up

Scott Henry - Fever - Time To Get Ill - Vol. 4 (Side B) - With Full Track Listing

Heck knows why i haven't uploaded this earlier ? I have no idea and can't remember where I got this from, still some old classics in this one. Enjoy x

Plump DJs - Studio Mix January 2001

Remaster of Moonshine Mix CD FunkyDesertBreaks2

Track Listing
01 - Michael Kores, "Multica"
02 - Drop Out, "Plastic"
03 - Friction & Spice, "You Make Me Feel So Good"
04 - Liquid Art, "Xplorer"
05 - Pigforce, "Doin' Jobz 4 Tha Mob"
06 - Peter Tall vs. Xpando, "Tricked"
07 - M.A.D., "Free"
08 - MVP, "Make Me Feel"
09 - Underworld, "Born Slippy"
10 - Inspirazione, "I Feel You"
11 - Rollin' Gear, "I, I Know"
12 - Drably Frond, "Scilintific"
13 - JDS, "Nine Ways"
14 - The Coffee Boys, "Nipple Fish"
15 - Canyon, "Universe"

FUNKYDESERTBREAKS2 2024 REMASTER

Gibs Bussi - Locca

Made a new banger for in my sets! Wanted to share this with you as a free download ;)

Free Download

Ida Corr, Fedde Le Grand - Let Me Think About It (Stanley Redex Remix)

Appetite v. Psycho - ENTO Edit

The Glastonbury Festival is a five-day festival of contemporary performing arts that takes place near Pilton, Somerset, UK. In addition to contemporary music, the festival hosts dance, comedy, theatre, circus, cabaret, and many other arts. Leading pop and rock artists have headlined, alongside thousands of others appearing on smaller stages and performance areas.

This mix was part of Annie Nightingale's Glastonbury Breakbeat Special back in June 2004.

For more information about the Glastonbury Festival : https://en.wikipedia.org/wiki/Glastonbury_Festival

https://soundcloud.com/adamfreeland
https://www.facebook.com/adamfreeland/

Adam Freeland - LIVE @ Glastonbury - 27.6.2004

Take Me To The Hospital (Josh Homme &amp; Liam H's Wreckage Remix)

Simon Shackleton’s Elite Force project began way back in 1996, debuting on his own newly founded Fused and Bruised label with a series of peerless 12s and remixes. After a successful five years, he put Fused and Bruised on the backburner to concentrate on production work, and following several years with Whole9Yards and Moonshine he became a mainstay recording artist for AdriftRecordings (formally known as Kingsize Records) before moving on to set up hisown hugely successful U&A imprint. 

Often credited for being a lynchpin in the developing the tech-funk genre (an amalgamation of breaks, house, techno and electro) he has released a series of highly successful singles in the past few years, finding broad support from DJs and musicians across the board, including the likes of James Zabiela, Sasha, Crystal Method, Laurent Garnier and Fatboy Slim to name but five. In 2008 released a semi-retrospective double album’s worth of remixes and re-workings of a 12-year back catalogue, with over 25 mixes coming from such luminaries as Miles Dyson, Rogue Element, Deepgroove, Dylan Rhymes & Calvertron.

In addition to these solo singles, Meat Katie has been a regular collaborator with Elite Force, a relationship that had begun in 2003 with the massive-selling 'Toba', and that will see their creative relationship come to fruition in 2009 with the launch of their new joint project under the name ‘Dustbowl’, as well as a series of singles under the ‘Meat Katie & Elite Force’ banner. 

As a remixer, Elite Force has always been in huge demand, with re-workings for the likes of Grandmaster Flash, Crystal Method, Jungle Brothers, Stereo MCs, UNKLE, Infusion, Rennie Pilgrem, Shiloh and Dylan Rhymes all contributing to his reputation as one of the most creative and effective remixers around. 

Elite Force's music has also been the soundtrack to many a movie, with a huge list of impressive A-list credits to his name, including the likes of the Matrix, Charlie's Angels, Arlington Road, Mortal Kombat, Crow, The Bone Collector, The Jackyll, Spiderman 2 and his music has appeared on a wide array of TV shows, from CSI to Top Gear, from Football Focus to LA Doctors. He's also soundtracked a number of computer games, including no fewer than 5 FIFA games, several of the Wipeout series, The Matrix and Motorstorm 1, and he is currently writing some bespoke music for forthcoming games for Ferrari and Motorstorm2.

On the decks, Elite Force has been a prime mover since 1990 when he cut his teeth playing huge student nights and self-promoted acid house nights in the South West of England, before moving up to ....London.... and ultimately gravitating towards his tech-funk style, with which he now has a full diary of global bookings. He has become known as one of the top technicians on a circuit that has included massive shows in Belarus, Hungary, Australia, Italy, USA, Czech Republic, India, Turkey, Spain, Japan, Georgia, Ukraine, Kazakhstan, and China, amongst others, as well as numerous festival slots including Glastonbury, Coachella, Bloom, Wickerman, the Glade and more recently Burning Man. 

He was also responsible for the hugely influential Strongarm Sessions webcasts which became something of an institution since their inception back in 2001, receiving as they did around 20,000 downloads per show, but now put on the backburner to concentrate on other projects, such as his own blog (Techfunkmanifesto) and his other musical projects, such as Dustbowl (with Meat Katie).

Bio courtesy of http://www.myspace.com/shackforce

Artwork courtesy of Thomas Reed (www.hivemanagement.net)

For more information on http://soundcloud.com/elite-force visit www.eliteforcemusic.com or http://www.facebook.com/djeliteforce

For more information on http://soundcloud.com/spacecowboys visit www.spacecowboys.org

Elite Force - Burning Man 2010 RIPEcast Mix

Legends DJ Dan and DJ John Kelley stopped by Holly's House on Subliminal Radio [ http://subliminalradio.net/popup-player ] with Resident DJs Holly Adams, ThMp3r and Resident Rockstar Kurtis Acks. #LISTENLIVE #WORLDWIDE EVERY SATURDAY NIGHT 6 P (LA) / SUNDAYS 2 A (UK)/ 1 P (AU)

FOLLOW DJ Dan:
https://facebook.com/DJDanMusic/
https://facebook.com/instereorecordings
https://djdan.com/
https://instagram.com/djdanmusic/
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https://traxsource.com/artist/17935/dj-dan
https://beatport.com/artist/dj-dan/5416
https://soundcloud.com/djdanmusic

FOLLOW DJ John Kelley:
https://facebook.com/djjkelley/
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https://beatport.com/search?q=john+kelley
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FOLLOW ThMp3r:
https://facebook.com/jannaslewis
https://instagram.com/lewesq/
https://soundcloud.com/janna-lewis

FOLLOW Holly Adams:
https://facebook.com/djhollyadams
https://instagram.com/djhollyadams/
https://instagram.com/djhollyadams/
https://soundcloud.com/dj-holly-adams

FOLLOW Subliminal Radio:
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[SC] @subliminalradio

DJ Dan | Holly's House on Subliminal Radio | Show 058

WE ARE ONE: https://www.simonshackleton.org/we-are-one
FB GROUP: https://www.facebook.com/groups/weareonemusic

In these strange and challenging times, we need friends, family, and community more than ever. For that reason, I've created a series of online gatherings under the 'We Are One' banner as a means of bringing people together from all corners of the globe to laugh, love, and dance (like no one's watching).

These social events put YOU first, with a High Definition audio stream via Mixlr and additional capacity for up to 100 Zoom video attendees. The first event was a huge success and there'll be a second 'We Are One' on the weekend of 25/26th April 2020. Details on the website.

This set was created using Ableton, an APC40 Controller (that I found at the back of a cupboard and had never used before) and a LaunchKey MIDI keyboard, and as such it's as much about on-the-fly live performance as it is about straight-up DJ'ing. Enjoy!

HQ DOWNLOAD: This is available to everyone who donates any amount via https://www.paypal.me/simonshackleton ... these contributions help cover the streaming and music costs of hosting these events, and are very gratefully received.

We Are One

We Are One Vol.01

Since his acclaimed album release in 2009 with ‘When A Banana Was Just A Banana’, Josh Wink has been heavily touring and working on building a new studio. Last year he produced his greatest creation to date, a beautiful baby son. After taking some time out to enjoy his newly found fatherhood, he finally got into his brand new studio towards the end of 2012. The outcome was ‘Balls’ – a ten-minute drive of pulsing intensity bating towards a huge breakdown, unlike any of Wink’s work to date… 

“I am always surprised with what happens when I go into the studio after not being in there for a while. I feel heavily inspired to make music by all the great things I hear and from personal experiences that have occurred over the past year. I didn't expect to make a techno track. However, the grooves came quickly and naturally along with the hypnotic analog pulses. Originally I came up with the foundation of my grooves using a beta version of Ableton's Live 9. And after I constructed the fundamentals of the track- I hit record, tweaked and grooved the components live for 20 minutes, and then tightened up and edited the best parts into a sequence. Then I played out, got some new ideas from crowd interaction, and re-tweaked and made improvement.

When describing the track to Matt (Ovum label manager) I was saying that I think that you really have to have balls to play this track, as it's a little different from most of the music out there right now. The track's time couldn't be edited down any further as the story and journey wouldn't be conveyed.  So, the ten minutes is DJ friendly and I'm happy that I can express my tale. The track, usual of my work, is based on aural textures and tension. The breakdowns have changed through several attempts, and are now adjusted to drive the crowds, whether in clubs or festivals.” – Josh Wink

When you’re as iconic a figure as Josh Wink, it’s not so easy to sum up a career in a few words—but there are a couple of terms that might serve to get a handle on the seminal electronic-music producer’s lifework. One of the most apt, certainly, would be longevity. A brief scan of Wink’s mammoth résumé reveals the following: Early-’80 days as an underage mobile DJ; a major role in fostering his native Philadelphia’s burgeoning warehouse scene during the house-music explosion later that decade; name-making ’90s club hits like “Don’t Laugh,” “Higher State of Consciousness” and “I’m Ready”; a label, Ovum Recordings, that’s undisputedly one of the most essential dance-music imprints; and his current position, after all these years, as one of the scene’s most vibrant and creative DJs and producers (witness the critical success of his 2009 long-player When A Banana Was Just A Banana).


Scott Henry - Fever - Time To Get Ill - Vol. 4 (Side B) - With Full Track Listing

Scott Henry Fanpage

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