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n̴͓͗͐d̵͍̺̒͑r̸͔͍̆̓̂e̶̘͎͍͛̽s̸̩̆͒͠

Patricia Carli-La Tendresse

ANDY WILLIAM

We pretend that the end hasn't found us
And we cling to the things left behind us
Line by line, every rhyme has been written
And time left us here unaware

In our eyes gentle sighs went unspoken
Yes, the days will remain unforgotten
Love went by and we tried once too often
To save all the dreams that we share

And here we stand, the silent strangers
Afraid to ask which way to go
Our empty hands at last surrender
The reason why we'll never know

We pretend that the end of our rainbow
Cannot die if it lies like a shadow
Willows bend when the wind blows to conquer
The leaves that have withered away

We can't run to the sun like we used to
Nothing lasts from the past that we once knew
You and I can deny that it's over
And yet we must face it somehow

Yet here we stand, the silent strangers
Afraid to ask which way to go
Our empty hands at last surrender
The reason why we'll never know

We pretend that the end hasn't found us
And we cling to the things left behind us
Line by line, every rhyme has been written
And time left us here unaware 

In our eyes gentle sighs went unspoken
Yes, the days will remain unforgotten
Love went by and we tried once too often
To save all the dreams that we share

Demis Roussos - We Pretend (with Lyrics)

Renee & Renato-Save Your Love

Fatima Al Qadiri - Asiatisch out now on Hyperdub

Amazon

Fatima Al Qadiri - Szechuan - (Taken From The Album Asiatisch)

Il Pleut Des Larmes Richard Anthony

Ne laisse pas ma vie sans toi

NAAFI 2.0
https://itun.es/mx/7NGdkb

Debit - Corporeality
Oly - Hylo
Traxmatik -Pushed
Tayhana - Encuentros Furtivos
Wasted Fates - Evidencia
Zakmatic - Excision

N.A.A.F.I © 2017 CDMX
Master - Imaabs
Arte - Mexican Jihad
Foto - Victor Barragán
Diseño - DHB

Debit - Corporeality

New single from the album "Ariadna" out Sept. 8th. Pre-order it on limited edition vinyl (comes with bonus 12"), CD (comes with January Sun EP) and cassette. 

Moscow's Kedr Livanskiy (real name Yana Kedrina) confesses "Synthesizers help me maximally feel the present moment." Livanskiy was born into a shifting and critical time for Russia.  The Soviet Union had exhausted and old values were anathematized because of reconstruction.  A sense of displacement drove Kedr to find herself.  She's escaped reality repeatedly in her explorations into the imagery and ideas of romanticism, mythical and fairytale themes which visibly bleed throughout her work and especially on her debut full-length 'Ariadna'.  The title track which was named after the Greek goddess, Adriane, debuted via THUMP today who've described it "anchors its elegantly drifting shoegaze melodies with a knocking electro beat."

Kedr considers this album to be divided into a couple of different parts - like how one person can contain many different moods. The first half revolves around mythological thoughts and the second takes cues from the urban and suburban environments around her, all the while in the middle of everything is the hero who experiences real feelings and emotions. 

Kedr also channels the places in her neighborhood on the outskirts of Moscow (affectionately dubbed by her as "BORDER MOSCOW"). There's a river there where identical Soviet high-rises stand on both sides, with a bridge and garbage processing plant adjacent. Where nature and industry meet. The whole scene looks very apocalyptic, but also mystical and mysterious, especially at twilight.

Her inspiration for this record comes from the Izhevsk (sometimes referred to as "the capital of Russian electronic music") sound of the 80s, including groups like Stuk Bambuka V XI Chasov (Bamboo Crash at 11AM) and Samtsy Dronta. The movement in Russian experimental music is especially inspiring, with acts likes Valery Chkalov, Sergey Kuryokhin and Pop Mechanica; in general, the late-Soviet period was very inspiring with all its figures in music, cinema, their energy and their approach towards life and art.

'Ariadna' marks a change in her recording approach: her critically acclaimed breakthrough EP 'January Sun' was written and recorded completely in Ableton, while 'Ariadna' was written using the Roland SH-101, Roland Juno 106 and Korg Minilogue synthesizers, then mixed down in Ableton. According to Kedr, "This way, one gets into a flow of live interaction, here and now, with the instrument." 

To her, this interaction is more "raw and sacred" than actually mixing the track down, which seems like "mere formalism" in comparison. There is a definite leap in production values this time around, but Kedr manages to keep true to her sound despite the greater polish and depth. 

Kedr Livanskiy Soundcloud: https://soundcloud.com/kedr_livanskiy
Kedr Livanskiy YouTube: https://www.youtube.com/channel/UCeQ-sEipCI_MiMYrR-4iopA
Kedr Livanskiy Instagram: https://www.instagram.com/kedr_livanskiy/
Kedr Livanskiy Facebook: https://www.facebook.com/Kedr-livanskiy-1006510909393113/

Ariadna

GET LP/CD/TAPE/DL

Kedr Livanskiy - Ariadna  [2MR-029]

Charles Aznavour - Yesterday When I was Young

Enrico Macias -  Tango Lamour Cest Pour Rien

Notre Dame de Paris müzikalinin en güzel şarkısı Belle... Akdeniz sıcaklığı ve bambaşka bir yorumla...

 

BELLE acoustic

chanson de mes souvenirs de jeunesse...Daniel Guichard

"I'm On Fire" - Chromatics

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