driving along the san diego coast as this song is playing

Every single track in is mix is dope I want to go leather 2005 too

i literally had a dream that i finally found this track ID

On May 25th 2024, to accompany the launch of his Arthur Russell book "Travels Over Feeling" Richard King put together an event at London's Barbican celebrating Arthur's life with an all star musical cast recreating and reimagining his music.

I was thrilled to be invited to play a DJ set in the foyer afterwards. I have been an Arthur Russell devotee for 30 years and decided to play an all Arthur Russell DJ set*. The atmosphere was very special with lots of love transmitting back and forth from the DJ booth to the dancefloor. I really felt a freedom to slowly build it up playing so many of my favourite AR tracks and it was one of my very favourite DJ gis of 2024 so far.


*Full disclosure - there was an additional 30 minutes finale of this set that didn't record where I played non Arthur Russell, disco / disco adjacent records.

JD Twitch - All Arthur Russell DJ set, live at The Barbican, London 25/05/24

Scott Zacharias Live at Party Line 10/4/24 ☎️

Recorded live on a cosy Sunday night at Brilliant Corners.
Hope you enjoy x

Daniel Pisano at Brilliant Corners (2 March 2025)

The MFM Mix series continues with Istanbul-born, Amsterdam-based multidisciplinary artist Deniz Omeroglu (@loradeniz), who released her debut album 'SUN SHONE' with us earlier this year. Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Welcome to the series Deniz. Being from Turkey originally, what did your musical upbringing look like? 

LD: There was always music playing in our house - we even had speakers in the bathroom. My dad really enjoyed listening to music; he had an open mind and a great collection of CDs and records. It brought together Western influences, world music, and local sounds. That diversity really shaped my ears and sense of sound from early on. My brother played the piano, so classical music was also part of the atmosphere. I guess I grew up listening to almost everything except electronic dance music. That came into my life later - after graduating from the conservatory and going through my own personal rebellion. 

MFM: Comparing to West-Europe, where you live now, do you feel there's difference in how music plays a role culturally? 

LD: Totally. I think we, as a culture, tend to experience and express emotions more intensely - both internally and outwardly - compared to Northern European countries. So you can often feel that emotional depth and variation in our melodies and rhythmic forms. Just the other day, I found myself wondering... what kind of music would I be making now if I had grown up listening to Chicago house at home?

MFM: You've produced the whole album yourself. Being a classically trained pianist probably helps a lot when creating and writing new music, right? How did you go about writing the songs?

LD: In the past, my creative process was often fueled by pain and drama. But now, I don’t need those emotions to create anymore. Maybe that used to be what made my music distinctive, but now everything feels a lot more free and in flow. Coming from a classical background actually caused years of writer’s block - I often had no idea what to do next. Being classically trained means you're expected to perform everything perfectly. It took a lot of unlearning to let go of that mindset and teach myself that there’s actually more comfort in imperfection. So, rather than being a pianist specifically, it’s more about having music theory to fall back on when I feel stuck - that’s what really helps. But honestly, the most important part of writing new music for me is taking care of myself. All the self work - that’s what keeps my creativity alive.

MFM: When does a song determine if it needs your voice incorporated? And how do you then decide whether its going to be in Turkish or English?

LD: When it comes to language, it’s not really a conscious choice - it just happens naturally. I dream in both Turkish and English, and even while answering these questions, I find myself thinking in both. Sometimes it’s just easier to express something in Turkish, and other times it flows better in English. As for when I decide to use my voice in a song, it really depends. Sometimes melodies come to me while I’m just humming, and other times I feel the need to actually say something. I think of my voice as a human oscillator - just another unique textural element. I use my voice to create percussive or synth-like sounds, layering it in the same way I would with instruments, to add something personal and distinctive.

MFM: Please can you tell us a bit about your mix? 

LD: I think this mix gives off a sense of melancholia but not too much, intimacy, and cerebral energy. It’s not really representative of what I’d play out at clubs, but it’s full of tracks I love listening to, my all time and latest favorites. There’s a lot of slow burners, ghostly sensuality, and a touch of leftfield sass. my intention was to record something as much for the body as for the head in the most mfm way possible. Something light, something fun and something genuine.

MFM Mix 053: Loradeniz

Kiernan Abbott of Fragments in Wax drops by for an early summer visit to Brussels, carrying a usb full of late 90s trips through nostalgic IDM, chillwave and brokenbeat. Great for a run or something physically challenging like walking up a hill.

Fragments in Wax w/ Kiernan Abbott @ Kiosk Radio 25.05.2025

| LIVE FROM HIGH NOTE | w/ Myles Mac & DJ Possum

Amsterdam selector Orpheu The Wizard connects oddball and straight forward jams from different decades and different record shelves in a monthly show.  
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/orpheu-the-wizard/episodes/orpheu-the-wizard-13th-june-2025

Orpheu The Wizard 130625

A swift hour long excursion into the unknown. Expect the unexpected from host Tom Cathcart as almost anything goes: techno, post-punk, minimal synth, dub and new wave. Don’t be a prude. 
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/last-resort/episodes/last-resort-9th-august-2025

Last Resort w/ Customs 090825

Zoom in and zone out to Customs’s 16th Outsiders show. Leaned-back selections for the highs of Summer, roaming freely around beat down breaks and drum machine soul.

🌐 "Outsiders" is our daily show hosted by labels, collectives, agencies, venues, clubs, ... worldwide
📡 Connect with the Outsiders, every day, at 9 am or 9 pm CET
🔗 kioskradio.com

Outsiders: Customs @ Kiosk Radio 11.08.2025

The world decays beneath fluorescent lies,
Gods are scrolling, men just plead,
Words weigh less than the dust of their cries,
And the light bleeds out from the screen’s cold greed.

Thrones made of plastic, prophets on sale,
Truth in beta, no dark mode for the soul.
Yet deep beneath the data veil,
A stubborn ember still keeps its role.

Kali laughs — queen of cycles and ends,
She dances on towers, on the code that bends.
Every glitch, every fall, every scream,
Isn’t death — it’s the shape of a dream.

To see clear in the dark is to shun the torch,
To dive unlit into the core of the real,
To know that chaos builds the forge
For what order could never feel.

So I walk, bare, without code or creed,
Through the ruins of this video age,
Eyes open wide, in the perfect black —
Where all collapses… and all is remade.


R E L A X E R goes leather 2005

Scott Zacharias

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