Don't know what she's singing about, but it sounds perfect!

I love the melancholy and languorous atmosphere.

We’re extremely proud to present “Lost”, the third full-length venture from Anders Trentemøller.

“Lost”, much like its predecessor “Into the Great Wide Yonder” (2010), serves not only as a logical continuation of his work, but also as yet another fuck-you to whatever genre you thought you had him boxed into. The Trentemøller sound is definitely left intact, yet as a whole it really doesn’t sound like anything he’s ever produced before. Few artists seem to possess that special talent of leaving the audience just as baffled as they are satisfied, but hey, that’s what’s great about Anders. He may alienate a few heads along the way, but it wouldn’t be interesting for him if he didn’t.

“People wanted something similar to the last album, but if you’re getting to the point of listening to people and what they think of your sound...Well, that's not for me.”  -Trentemøller

“Lost” boasts a dozen tracks with something of interest for anyone who’s ever been a fan of the Copenhagen based producer. You can’t really compare it to “The Last Resort”, but the club elements are there. It definitely isn’t “Into the Great Wide Yonder” either, even if it’s equally guitar driven. It’s as original as it is classic, mixing the tried and tested with all sorts of sonic surprises. And making it look easy in the process.

Differing from “Into The Great Wide Yonder”, which was a rather bold cinematic landscape, “Lost” is definitely a far more streamlined affair and way more “song structured”. It’s the kind of record one can only produce after endless months of studio isolation. Just where his creativity flourishes best.

That said Trentemøller has also found a new home – and it’s on stage with a band. “Lost” relays this epiphany in pitch perfect circumstances, finally merging the extrovert and introvert qualities the man has in his command.

Of course, none of his productions would be complete without those unique guest appearances, spanning a multitude of musical categories. They’re all given equal treatment when they’re dropped bang center into the middle of Trentemøller's very own musical universe, having to harness the potential of their talent on Trentemøller’s terms. It certainly isn’t that many folks who are capable of convincing Jonny Pierce (The Drums) or Sune Wagner (The Raveonettes) to appear on a club track and even fewer who are able to pull it off. Anders is in the top percentile of that lot. 

”I think it’s fun to take people out of their own musical comfort zone” he exclaimed to VICE earlier in the year when explaining his seemingly erratic choices. ”Actually, when I begun writing the songs, I had their voices in my mind all along. They just didn’t know it.”

Aside from Sune and Jonny, Trentemøller has managed to bring on board a whole rake of fantastic peers, personal influences and sprouting talent. Co-conspirators such as Kazu Makino (Blonde Redhead), Jana Hunter (Lower Dens), Marie Fisker, Ghost Society and none other than the legendary slow-core pioneers Low are all to be found on the record.

That trademark haunting feeling that defined both ”The Last Resort” and ”Into the Great Wide Yonder” hasn’t been neglected on “Lost”. It’s just been redefined and made way more ferocious, the signature glitchy bass being replaced by sub woofer frequencies far more pounding. Almost punk rock. Instantly conjuring up thoughts of the more droning SUICIDE tracks or even contemporaries like The Soft Moon.

”Lost” documents an artist really hitting his stride. An intricate musical tapestry woven over countless sleepless nights in his Copenhagen studio. Nights invested in instrument experimentation and trashed analog consoles.

You can without a shadow of doubt call this release a genuine study in the art of attention to detail. No matter how many times you press play on this one you’re going to find something you missed the previous time around. Something that suddenly shines a whole new light on what you’re listening to.

Is this the record you expected from Trentemøller? No.

But would it be a Trentemøller record if you got what you expected? I doubt it.

Lost

Trentemøller - Deceive (feat. Sune Rose Wagner of The Raveonettes)

The Belgian producer Raphaël de Sauvage aka Cabaret Nocturne has been making a name for himself for years both with his productions and with his Digitalk FM radio show. We became fans of him though his stellar work for labels like Rotten City, Melomana, Disque Discos and Join Our Club. He makes his debut for Beachcoma with Blood Walk, which is nothing short of a slow-mo masterpiece.

Played, supported and/or loved by: 
Acid Pauli / Acid Washed / Chris Massey (Sprechen) / Chris Fortier / Dave (Future Boogie) / Dave P (Making Time Radio) / Daniel Kyo / Dawad / Deepfunk / Disko Selectors / Dimitri Veimar / Eric Duncan (Dr Dunks - Still Going - Rub n Tug) / Erol Alkan / Fairmont / Franz Underwear (Slow Motion) / Front de Cadeaux / Gabriel Ferreira / Gameboyz / Hardway Bros - Sean Johnston / Him_Self_Her / Ian Blevins / Javi Redondo / Jbag / Justin Robertson (Deadstock 33’s) / Karlos (Ibiza Sonica) / Kezokichi (Blindetonation) / Kza (Force Of Nature) / KNTRL / Leri Ahel (Mutant Disco Radio Show) / Local Suicide / Lokier / Los Suruba / Low Manuel / Martin (Kompakt) / Metope / Modernphase / Monday Club - Cosmonauts / Mugwump / No Strings Attached / Oliver Schories / Oliver Sudden / People Get Real / Pete Herbert / Phred Noir (Slow Porn - La Dame Noir) / Pink Skull / Pslktr / Psychemagik / Push Music / Remain / Rocko Garoni / Rodion / Romain Ortce (Rock To The Beat) / Sasha / Sebastien Tex / Sexy Lazer (The Mansisters) / Sid Le Rock (Pan/Tone) / Sigward / Speaking Minds / Teniente Castillo (Play Pal) / Trevor Jackson / Tronik Youth / Tunnel Signs / Undo / Villa / Voytek (My Favorite Robot) …

Stores:
Beatport - http://btprt.dj/1PmSXxO
Juno - http://bit.ly/1K10SP6
Spotify - http://bit.ly/1Qj3RSm
iTunes - http://apple.co/1OKXx3g

Released by: Beachcoma Recordings
Catalogue number: BEACH050
Release date: January 22, 2016
© 2016 Beachcoma Recordings

Artwork by David Imbernon
Mastered by Jay @ Roofless Creations

Blood Walk [preview]

Diamond Veins feat. Sarah Rebecca

Future Politics

Utopia

Children of The Sun by Joe Goddard. From the album 'Electric Lines' on Domino Records. Mix and additional production by Richard Norris. Engineered by Steve Dub.

Joe Goddard - Children Of The Sun - Richard Norris Mix

Polaar

Maud Geffray - Polaar

http://facebook.com/PRIMITIVEDESIRE

You're gone
and babe that's a good thing
I'm still here and looking for something
To come along, to come along
I know, I know
We both say the same things
I don't care
I don't care about winning
So don't call, don't call
To talk about nothing
So many times I waited for you
I figured it out and now we're through
I won't give up, I won't give in
I know, I know
We both say the same things
I don't care
I don't care about winning
So don't call, don't call
To talk about nothing
You're gone 
And babe that's a good thing
I spend my days working for something
We don't give up, We don't give in
I know, I know
We both say the same things
I don't care
I don't care about winning
So don't call, don't call
To talk about nothing

Desire - Don't call

https://lnk.to/scratchmassive-sunken
With SUNKEN, Scratch Massive is throwing us directly in the center of their new album made in LA’s summer heatwave. SUNKEN, romantic & venomous song of the modern time where the crystal & hypnotic voice of Maud Geffray (half part of the duo) answer to singer Leonie Pernet who seems to be under Marylyn Manson’s Influences.
This dark and glittering song is coming with a music video directed by the other half side of the duo Sebastien Chenut, starring Roxanne Mesquida (Quentin Dupieux, Gregg Araki..) & Japanese, actor & dj Eiko Hara. 
Scratch Massive new LP is due for April, 2018
Bon Voyage

Scratch Massive - SUNKEN

Rotten Citizens Vol.1

Blind Trust (Original Mix)

Charlotte Gainsbourg - Deadly Valentine (SV REMIX)

One of the Girls

Buy on Bandcamp

One Of the Girls

“Garden of Love” is 5 years old. 5 years that his songs have accompanied us, like evidence. The 4th album of Scratch Massive entered our intimacy, met its audience, a large audience, and the passage of time has succeeded. His romantic and dark compositions - we can cite "Last Dance", "Sunken" or "Dancer in the Dark" - have become classics that we have heard as soundtracks on feature films, series and fashion shows. “Last Dance” sung by Maud Geffray has become a cult and transgenerational title by illustrating the first kiss of Elliot and Lucas, the two heroes of the teen series “Skam”.

To celebrate the 5th anniversary of "Garden Of Love", Scratch Massive offers us here a Deluxe version containing 5 unreleased tracks, recorded in Los Angeles during the album's studio sessions. There we find the majestic “Love Streams” Feat Grindi Manberg in its sung and instrumental version. Then come 2 unreleased demos of "Pray" by the group, and finally "Hollywood Boulevard", a nighttime ballad in a fantasy L.A., the city where the album "Garden of Love" was thought and composed.

This Deluxe anniversary version skilfully completes the group's 4th LP and makes us wait before the next one, scheduled for 2024.

GARDEN OF LOVE DELUXE EDITION OCTOBER 27th, 2024 on bORDEL Records

Scratch Massive - SUNKEN

Scratch Massive

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