Synth stuff is kind of reminiscent of 80’s movie themes to me, but richer and more complex. Still pretty cinematic though. All all you!

So cool and sinister sounding, love the imagery too

First upload off a new album, "Verde," much of which was written about a year ago while traveling in Africa's westernmost country, Cabo Verde.

Verde

24 8 11

Just a short rock track. All software instruments from Logic Pro and Analog Lab Pro

Rockwell

Red moon

Noise

Today I celebrate. Today is a day of celebration. The day of the 40th track. I have come a long way from the first to the fortieth, a huge journey. There were those who were with me from the first moment, step by step. There were those who stood by me along the way. Along the way, I received support, recognition, and friendship. I will be forever grateful to this community, for everything.
Cover photo from my great friend: www.instagram.com/bergarpi
Listen it on my youtube page: https://youtu.be/85x3MJ0Wh20?si=GtdtmC7PjAk0xhGA

Leer

'Background Noise' inspired by the noise pollution of daily living.

CON-FUSION

Background Noise

||| Once We Were Divine |||

An ode to remembering the forgotten truths of what it means to be human...
The power of feeling
The moment... 
The raw and real beating of blood and biology

The reclamation of time
Life
Connection
Empathy
Love 
Community

The power of forgetting the lies and behavioural conditioning
Turning away from fear

Embracing the self
The divine
Our birthright

Watch the video here
https://www.youtube.com/watch?v=WqqSEWOVCdI

Once We Were Divine

So Glad You Found Him

It's a Japanese song. A song from my EP SUPERNOVA. I made this with the image of U2 playing slow tempo EDM. 95 BPM. 4m25s. The main genre is Rock. The lyrics are important for this song. I put my actual feelings into the lyrics. It's a very emotional song. Please listen carefully to the lead guitar in the last part. Link to major platforms : https://linkco.re/E2aRhZS6

Lyrics :
(1 2 3 4)

素晴らしい夜
とてつもない夜
重くのしかかる
今でも

何か変だと
僕は思った uh huh
その瞬間に
君は消えてた

捨てないで 僕を
捨てないで 僕を
捨てないで 僕を
捨てないで
捨てないで 僕を
捨てないで 僕を
捨てないで 僕を
捨てないで
捨てないで

捨てないで 僕を
(I love you)
捨てないで 僕を
(I love you)
捨てないで 僕を
(I love you)
捨てないで 僕を
(I love you)
(I love you)
(I love you)
Wooo Hooo
(I love you )
(I love you)
捨てないで 僕を
(I love you)
捨てないで 僕を
(I love you)
捨てないで 僕を
(I love you)
捨てないで 僕を
(I love you oh)
(I love you)
(I love you)
(I love you Wooo Wooo)

OH GHOST

Atmospheric 80s saxophone from the wonderful Jörg: https://soundcloud.com/joerxworx

Remixes

The night turns to gray

The night turns to gray feat. joerxworx

"Shadow Circuit" is a dark, pulsing electronic track that fuses retro synthwave energy with modern cinematic ambience. Deep basslines and sharp percussive rhythms create a sense of motion and mystery, while lush analog synths evoke a world of neon lights and digital echoes. Perfect for sci-fi visuals, technology promos, game soundtracks, or any project seeking a futuristic yet emotional atmosphere.

Shadow Circuit

Official Soundcloud for Dark Electro Producer Scratch Kelly 
West Coast, Tasmania 
Darkwave + Dark Ambient + Wave + Experimental + Industrial

Scratch Kelly constructs a synthesis of dark ambient, industrial and wave music. She creates a diverse sonic landscape, from brutal and unforgiving industrial sounds to dreamy dark wave territory marked by melodic synth bass so deep you could drown in it. Her music is designed to bring a sense of realisation, contemplation and healing to the darker places of the psyche.
First surfacing in 2018 with as part of the Hobart based duo Soundtractor, and moving onto solo music production in 2022 with a series of self-released EP's and albums. Her work is heavily influenced by darkwave and industrial electro, but her  inclusion of complex, often experimental rhythms and emotive melodies sets her apart from the rest of the dark electronic scene. She has received her greatest exposure so far on radio and at the Unconformity Festival.

Once We Were Divine

Scratch Kelly

Recent comments

Tea R. Sea

arse-myth

arse-myth

arse-myth

Related tracks