Really nicely done.  Love listening to Alan Watts and with this music flowing around him, gives it that much more impact.

great true words set into music ! I do cling to this sound ;-)

A contemplative exploration of being, via a downtempo synthscape..
🤍 vocals courtesy Alan Watts

Image: Optics: spectra of various substances. Colour aquatint by R.H. Digeon, ca. 1868.

Lyrics
The feeling of being is a sort of spectrum. Just as light is at one end red, and at the other end violet. And you have to have these extremes in order to have colour at all, in order to know light.
So you see, likewise, we have to have the experience that there is somebody else, something else going on, altogether out of our control, in order to have the experience of being me.

The feeling of being is a sort of spectrum.
Why do you think you have to have something to depend on?
So, we get finally, not quite finally, to the void.
That which is void is precisely the world of form. That which is precisely form is the void.
And.. what then?
When you get to the void, there is an enormous and unbelievable sense of relief. That's Nirvana.

You mustn't cling to the void. You have to void the void. And so, the void of non-void is the great state, as it were.
The feeling of being is a sort of spectrum.

You cannot nail a peg into the sky. And so, to be a man of the sky, a man of the void, is also called a man not depending on anything.
And when you're not hung on anything, you are the only thing which isn't hung on anything, which is the universe.
🤍 Alan Watts

Speaking In Dreams

Nirvana

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Official Soundcloud for Dark Electro Producer Scratch Kelly 
West Coast, Tasmania 
Darkwave + Dark Ambient + Wave + Experimental + Industrial

Scratch Kelly constructs a synthesis of dark ambient, industrial and wave music. She creates a diverse sonic landscape, from brutal and unforgiving industrial sounds to dreamy dark wave territory marked by melodic synth bass so deep you could drown in it. Her music is designed to bring a sense of realisation, contemplation and healing to the darker places of the psyche.
First surfacing in 2018 with as part of the Hobart based duo Soundtractor, and moving onto solo music production in 2022 with a series of self-released EP's and albums. Her work is heavily influenced by darkwave and industrial electro, but her  inclusion of complex, often experimental rhythms and emotive melodies sets her apart from the rest of the dark electronic scene. She has received her greatest exposure so far on radio and at the Unconformity Festival.

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