texts excerpted from
The Book of Lambspring
(http://www.levity.com/alchemy/lambtext.html)
and the following poems:
-parts of the whole body
-ryy27
-Originary Proclamation

phoneonmychest

trying to write out the language from memory

i spy i love you

anthem from no memory

354t Lebanon (LIMB version)

playing with:
-flex time in Logic Pro X
-using a text that I did not intend for artistic use
-tooones

totL shirt; follow-upf; $75 setup fee

i was looking for a different project to copy some data from and i opened this one mistakenly, and then i quickly wrote some text to read over it

i like the little plinky descending eq bands. i wish i could figure out how to pan them.

john

And i can be there, in where in you the tall bled crillipped sifts, it's you or mine or as fervently so quick black tenderly so rodlike and fast notions, no, notions over quickness stilled sover and sovertile, i did it diligently and without grace.

And you cease then double ceased walk, expound, doling wander done ceasingly, eased over over it's yours and me for silky done making and muddy grease, filmed for years, filmed for years.

Compound, dunnit, silver, compound. 
Wordless, looking. Fetid, but aching.

Given a mouth, would over then I hadn't? Sadden, taken, I saddle for your grace and for his, too.

(text)

unnamed

and in the long run, in the days since, having forgotten what it was we were told, what we were told about life, about longing, about good and the truths of happiness, and of meaning, that’s when we packed our things and went away.

in the days since

recorded improvisation(s) from the end of last year

:^ )

(it's field recordings, wear headphones!!)
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“The task of attention goes on all the time and at apparently empty and everyday moments we are ‘looking’, making those little peering efforts of imagination which have such important cumulative results.” 
Iris Murdoch, The Idea of Perfection
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swmmmm

(Loud! and way cooler with headphones)
This is just an improvisation on an instrument I'm using for another track.

There's something in here in my head about how computers and software don't always behave in orderly ways, at least for untrained hands, and how those behaviors are structured by the history of computer engineering and the way designers conceive of music and instruments (and how maybe "proper training" cuts out cool possible ways of relating to these objects, I guess that is a big philosophical basis for a lot of noise, and like what happens when people start passing on traditions of noise-making and there become standard ways of making noise?? and not that i'm calling this track noise, i think it just uses a lot of noise), and I really wanna bring in something from Chun's Programmed Visions or something, but honestly it's just IMD or some shit so that's just me being puffy.

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