甘酸っぱいbad feel も全てがstep
心はずっとyoung boy認めたくねぇ
殻に籠ったmind 濁りもねぇ
指先で書いて伝えた胸
listen now
walk walk walk
この道の上
踏み出すwith my friend
wow wow wow
俺次第でOK
君次第で乗れ

仕事遊び寝れないよ
かっこつけては自分に問う
汚してきた足跡
それも俺のためのgrow
ラフに生きよう
繰り返したら蜃気楼
倒さないドミノ
ビザに変えるんだwayを教えてくれ
油乗ってきた今が一番ヤベェ
あらがってずっとfalling
下じゃねえよ恋
仕方ねえよ等身大だそうだろ？
昔から変わらず嫌ってるslowly
全速で進むためあげる調子
ガキのままではいられないや、
夢も過去形　夢も過去形

When https://soundcloud.com/ipg1, historical SC member, offered this open collab from one of his pages: https://soundcloud.com/level-one-up1/unused-multiples-140-bpm-open-for-collab, I was immediately inspired by the modern sound where I felt some rock wanting to get out!
IPG1: Try the link above to find his great prog-nu-hop-trap-track!
RUIZZOIDMAN: guitars, bass, added drums, lyrics from an old poem, vocals, choir.

Letra  /  Translated lyrics

TU AUSENCIA  /  YOUR ABSENCE

(Tu ausencia, tu ausencia…)  /  (Your absence, your absence...)

Hoy que la noche es oscura,  /  Today that the night is dark,
(y estridente)  /  (and strident)
hoy que la noche es brumosa,  /  today that the night is foggy,
hoy que la luna se oculta,  /  today that the moon is hidden,
(largamente)  /  (for long)
la soledad es odiosa.  /  loneliness is hateful.

Hoy que he roto la sonrisa,  /  Today that I broke my smile,
(del pasado)  /  (from the past)
hoy me grita la conciencia  /  today my conscience screams
para acrecentar la prisa,  /  to increase the hurry,
(demasiado)  /  (too much)
careciendo tu presencia.  /  lacking your presence.

El frío de esta noche que ya no es clara,  /  The cold of this night that is no longer clear,
¡el frío de esta noche me llueve tanto!  /  the cold of this night rains on me so much!
y estas gotas que ruedan por mi cara,  /  and these drops that roll down my face,
¿son gotas de lluvia, o son de llanto?  /  are they raindrops, or because of crying?
(¿Son gotas…)  /  (Are they drops...)

Un pasivo gris inunda mi mente,  /  A passive grayness floods my mind,
un gris silencioso que empaña el cielo,  /  a silent grey that steams the sky,
y estos tonos muertos que nadie vierte,  /  and these dead tones that no one pours,
¿son de la tormenta, o por mi duelo?  /  are they from the storm, or from my mourning?
(¿Son de la…)  /  (Are they from the...)

La gélida oscuridad que me viene  /  The cold darkness that comes to me
es la nube fatal de mi existencia,  /  is the fatal cloud of my existence,
pero el frío afilado que me hiere  /  but the sharp cold that hurts me
¿es frío por la noche, o por tu ausencia?  /  is it cold of night, or because of your absence?
(¿Es frío…)   /  (Is it cold...)

Tu Ausencia (with IPG1)

Here the sister tracks: https://soundcloud.com/michele-ansani/this-is-them-last-version and https://soundcloud.com/michele-ansani/is-this-you. I must point out that there is no reference to the famous TV series of the same title. The inspiration again obviously came from the short Julio Cortazar story, 'Axolotl'. (here: https://ambystoma.uky.edu/teachers_materials/axolitbook/AxolotlByJulioCortazar.html ).
Cover pictur from Pietro Corrao.

------

Composed by Michele Ansani (2022).
Posted on SoundCloud: 2024, June 16.

This is us *

Deszcz

The excitement and anxiety that a traveler must feel after a long jorney, when returning home sees land.

Sailing Back Home

my only Xmas wish is a heartwarming Christmas song that captures the festive spirit and anticipation of the holiday season. The lyrics tell a loving story about the wish for the husband to be under the Christmas tree as Santa, beautifully wrapped with a big red bow. With a humorous and romantic twist, the song blends tradition with modern holiday feelings, making it perfect for the upcoming Christmas time. It's ideal for anyone who cherishes the magic of Christmas in their hearts!

my only Xmas wish

The Silent Hour

Produced and programmed by Julian Maramieri
Arranged and mixed by Andreas Meinert and Julian Maramieri
Vocals by Julian Maramieri
Written by Julian Maramieri
Recorded at Oalanka Studios in 2017
Dedicated to; Stephan Novak "Amnesia"
Released by Sequenz Frequenz Records

Mystery

Ibiza!

Nostromo - Ibiza!

Lyrics
Well, your folk rocks
Pristine
Just over the channel
Brightoned two sheen

Salt Fire looped by the hour
Teachers of tuned tone harmonious flower
Guitars for me cornered still
Their voicings will tend to your will
New musical pathways the pill
Everytime, ears getting that fill

Salt Fire go hear their higher
Salt Fire Lo-fi classical attire
Salt Fire Go hear their higher
Acoustic crumbs of grandeur
Harmonies. The biggest aliens have landed...

So come, let's all fly away in a song
We do it cause we are it
This is where we belong
Good tempered bones
Some tension tones
Utopian homes
Fly away in Salt Fire song
Good bye dystopian drones
We're aligned 
Our staves are long

This song is about the artist Salt Fire across the pond in Brighton. Superb music worth a permanent rabbit hole & I think worth more ears...

Check out Salt Fire on #SoundCloud
https://on.soundcloud.com/MVWEVjwQKrcNBTCGA

Ok so track filled. Added Celtic Harp, Classical Guitar and strings via Keyboard 

Theres a nice point here. So I used the phone recording, imported to the daw and it became the base and click track for the song. It's a nice way of locking in your human time but still filling over it and getting a full tune with more instrumentation. For those ideas your not at the studio and plugged up... 

Android I end up with an m4a - convert to wav for free online (usually fixes bitrate issues) - import to daw audio track - turn off tempo and click track - Your jam just became the click track. Playing to this only then allows you to lock into your feel again as opposed to recreating the whole thing to a click track from scratch...



On the human time... I was chatting with my best friend Anto the other day. He's a fabulous photographer. He shoots only film and uses an eye piece view finder still. He says it feels more instinctual to him. I feel similarly recording things on the spot in random places... You're playing to your instincts which can be spiritually way more creative I think then sitting down and doing it by sums. Both have their merits but starting more regularly in the former more natural way may offer more instinctual goodies. The method part of the process can always iron out and perfect the unusual things you find instinctually in hindsight when further along the process and it's all getting stitched.


To give the phone recording sufficient presence I add reverb 80%20%/compressor for acoustic guitar/EQed for Vocal/Light Stereo Spread for LF & HF. Then I double tracked it each panned slightly either side. The difference is actually a pretty cool example of cleaning something up for use. Recording wasn't changed aside from the dynamics

Dom!no

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