Name: Tzusing - 1976 (Tera Octe Remix) by Sea Cucumber in Tzusing - Next life
Duration: 3 min 39 s
Description: In ‘Next Life’ the ashes of Tzusing’s tracks are reanimated by some of his favorite producers.

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Tzusing - Next life

In ‘Next Life’ the ashes of Tzusing’s tracks are reanimated by some of his favorite producers.

Tzusing - 1976 (Tera Octe Remix)

Tzusing - Esther (Gabber Modus Operandi Remix)

Tzusing - Shame (Slikback Remix)

Tzusing - Esther (Suda Remix)

Tzusing - Face Of Electric (jondu Remix)

melt my crown
lost my bound
far from real i ever found [!*”˜]

everything by s͓̽h͓̽a͓̽s͓̽t͓̽ ©

Melt

Taken from Racine's new album 'Boue' (G&P026), out March 24, 2024

Gin&Platonic are pleased to welcome the Montreal based composer, producer and sound designer Julien Racine to their catalogue. Following up the Genot Centre record with Keru Not Ever as Corporation and the stunning solo albums on Danse Noire, we're now blessed to present his newest longplay 'Boue', simply translated from French as 'mud'.
___

Offshore it's foul weather.

I climbed down the stone steps of my two-storey tower to reach the shore. Anthracite. The steps are slow and precise; those of a new life apprehending itself in its fresh descent. I used to be a composer: 142 pieces of varying length mourn my career. Mostly for string quartet. I tried orchestrating percussion with tuba. To no avail. No albums, but individual pieces, yes, pieces that bled the contradictions of the world through sketches of bronze angels. I tried to compose it as well as I could: every day I'd add a new note, the next day I'd remove it. In this gap, between adding and removing, lay the beauty of the music. This is how I managed to compose the 142 pieces that today resonate in the belly of every betrayed.

Where was my mother when I was presenting these pieces to the world? In the emotion or indifference of the sound meadows? My mother, who bequeathed me her heart defect as an inheritance, all the better to avoid me? The heart I now have, — transplanted from a pig, whose vena cava is slightly smaller in diameter than the human average — leaving me gasping for breath when I climb the surrounding mountains? She sent me just one letter, too short, in which she told me she had gone to hear one of my pieces, the performance of which lasted 4 hours and 13 minutes, in Budapest: “Dear Pascalin, your piece performed at the Bela Bartok National Concert Hall reminds me of the day you were born, when we parted. This made me cry a little. Iˇm not being facetious, it's the truth. Suddenly your life appeared to me, in the music, as a morsel of forgotten evidence. Kisses. Madeleine.”

The rising air is pure.

As I reached the shore, I gave my hatred of music to the seagulls, which squawked at the shrill of my footsteps shuffling across the polished stones. Their music is close to mine, I thought. A great wind of a new day carried their polyphony to the storms of the open sea. Cantatas, arias and requiems, all at once, in the undulating rage of the horizon. This time I’m in is nasty, isn't it? Living with these seagulls that sing for no one. My pig’s heart is beginning to beat faster. This heart inside me that isn’t mine but makes me live. I take a metal chair that had been lying on the shore since last summer, and I sit on it. Look over there, she says. I pick up an abandoned driftwood branch, washed by the sea’s salt, and wave it in the air, signaling the rain’s slow arrival. A morsel of forgotten evidence, I silently think. Lately, good foul weather to compose anew.

Written & produced by Julien Racine
https://julienracine.com/

Mastering & additional production by Jesse Osborne-Lanthier
https://jesseosbornelanthiernoir.bandcamp.com/

Artwork by Jiri Macku
instagram.com/jiri_macku

Words by Justin Leduc-Frenette (Keru Not Ever)
https://justinleducfrenette.com/

G&P026 🪞

Boue

Bandcamp

Racine - Boue V

Max Dahlhaus and Kronom team up for Unizone on “Trauma Tendrils” with remixes from Domizako and Ice_Eyes. “Trauma Tendrils” lands with all the diplomacy of blunt force trauma. Both veteran producers trawl the deepest and darkest recesses of their personal brands of dystopia, settling on a chaotic course of textured experimentalism and distorted broken rhythms. It’s industrial techno that has dissected and reorganized its molecular structure. Tracks that simulate the experience of emerging from the primordial cyber cocoon. Caked in dirt, drenched in acid, mouth full of gristle. All that’s left to do is tear the feeding tubes out of your stomach, punch a hole through the membrane of your prison, and rush the sentinels. What’s the worst that could happen?

tracks & mix @maxdahlhaus @kronombass
remixes @domizako @ice_eyes
mastering @ancestralvision
visuals IG @_nismo95
words @carnelecarne

Pre-order

KRONOM & MAX DAHLHAUS - LOSING GRIP (ICE EYES REMIX)

MYEN can be broken down as a project of audio hyperstition, sonic tulpamancy and self described funeral music. His music is often driven by immersive and cinematic sound design, heavy distortion and an overall feeling of suspense. He is currently based in Leipzig, Germany, and recently self-released his last Album &ampquot;KARNER&ampquot;.


One Off w/ MYEN (02/07/24)

Rush

WAIT

maurizm - Under The Moonlight (Free Download)

Bar (Dune Shaker)

rip ME - exhale, exfoliate

desierto De SemenTo

人生得意须尽欢，莫使金樽空对月
Stockholm syndrome Shanghai
Started @seacucumberlabel


Bookings:
EU: brandon@lb-agency.net
Asia: This Page Direct

Sea Cucumber is a label founded in 2021 by @Tzusing 
Sea cucumbers are found on the sea floor worldwide.

Tzusing - 1976 (Tera Octe Remix)

Sea Cucumber

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