About 3 minutes longer than it should be.

Klee controlling an XRVCO, Sine/Saw out for lead, Square out through Manhattan Analog SVVCF for Bass, Braids [fold] and Rings being rings.  All are being  sequenced form the Klee.  Drums are Ca Corny rhythm controlling a Barton analog drum, Synthrotek DSM, and TH Bass++.  It's a one pass recording for the modular so there's plenty of errors.  Then I went back over it with a DX7 for some Rhodes.

Long Klee Patch

Two chords repeated to the point it becomes annoying.

Ambient crap

Recording of my set from last month's Moloko+.  Sequences are from Turning Machine, Klee, Simple Seq, Xii0, Using an O&C as a quantizer.  First part is Rings/Elements, Akamie's Castle, Sid Guts>SSM2144 VCF, Radio Music+Clouds, Second half brings in Braids, Orgone Accumulator>MA SVVCF, CEM3044 VCO>Stiener Parker VCF.

Drums Are controlled by a Corny Rhythm, Euclidian Circles, and 8-bit cipher.  I repatch the drums at various points, but the modules used are Dinky's Taiko, Basimilus Iteritas, Barton Analog drum, Bass++, Vat Clap, BaDum tiss, Braids and Dredrum.  Processed with Warps, Optodist, MT Reverb,

Live@Moloko+ October

I completely pulled this one out of my ass at the last minute. 

Recording of my set from last month's Moloko+. Sequences are from Turning Machine, Klee, Simple Seq, Xii0, Using an O&C as a quantizer. First part is Rings/Elements, Akamie's Castle, Sid Guts>SSM2144 VCF, Radio Music+Clouds, Second half brings in Braids, Orgone Accumulator>MA SVVCF, CEM3044 VCO>Stiener Parker VCF.

Drums Are controlled by a Corny Rhythm, Euclidian Circles, and 8-bit cipher. I repatch the drums at various points, but the modules used are Dinky's Taiko, Basimilus Iteritas, Barton Analog drum, Bass++, Vat Clap, BaDum tiss, Braids and Dredrum. Processed with Warps, Optodist, MT Reverb,

Live @ Moloko+ Novemeber

My Live modular improv performance for Moloko + @ Blackstar February 2018

Me noodling on my sprawling DIY Synthesizer for 45 minutes

VoidMachine@Moloko Blackstar

This is a live recording of my portion of the recently performed OCTOVALENT collaboration at the Orlando Science Center.

OCTOVALENT was a live audio + visual collaboration of modular and synth-based electronic music, synchronized with code-driven artistic visuals that responded directly to the audio in realtime. 
This collaboration explored patterns of 8 through musical composition and mathematically-based visual projections, using 8 audio channels and 16 MIDI channels to directly control the behavior of the projected forms.

Visual:
Ginger Leigh (Synthestruct)

Audio:
Sean Pendleton (Void Machine)
Jared Silvia(Pressurewave)

This performance was held on 8.18.18 at the Orlando Science Center

Void Machine

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