Ambience

The Air Does Not Touch It

Text & tracklist: http://www.seeksicksound.com/sss-podcast-057-stray-theories/

SSS Podcast #057 : Stray Theories

Andy Hummel remix of Rhian Sheehan's track Somnus from the album Stories From Elsewhere.

http://rhiansheehan.bandcamp.com/

http://rosytinteacaddy.bandcamp.com/

http://hummel.bandcamp.com/

Rhian Sheehan 'Somnus' (Shh, Soma Is Sleeping) Hummel Remix

First original of 2014, free download! :)

Need a Name - White Truffle

Imber remixed by Stray Theories
https://soundcloud.com/straytheories 
http://straytheoriesmusic.com/

Original track available here: 
http://rhiansheehan.bandcamp.com/album/stories-from-elsewhere
www.rhiansheehan.com
Connect on Facebook:
https://www.facebook.com/pages/Rhian-Sheehan/15584763065

Photo by Robb North


Rhian Sheehan - Imber (Stray Theories Remix)

Download

I Always Look Back When I Leave

http://www.unseen-music.com

All rights reserved.  Unseen 2014

Keith Kenniff - Map

A cue I wrote from the sci-fi short film Similo. Playing in selected film festivals. Check it out if you get a chance. More info at www.blackmilk.eu 

Soundtrack written by myself and Max Richter.

I Just See You - (from the film Similo)

"A Liturgy of the Hours" is essentially a singular, personal musical impression of the liturgical hours -  a period of time defined by the individual hours of prayer and worship over the course of a day.  Typically, during the course of a day’s liturgy, the prayers begin at midnight, with Matins -- dawn begins with Lauds, moving through the morning and afternoon with Prime, Terce, Sext, None, and moving into the evening with Vespers and finally, Compline.  Each prayer is about three hours apart from each other, and depending on which church’s tradition you follow, will have a set of readings, hymns, psalms, and prayers which are read, sung, or prayed.  This sonata is loosely based on some of those readings. psalms, and prayers, with a verse or fragment of those hours listed below.  The individual movements contain some shared musical material between movements, but is unlike a typical violin sonata in that the violin is not always the principal instrumentalist – indeed, most of the time, the foregrounded music is an amalgamation of both instruments.  The musical language, while accessible, is contemporary to the late 20th and early 21st centuries, and takes advantage of scordatura violin writing, modes of limited transposition, and inside the piano work popularized by Olivier Messiaen, George Crumb, Henry Cowell, Charles Ives and others.  This piece is not a straight programmatical work – rather, the work reflects the impressions made upon me while working on it, and when reading/praying the liturgical hours, I made similar connections between the texts below (taken from a single day’s breviary texts) and the music as it was being written.

It is here performed by the violin-piano duo "Ascending," by whom the piece was commissioned

A Liturgy of the Hours (Violin Sonata No. 1)

Written by Rhian Sheehan
Remix/Reinterpretation by Hammock (Marc and Andrew)
Cello played by Matt Slocum
Mixed by Stephen Leiweke
Photography by Robb North
Mastered by Dale Cotton
hammockmusic.com
rhiansheehan.com

Eliot Rausch created a beautiful short film featuring this song: http://vimeo.com/37652738

Borrowing The Past (Hammock Remix)

All works composed for commercial licensing purposes only - specifically for use in advertising, TV or Documentary. A licensing agreement must be obtained before any of these works can be used for any commercial purposes whatsoever. Available for license through Extreme Music:
https://www.extrememusic.com/search?q=%22rhian%20sheehan%20big%20things%22

Copyright R Sheehan 2014

Ambience

Sean Wong 13