from FGR054, "Still on the Line: A Tribute To Jimmy Webb", out 9/29/15 on Flannelgraph Records

pre-order vinyl at flannelgraphrecords.com
pre-order digitally at flannelgraphrecords.bandcamp.com


The Cairo Gang "Ocean In His Eyes"

http://www.seankielymusic.com

LIMITED EDITION 7" Lathe-Cut Record
Available to order NOW on LEESTA VALL SOUND RECORDINGS
leestavall.com/discography/lvsr-002/

Sean Kiely: Guitar/Vocal
Bobby McCullough: Bass
Jason Bemis Lawrence: Drums
Roger Moutenot: Organ

Recorded 8/31/15 by Roger Moutenot at Haptown Studio, Nashville, TN
Mixed by John Agnello at Water Music, Hoboken, NJ
Mastered by Steve Fallone at Sterling Sound, New York, NY

Assistant Engineer: Marc Whitmore

Iota by Angel Olsen, from the album "Burn Your Fire For No Witness"

Pound For Pound by Reid Anderson, from the album "Made Possible" by The Bad Plus. Lyrics by Sean Kiely

Pound For Pound (The Bad Plus Cover)

Had Damon Caught His Sloane



3rd Single from the new Woods album, City Sun Eater in the River of Light, out April 8, 2016 on Woodsist.

Pre-order at iTunes: https://itunes.apple.com/us/album/city-sun-eater-in-river-light/id1072915934
Pre-order CD and Vinyl: hyperurl.co/ytovyl

"Woods have always been experts at distilling life epiphanies into compact chunks of psychedelic folk that exists just outside of any sort of tangible time or place. Maybe those epiphanies were buried under cassette manipulation or drum-and-drone freakouts, or maybe they were cloaked in Jeremy Earl’s lilting falsetto, but over the course of an impressive eight albums, Woods refined and drilled down their sound into City Sun Eater in the River of Light, their ninth LP and second recorded in a proper studio. It’s a dense record of rippling guitar, lush horns, and seductive, bustling anxiety about the state of the world. It’s still the Woods you recognize, only now they’re dabbling in zonked out Ethiopian jazz, pulling influence from the low key simmer of Brown Rice, and tapping into the weird dichotomy of making a home in a claustrophobic city that feels full of possibility even as it closes in on you. City Sun Eater in the River of Light is concise, powerful, anxious—barreling headlong into an uncertain, constantly shifting new world." -Sam Hockley-Smith


WOODS - MORNING LIGHT

Week 8

Bernhoft's "Stop, Shut Up" re-imagined by Fancy Colors with special guest: DJ Herremannen.

Recorded and Mixed by Fancy Colors
Mastered by Steve Fallone
ART by Kenzie Vorass

Bernhoft "Stop, Shut Up" [Fancy Colors REMIX]

A bootleg recording of Mike Compton (mandolin) and Michael Daves (guitar) from a workshop at Grey Fox Bluegrass Festival in 2015

Long Journey Home - Compton And Daves

We are excited to release Pat Van Dyke's (https://soundcloud.com/pvdmusic) latest project "Let the Horns Blow" A wonderful EP that showcases his love for funk, soul, hip hop and world music. All with live instrumentation throughout!

Limited Edition 7" vinyl (only 500 pressed) and digital available.

Let The Horns Blow

Pat Van Dyke - On The Good Foot

I’M ALWAYS WATCHING YOU

Already over trying to be alone
And brushing up on feeling free 
Cellphone’s a weapon of surveillance
All the distractions I don’t need
Your naked body in my dream last night
It was like you never left
There was a stranger in my bedroom 
I thought she never would leave

I’m always watching
I need to see you 
I’m always watching
If I can’t be with you
I’m always watching
Call it voyeurism or masochism
I’m always watching

Follow you down digital rabbit holes
Who you like, where you’ve been
So I continue to pine for the time
When you were somewhere with me
I wanna follow you into your sleep 
and gently wake you up
Maybe you’re naked on his bed right now
Maybe tonight you give him a shot

I’m always watching
I need to see you 
I’m always watching
If I can’t be with you
Cause I’m always watching
Call it voyeurism or masochism
I’m always watching you

Watching me watching you watching me watching you watching me watching you

I feel so stupid and spun-out and spoiled
All of my deficits unmasked
This game is torture but it’s all I’ve got
since I got what I asked 

I know you’re watching
I need to see you 
I know you’re watching
And I keep doing this to you
Cause I’m always watching
Call it voyeurism, or masochism
At a coward’s distance, voyeurism
I’m always watching, I’m always watching
I’m always watching, I’m always watching

Watching me watching you watching me watching you watching me watching you

I'm Always Watching You

Steve of Open Crates troops from Jersey City to Brooklyn to see Pat Van Dyke & John Robinson get busy at The Brooklyn Museum First Saturdays for the release of their Modern Vintage album. 

In BK fashion, the museum was deep in rhythm with JR on the mic, PVD leading the band, Melinda Camille crooning melodies and a cast of special guests around the stage. 

Halfway through the set, Shabaam Sahdeeq (Rawkus, Soundbombing, you should know) and El da Sensei (Artifacts, tags all over Jersey, you should know again) , dipped in twin Polo Rugbys, grab the mic to perform the album cut Vinyl Is Forever. 

And as expected, three lyrical Gods can’t get off without a freestyle session … one that brings Homeboy Sandman out of the audience to flip verses over the band workin' out Bob James’ classic "Nautilus". 

When the cipher ended, Steve immediately texted Pat to cut a side of Nautilus and flip Love You Inside Out (just cuz he loves that record) with Melinda Camille. Re:Crates was born.

Pound For Pound (The Bad Plus Cover)

Sean Kiely

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