You Can Can is an echoed affirmation, an album which traces song forms around silence, field recordings, and degraded analog memories. This is folk music transmogrified and mutated, as if recorded and reconstructed in Pierre Schaffer’s GRM studio.

Not your typical Mariposa folk duo, the group is comprised of Toronto avant-music scene stalwarts, vocalist Felicity Williams (Bernice, Bahamas) and bricolage artist and synthesist Andrew Zukerman (Fleshtone Aura, Badge Epoch). The album feels like a somnambulant conversation, fragmented and half-remembered with Williams’ vocals traveling through a landscape of field recordings and Zukerman’s saturated concrète topographies. It is an electro-acoustic assemblage, both analog and digital, comprised of air, electricity, minerals, wood, and water. Although the album nods towards traditional forms of folk and musique concrète (if at this point it can be called a traditional form), it is outwardly and inwardly contemporary; non-linear, citational, opaque, and sui generis. In a way it feels like a sonic index of the narrative experiments found on the infamous Language school-related publisher The Figures, in the work of Lyn Hejinian, Clark Coolidge, and Lydia Davis. In the musical continuum, the album picks up where Linda Perhacs left off in the early 70’s—explored by Gastr Del Sol in the ‘90s—a convergence of rural acoustic idioms and urban avant-electronics. This is country music for the discerning cosmopolitan citizen of the 21st Century.

You Can Can is Felicity Williams & Andrew Zukerman.
Mixing, Photography & Insert Artwork by Andrew Zukerman Stem Mix and Mastering by Sandro Perri Vinyl Master by Brandon Hocura Design by Alan Briand

Instruments: Human Voice, Guitar, Tape Machines, Modular Synthesizers, Field Recordings, Handbells & Piano. Failure Figures features Dan Fortin on Bass and Thom Gill on Guitar & Synthesizers.

BUY VINYL: www.seance-centre.com/shop/you-can-can
BUY DIGITAL: https://youcancan.bandcamp.com/album/you-can-can

You Can Can - S/T (36SC)

Release date: March 8

Sophomore release from Toronto dream-duo Joseph Shabason and Ben Gunning, this time a more cosmopolitan affair, mapping fragmented cityscapes from bent electronics and late-night FM jazz transmissions. 

The boys are back in town. After recording their debut in a remote cottage in Northern Ontario, the duo relocated their jams to Shabason’s Toronto studio where they gained unlimited access to a virtual cornucopia of analog and digital gear and had the time to really push those instruments to the brink. In the crisp autumnal sessions the duo consciously set out to make Ample Habitat with a fresh slate; not a single melody or patch was smuggled in on a USB stick. Fuelled with off-brand club soda, the ethos was to infuse the sessions and the music itself with a sense of discovery. Another perk of the new locale was being closer to friends and neighbours; TO music-scene luminaries Kieran Adams, Bram Gielen, and Thom Gill dropped in, rounding out a full jam band for the convivial B-side surprise “Is Jubilee.” Although the album calls on a wild menagerie of digital voices, the heart is warm and human, favouring performance and play over presets and quantization. If J Dilla was able to teach an MPC jazz, Shabason / Gunning aim to teach their hardware the ECM version. 

RIYL: Rephlex, ECM, The Sea & Cake, Max Ernst

Purchase digital: https://shabasongunning.bandcamp.com/album/ample-habitat
Purchase vinyl: https://www.seance-centre.com/shop/shabason-gunning-ample-habitat

Shabason / Gunning - Ample Habitat (38SC)

Triángulos De Luz Y Espacios De Sombra (Triangles of Light and Spaces of Shadow) is a collection of visionary Mexican electronic music sourced from obscure cassettes, CDs, private pressings, and personal archives, presented by Séance Centre and Smiling C. These works trace an expansive scene of prescient musicians who created a unique speculative cosmology, forging Mesoamerican mythologies with innovative sonic technologies. 

From the mid-80s through the 90s, a network of Mexican musicians embarked on a journey to craft a musical expression distinct from the mainstream musical culture that dominated the airwaves and record industry. Based around practices of collaboration, ethnomusicology, electronic experimentation and home-recording, these artists traversed territories at the very edges of genre and musical form. Myth-scientists Antonio Zepeda, José Luis Fernández Ledesma, Jorge Reyes, Isaac Alva, and La Fábula venture into the periphery of the new age, incorporating Pre-Columbian rhythms and melodies into their dream-like compositions. Vistas Fijas, Armando Velasco, Eblen Macari, and Arbol Perenne (Gabo) move through radical new wave territories, utilizing guitars and drum machines to map their musical chronicles. Germán Bringas and Eugenio Toussaint traverse the jazz landscape, blending horns with electronics, improvising long uncharted expeditions. Pinning down a unified sound for these artists is challenging, yet they collectively cohabitate the capacious space of "ambient," employing diverse expressions through various imaginative modalities. What distinguishes these artists is a distinctly transhistorical approach which vividly imagines sonic possible worlds. 

In an attempt to situate themselves within a culturally and historically complex landscape, many of the artists on the compilation reactivate ancient Mesoamerican music traditions, those of the Aztecs, Maya, and Olmecs. Their electronic compositions are intricate tapestries woven with the haunting melodies of pre-Hispanic flutes and ocarinas, resonating alongside the echoes of ancient percussive marvels like the teponaztli and huéhuetl. Ritualistic chants, undulating synths, and atavistic rhythms intertwine, conjuring a hypnotic mosaic of chimeric sound. Natural and acoustic sounds are juxtaposed within a synthetic habitat, as if towering skyscrapers cast shadows across ancient pyramids. Rather than longing for an impossible past, these works evoke fantastical visions suspended in dreams, glimpses into the mythical realm of the hummingbirds.

The title "Triángulos De Luz Y Espacios De Sombra" (Triangles of Light and Spaces of Shadow) is inspired by a public access TV show of the same name that showcased several artists featured in this compilation. Imagining triangular prisms of light superimposed on otherworldly shadows feels apt for these illusory and phantasmagoric sounds. The space between these two opposing but interdependent images is the resonant juncture where these artists create their auditory oracles. This compilation highlights the prophetic luminaries of this underground community of musicians, with many of these songs previously unreleased or only available on fugitive formats until now.

This double LP release features 17 tracks remastered from reel-to-reel, DAT, and cassette masters. It includes inserts with an essay by Mexico City based music journalist David Cortés in both Spanish and English, accompanied by archival photos of the artists and artifacts featured on the compilation. The first edition comes adorned with a luminescent sticker illustrating a solar eclipse. 

RIYL: Outro Tempo, Durutti Column, Jon Hassell, Música Esporádica, Finis Africae

Co-release by Séance Centre & Smiling C

Purchase vinyl: https://www.seance-centre.com/shop/triangulos-de-luz-y-espacios-de-sombra

Purchase digital: https://seance-centre.bandcamp.com/album/tri-ngulos-de-luz-y-espacios-de-sombra

V/A - Triángulos De Luz Y Espacios De Sombra (39SC / SC#13)

Limited and hand-stamped collaborative publication between Séance Centre, BlackMass Publishing, and The Strangeness of Dub. Includes a published transcription, collaged booklet by Yusuf Hasan, and cassette.

In April 2022, Brandon Hocura huddled in the Séance Centre inventory closet to block out traffic noise and recorded a three hour conversation with Edward George. The exchange was modelled on The Wire magazine’s Invisible Jukebox where artist’s improvise responses to a number of songs, drawing out themes, memories, and theories from their sonic praxis. In this case, the discussion sprung from George’s lauded TheStrangeness of Dub series as well as his longstanding work with Black Audio Film Collective and Hallucinator (Chain Reaction). 

From the introduction: “In the 1996 film The Last Angel of History Edward George plays the Data Thief, a sonic archaeologist who travels back in time in search of fragments of Black musical technologies that hold the keys to the future of mankind. In life, as in fiction, he is a theorist of vibration, reading the melodic codes and subaltern tales embedded in sound for clues about the past, present, and future. In The Strangeness of Dub, he uncovers and elevates the discourses encapsulated within dub music — he reads King Tubby, Burning Spear, Don Drummond, and Lee ‘Scratch’ Perry alongside Foucault, Benjamin, and Derrida. In this capacious methodology of listening, knowledge is non-hierarchical and non-linear — Jah Shaka is as much a metaphysician as Wittgenstein.”

Edward George is a writer and broadcaster. Founder of Black Audio Film Collective, George wrote and presented the ground-breaking science fiction documentary Last Angel of History (1996). George is part of the multimedia duo Flow Motion, and the electronic music group Hallucinator. He hosts Sound of Music (Threads Radio), Kuduro – Electronic Music of Angola (Counterflows). George’s series The Strangeness of Dub (Morley Radio) dives into reggae, dub, versions and versioning, drawing on critical theory, social history, and a deep and wide cross-genre musical selection. Edward George lives and works in London. 

Co-release by Séance Centre, BlackMass Publishing, and The Strangeness of Dub

Discrepant Echoes (40SC)

Séance Centre Radio on NTS

A1. You'll Never Get To Heaven - Setting Sun (29SC)

Wave Your Moonlight Hat for the Snowfall Train (LP)

Release date: November 19th

Note: Orders that include a PRE-ORDER title will be consolidated and shipped together when the last pre-order title is in stock. Contact us to make other arrangements.

You’ll Never Get To Heaven (Alice Hansen and Chuck Blazevic aka Slow Attack Ensemble) returns with their fourth release Wave Your Moonlight Hat for the Snowfall Train, a collection of ethereal songs that move through the mercurial weather patterns of minimalism and dream pop.

The duo named this album after the closing track on Phil Yost’s 1967 release Bent City, inspired by its prescient use of delay processing in elevating spare beatless arrangements into haunting arrays of sonic afterimages — an approach Hansen and Blazevic explore on this outing in their own way, with a few favoured instruments and a Chorus Echo and Revox in hand. The result is a collection of sparse, lightly dub-infused songs and instrumentals, equally icy and wistful, characterized by melodic fretless basslines, spaced-out harmonics, watery piano and marimba, hushed vocals, and tape echo treatments.

Stylistically, it’s almost as if the duo was imagining what an early This Mortal Coil demo might have sounded like had Ivo enlisted in lieu of the usual cast, with a pared back L’Empire Des Sons as the session band, and June Hardin or a young Julee Cruise on lead vocals. The album evokes an overcast autumnal evening of cloud-watching, an inner journey witness to an expansive spectrum of moods, from nimbus clouds to shimmering sun showers.

RIYL: Broadcast, Weekend’s ‘81 Demos, Chantal Weber, Orquesta de las Nubes, Hydroplane, The Moon and the Melodies, Eberhard Weber

Tracklist:

A1 Setting Sun (2:59)
A2 Pink and Gold and Blue (2:56)
A3 Dust (2:36)
A4 Pattern Waves (3:30)

B1 Eye, Soul and Hand (3:18)
B2 Mad Shadows (2:33)
B3 Eternal Present (2:59)
B4 Predawn Visions (2:28)

Purchase digital on Bandcamp:
https://youllnevergettoheaven.bandcamp.com/album/wave-your-moonlight-hat-for-the-snowfall-train

Purchase vinyl: 
https://www.seance-centre.com/shop/youll-never-get-to-heaven-wave-your-moonlight-hat-for-the-snowfall-train

You'll Never Get To Heaven - Dust (29SC)

For this episode we have a special guest mix from You’ll Never Get to Heaven to celebrate their upcoming 4th release, Wave your Moonlight Hat for the Snowfall Train on Seance Centre. The duo is based in London Ontario - Alice Hansen and Chuck Blazevic (Slow Attack Ensemble). We’re big fans, and very happy to release this album which we’ve been playing on repeat since we first heard it. For this show they have put together a mercurial moody mix moving between introspective Canadian indie pop, Argentinian AOR, unreleased Slow Attack Ensemble, and a beautiful ballad from an LA based avant-garde composer.

Tracklist: 

From Red Down -  Girl Cat (So Thin On Love And Barley)
Tara S'appart - Trees
You’ll Never Get To Heaven - Setting Sun
Sylvia Meyer - La Oscuridad
Hüsker Dü - One Step at a Time
Mirtha Deflipo - En Caso De Vida
Vladimir Cosma - Pavane Spatiale
Loren Connors & Suzanne Langille - Moonyean No. 9
Hydroplane - If You Spoke To Me, I Wouldn't Know What To Say
Hood - Fears Grow
Stillife - Celadon (Live At The Trance Port)
Eric’s Trip - Thouroughly
Hem - Be Completely Full Of......
Lol Coxhill - It Never Entered My Mind
Slow Attack Ensemble - Untitled (Unreleased, 2016)
Mariana Ingold & Eduardo Mateo - La Libélula (Demo)
Jane and Barton -  There Is A Man
Tom Recchion - A Complex Shape In The Sky

@youllnevergettoheaven
@slowattackensemble

Séance Centre Radio Episode 42 NTS w/ You'll Never Get To Heaven (Nov 2021) NO BANTER

Cusk

You Can Can - Papyri & Papaver (36SC)

This week's show features a mix of exotica, private soft rock, Xian and electronic soul put together by Marseilles based architect and DJ Marwan Filali. Marwan also runs the RA/OI label which recently released a fantastic compilation of songs by Joe Sembene and is about to release a reissue of a great and fugitive Italian library record by the Vagal Group.

Tracklisting: 

The Sound Breakers - Marooned
The Bridge - Joy Of Your Love
Patrick Gammon - Driving (Down Pacific Coast Highway)
The Diamond-Zoot Band - Daytona Sunrise
805 - Mad Woman
Eden Ahbez - Eden's Island
David Ireland - Small Talk
Amy Levin - Good To You
Justin Time - Close Your Eyes
Quatres Aventures De Reinette Et Mirabelle - L'heure Bleue by Eric Rohmer 
Gerry Cott - Alphabet Town
Supaslix - Mercury Lady
Terry Vonderheide - Beauty And Time
Reflex - Stop, Think About It
Jones - Close To Myself
The Key Of Creek - Child Of Nature
Just Us - Easy

Séance Centre Radio Episode 48 NTS w/ Marwan Filali NO BANTER

For this month's episode Brandon Hocura, dreaming forward to summer, has put together a gathering of songs that move between clement weather patterns, held together as a speculative season of transformation. A future past, where the turbulent and spiritually promiscuous spirit of the late ‘60s is folded into our current social climate.

Séance Centre Radio Episode 49 NTS w/ Brandon Hocura NO BANTER

You Can Can - Everything In Time (Excerpt)(36SC)

B3. Shabason / Gunning - Is Jubilee

A4. Shabason / Gunning - Measures of Fog

In 1967 Lloyd Barnes moved from Jamaica to New York. He worked in construction saving enough money to follow his dream and founded Wackies in 1976, one of the earliest reggae focused studios and record shops in the US. Over the years many luminous voices have passed through his magical mixing board: Horace Andy, The Heptones, Johnny Osbourne, Sugar Minott and the Love Joys, just to name a few. The Wackies catalog is vast, spanning many boroughs of the dub and reggae disapora, even touching on disco and hip hop. As a producer Lloyd Barnes is known for his hazy bass-heavy productions and wicked dubs. 

Our guide to the Wackies universe is Rob Buschgans who, through his Digikiller label, has been working with Barnes, reissuing treasures from his vast archive, including previously unreleased cuts, dub-plates and versions. For this mix Rob has focused on roots and dub cuts, and his selections are untouchable, revealing just how deep inside a song Barnes can get. Digikiller has been unearthing archives since 2009, the catalog is truly astounding, as essential as it gets. Big thanks to Rob for putting this mix together for us.

@dkr-nyc

Séance Centre Radio Episode 59 NTS - Wackies Dubs & Roots w/ RB DKR

MEXICO COMP

C1. Isaac Alva - Valle De La Luna

B5. Armando Velasco - Una Vez

B3. Vistas Fijas - Dias De Margarita

A2. Antonio Zepeda Y Eugenio Toussaint - Viento De Lluvia

On this show we present a sonic journey from the London based, Dorset raised duo In-Form. They run a YouTube channel and are part of Thirdspace, running quarterly parties in London. This mix is the second in a series called Desired Path and covers a lot of ground, but is circles iterations of introspective new wave and avant pop. Check out their excellent mixes and YT channel if you get a chance.

Séance Centre Radio Episode 62 - Desired Path w/ In-Form

On this episode we have guest mix by Tobi Giese aka Real People Music. Tobi made us a wonderful mix of private press outlier music last year and we're thrilled to have another selection from his unique collection, this time with a focus on US introspective and spiritual music, or as he calls it cosmic lounge. It’s a fantastic survey of underknown small run personal recordings from the margins of US culture.

Séance Centre Radio Episode 63 - Cosmic Lounge w/ Real People Music

Chris Flanagan (Shella Records) has put together a mix of reggae recorded in Toronto to help cope with the heat this summer. Chris was already enchanted by the city’s reggae and dub culture when I met him, more than a decade ago, and works tirelessly to amplify the sounds via his excellent label Shella Records, or though his filmmaking and art practice. Recently he co-directed  a series of short docs on Toronto's Reggae history with director Graeme Mathieson produced by the National Film Board of Canada. Sounds & Pressure: Reggae In A Foreign Land is a 5 part anthology featuring Johnny Osbourne, Nana Mclean, Leroy Sibbles, Roy Panton and Yvonne Harrison.

The series will premiere in Toronto at the Paradise Cinema on August 22nd and will be available to watch in Canada on the NFB website the following day. Big thanks to Chris putting together this sizzling evergreen mix.

Séance Centre Radio Episode 76 -- Toronto Reggae Special w/ Shella Records

From 2001 to 2006 I lived Tokyo, drawn to Japan by films and music indelibly imprinted on my young mind. After a few years I gained a little proficiency in the language, mostly learned by hanging out with friends in Shimokitazawa and transcribing Nishioka Takashi and Happy End lyrics. I’m overdue for a trip back, but this gorgeous mix of Japanese private press acid folk compiled by Tyler Craft is taking me right there. Tyler has been collecting these fugitive, often hand-made releases for over a decade and last year co-founded the label First and Last to reissue these unjustly overlooked sounds, for the most part ignored in Japan as well. This mix combines a few deep cuts from his favorite artists with some intriguing new arrivals. Subarashi desu.

凪 / 今も変わらない / そよ風 / この世は

Séance Centre Radio Episode 79 - Japanese Acid Folk w/ Tyler Craft (First & Last Records)

Dreaming of another world, I put together a gathering of autumnal folk for this month's NTS show. The mix is a somnambulistic journey, wandering through melancholic and reflective moods; an oneiric tonic for uncertain futures.

Séance Centre Radio Episode 80: Hey Dream (Autumnal Folk Special)

Those of you acquainted with our releases should be familiar with the multi-faceted work of our friend Michael Klausman. Besides releasing a book of his poetry, Aeolian Darts, a few years ago, he’s collaborated with us on releases and hipped us to a million fascinating things. He runs the Colorado-based Wry Press, co-edits & publishes the little poetry mag, Luigi Ten Co and released a cassette of sound works as Fielding Daws, one of our favourite releases last year. For this episode Michael has compiled a mix called "Poet Song,” largely drawn from hiding-in-plain sight audio collections of academic archives, LPs released in tiny editions, as well as CDs, tapes, and mp3s sent to the compiler by various authors & collaborators.

Séance Centre Radio Episode 82: Poet Song w/ Michael Klausman

SIDE A DISCREPANT ECHOES CASSETTE

SIDE B DISCREPANT ECHOES CASSETTE

Further scenes of hearts gone into orbit — mirages racked with fuzz, high-powered doom crooners, wah-gilded evocations, and pedal steel time slips  — a testimonial amid the wreckage to that most unassailable law of physics: love is a continuous stream.

Séance Centre Radio Episode 84: Heavy Days, Light Years w/ Josh Lewellen

For last week’s episode I put together a mix of modernist ballads from West Africa, primarily works from the 1970s. About half the songs gathered here are from Senegal, an epicentre of post-colonial cultural forms, featuring a capacious cosmopolitan hybridity which drew from American jazz and psychedelic rock, French chanson, Cuban bolero, Congolese rhumba, Martinician beguine, Wolof griot music, and the complex polyrhythms of Mande musical traditions. Other songs in this mix come from Mali, Guinea-Bissau, Togo, and Benin, joined in pan-African solidarity as well as sharing a modernist sensibility, fraught with both melancholy for the failure of post-colonial nationalism and a utopic yearning for social change. These songs are exemplary of Tsitsi Ella Jaji calls “stereomodernism.” in her wonderful book, Africa in Stereo.

Séance Centre Radio Episode 85: Modernist Ballads from West Africa

For this episode, just in time for spring, we have a very special guest mix from James Pogson who runs the fantastic labels Symphonical and Fantasy Love Records. With both these labels James rescues underrepresented timeless music from the tides of time. Check out the three volumes of the sweet soul comps The Key To Our Love to get a taste of the depth of his work. Unmissable stuff. Expanding on his archival practice James is releasing a series of filmic portraits featuring artists from these compilations. The first is screening in Soho, London on June 22nd, check out Symphonical on IG for more info. The mix James gave us a superlative gathering of impossibly rare independent soul 45s, enjoy! 

Séance Centre Radio Episode 86 w/ James Pogson (Symphonical & Fantasy Love Records)

Séance Centre Radio Episode 87 w/ Chris Menist (Paradise Bangkok)

João Leão - One of These Things First (Undiú)
João Leão - Tapioca
Akim Bamboo - Saint Nick
Cotovia Twin - Pescador
Grupo Tatu - Xô Xô Meu Sabiá
Trio Cajueiro - Lua Rosa
MC Osula - Swagger
Nkrumah - Origin Story Dub
Artu - Maresia
Zuze Trio - Jerk Paradise
Unknown Artist - Luzmila
Amrit Pamal - Sohni Mahiwal
Panman Pat - Agouti Turn Back
Artu - Dreams
Syed Aref & Party - Akharin Tanbur
Debbie Gaskin - What’s That
Nana McLean - Undying Love
Noel Ellis - Let’s Dub Together
Electric Taal Band - Four Taals
Nkrumah - Congo (Dub)
Artu - Girasol
Artu - É Preciso Perdoar
Amrit Pamal - Tu Na Jaane
João Leão - Amor Pixelado


Séance Centre Radio Episode 89 - Label Spotlight: Local Dish (Dan McLay)

https://www.nts.live/shows/seance-centre/episodes/seance-centre-10th-september-2025

Arun Brown has been pivotal in preserving the diverse musical landscape of Miami for over a decade through his work as a DJ, collector, and record dealer, under the name Miami is an Island. Taking inspiration from the movement of transnational sounds through Miami’s ports, Arun has provided a mix that dives into the radical constellation of rhythms and styles that coalesced in the Côte d’Ivoire, The Ivory Coast, in the 1970s and 1980s. It’s a wild collection mixing deep soukous, rumba, afro soul, highlife, disco, and jazz, anticipating the country’s extremely popular and highly syncretic coupé-décalé movement today.

Séance Centre Radio Episode 90 - Ivory Coast Special w/ Miami is an Island

For this month's show Edmonton-based audiovisual artist Mark Templeton has provided us with a mix of soundtrack music, mostly from the 70s, that influences his work. The mix moves from these widescreen dreams into recent and upcoming releases on his label, Graphical. If you haven't already, check his excellent recent releases on Enmossed and Faitiche.

Séance Centre Radio Episode 91 w/ Mark Templeton

For this month’s NTS episode Henk Den Toom Jr. has put together a very special mix of Sundanese kliningan music from Indonesia. Henk is a Dutch ex-pat who has lived in West Java for three decades where has produced underground experimental hip hop and explores the vast landscape of Indonesian cassette tapes which he regularly uploads to his MadRotter blog, a true treasure of rogue preservation. For this mix, Henk has focussed on klingingan, a form of popular female vocal music which was performed locally and distributed across the archipelago on magnetic tape.

Séance Centre Radio Episode 92 -- Indonesian Kliningan Special w/ Madrotter

Our good friend Mark Johnson made a mix for this month’s show that perfectly captures this year's winter blues, a feeling of desolation and global heartbreak. Mark is a poet, publisher, and book dealer who spent years unearthing private press music in Philadelphia which he generously uploaded to his Hiding Place Soundcloud. It was a labour of love that lead people from all over the world to fascinating discoveries in obscure personal songs. Hit with several unfair copyright infringements Mark pulled the archive several years ago, but last month made it live again. This show is a celebration of Hiding Place, a true gift to the tower of song.

Séance Centre Radio Episode 93 / Mark Johnson (Hiding Place)

Recently, I travelled to London with a small stack of records to play on Peter Doig’s House of Music exhibition in the Serpentine Gallery. It was an incredibly moving experience, playing music on a 1928 Western Electric cinema sound system surrounded by Peter’s exquisite paintings. Responding to his work and time spent living in Trinidad I selected modernist spiritual records from the Caribbean, exploring the sociopolitical rhythms and mystic crosscurrents of Trinidadian rapso, rastafarian dub, jazz-influenced gwoka from Guadeloupe, and Guyanese existential soul. This is a mix of the music I played in that space.

Séance Centre Radio Episode 94:  Spiritual Music from the Caribbean (Pt 1)

Beverly Glenn-Copeland is already known amongst collectors and music heads for two sought-after albums of folky jazz in the key of Joni. But it was this album, originally self-released on cassette in 1986 that really caught our attention. The album, entirely recorded on DX-7 and TR-707, lies somewhere between digital new-age and (accidentally) early Detroit techno experiments. The inimitable style of BGC here is both peaceful and meditative while simultaneously rhythmic and bass heavy. The album was recorded in the northern Canadian town of Huntsville where BGC was living at the time and is a beautiful fusion of personal vision, technology and place. 

(p) & (c) Seance Centre 2017
01SC

Design by Alan Briand

Beverly Glenn - Copeland - Sunset Village (excerpt) 01SC

Cat Town special with an exclusive mix from Detroit impresarios Ryan Spencer and Mike Medow, celebrating our upcoming jam at Little Jerry in TO.

Tracklist: 

Intro
Johnny Rock (edit) 
E Bello - Due Notte (Club, Clap, Clip Mix)
Fats Comet - Eat This Beat
Atrax B - Go Pass Locomotion (Delvomix) (at 33)
Robody - Dr Youwzy (at 33)
Interlude 1
Annie Perec - Emergencia
Nesthaken - After A Hard Day
Interlude 2
Nikki D - Daddy's Lil Girl
The B.h.H. - Bulgarian Hip Hop (Bulgarian Trance Mix)
Interlude 3
101 - Just As Long
Tony Llewellyn - Pick You Up (House Dub Mix)
Arlene - Who Will It Be (freestyle dub)
Fizzy veins - Kool Down

Séance Centre Radio Episode 18 NTS feat: Mike Medow and Ryan Spencer (Jan 8th 2019) NO BANTER

Epic 3hr session from our good pal Cal, one half of Modern Art, with his brethren Kool Ty. Open the windows, play this mix LOUD and chant down babylon!

Séance Centre Radio Episode 21 NTS feat: Cal from Modern Art(April 1st 2020) NO BANTER

Detroit selector extraordinaire Bill Spencer drops Volume Two of Distant Shores on this month's episode of SC Radio on NTS. Mystic messages guided by the hand of Jah. 

Tracklisting:

Dennis Bovel - Do De Dub
Joy Mack - Reality
Marrie Pierre - Our Tune
Louisa Marks - Keep Away (Version)
Scientist - Quasar
Jackie Mittoo - You Bring The Sun Out (Version)
Love Dub Band - Sweet Dub
Treva - Israel Shepherd (Version)
Mike Brooks - On The Ice
TX-Dub - Not For Dub
Les McNeil - Give Me Everything Now
Creation Rebel - Chattie Mouth
Abacush - (Brixton Riot 1981) Suffera Style
Mankind - These Three Girls
Treva - Simple Things (Version)
Shortie Ranks - Dance In A Skate Land
Black Uhuru - Party Next Door
Paul Thompson - Well This Is My Bed
Walter Bailey - Power To Be Good

Séance Centre Radio Episode 23 NTS - Distant Shores Vol 2. by BILL SPENCER (May 27th 2020) NO BANTER

New York Grief is a nocturnal new wave incantation for the sleepless metropolis by Montréal singer, filmmaker, painter, and poet, Princess Demeny. In the early 80’s Princess started creating music for her poetry and in 1986, she partnered with Jean Mineau, her then boyfriend, who did the arrangements on what was to be her first EP, Distant Voices. Not long after the start of their collaboration, Jean was diagnosed with terminal cancer and was immediately hospitalized. Against the doctor's wishes, Jean left to record demos of five songs including New York Grief. He sadly passed shortly after returning to hospice and the recordings were never released.

“New York Grief was inspired by several trips to New York City in the mid eighties. I was in love with the city's nightlife. At times, I would stay awake and watch the city that never sleeps as its night creatures came out to play, and I would watch as they would vanish, replaced by the suited nine-to-fives, waking up and starting the machine of the metropolis madness again and again. It felt to me as though, in New York, there was more darkness by day than at night. I felt the city's intense rhythms and the chaotic pulse of the urban grind. It made me question if, sometimes, I was awake or still sleeping. I would have vivid dreams; horrific nightmares of burning buildings and people running and even though it was exhilarating, it also scared me.”

In 1989, Princess recorded a new version of New York Grief with arrangements by the Montréal new wave group Vini Vidi Vici. She also produced and directed a music video for it, which evokes both Maya Deren’s Meshes of the Afternoon and Slava Tsukerman's Liquid Sky, but set in ultra-cool nouvelle vague Montréal in the late 80s. Both the demo and 1989 version are featured on this 7” release with a bonus digital track of her cover of Listen, The Snow Is Falling by Yoko Ono. This single is a glimpse of the alluring universe of Princess Demeny, with more revelations on the horizon. 

Limited 250 pressing. No repress.

Tracklist:

A1 New York Grief (4:00)
B1 New York Grief ’86 (3:16)
*Digital Bonus: Listen, The Snow Is Falling

Purchase the vinyl here: https://www.seance-centre.com/shop/princess-demeny-new-york-grief

Purchase the digital here: https://princessdemeny.bandcamp.com/album/new-york-grief

New York Grief (24SC)

B1. Princess Demeny - New York Grief '86 (24SC)

A1. Princess Demeny - New York Grief (24SC)

Joris Caloud and Pierre Hubert, who run the always reliable Lorem Ipsum mix and party series sent over 4 hrs of summertime, in the form of electric soul, balearic hip hop, and drum machine AOR. Sit back, have a mimosa and enjoy the flight!

Séance Centre Radio Episode 32 NTS feat: Lorem Ipsum (Feb 2021) NO BANTER

Séance Centre is a label, publisher, and distributor conjuring timeless music from the past, present and future.

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For EU distribution contact: info@rushhour.nl

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