Name: Changing Rates of Change (2012) by Sean Clancy
Duration: 8 min
Description: Performed by RTÉ National Symphony Orchestra, conducted by Gavin Maloney

Beautiful, did you play all these parts yourself, or did you score and conduct?

i just read the info, so now i know. different question: how did you end up having an orchestra perform your work?

@user-323354413: you're alright ;) hope all is good with you, man. Long time, no see!

I took Marc's instructions for [disquiet0540] the other way around to explore a different avenue possible with this combination of numbers: Instead of 5/4, I went for a 4/5 feel (so based on five quintuplets rather than four sixteenth notes to the beat. Or you could look at it as a VERY fast 5/4).

This was inspired by Miles Okazaki's excellent book "Fundamentals of Guitar". The chapter about rhythm explores these and far more complex polypulses: https://www.milesokazaki.com/fundamentals-of-guitar
Also, I tried for something along the lines of Strobes from London: https://strobesband.bandcamp.com

So I ended up with a rather unsteady-feeling groove and the tricky task of playing a couple of guitar breaks in quintuplets.
But I spent far more time on the beat, obviously, which was too much fun.

See what you think! Thanks for listening. 

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More on this 540th weekly Disquiet Junto project — 5ive 4our (The Assignment: Take back 5/4 for Jedi time masters Dave Brubeck and Paul Desmond) — at: https://disquiet.com/0540/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0540-5ive-4our/

Thanks, Tobias & Marc, for this fun assignment!

My process in a nutshell: Using two instances of Ableton's Sampler loaded with my guitar recordings, I sequenced the provided "John Cage" chord, using the first version of Marc's MIDI file, so it's actually the wrong Cage chord --- hence the title "noncage". 
With some pushing around of this source material, a slow-morphing, overlapping atmospheric track fell into place. 
To top it all off, I just flipped the whole thing, turning it into a lovely background echoey backwards guitar concoction. 
So as to make things more listenable, I provided a little bit of supplementary fodder and smoothed out some of the rougher edges in Cubase.

Enjoy!

More on this 554th weekly Disquiet Junto project — Cage Chord (The Assignment: Riff on a chord by John Cage) — at: https://disquiet.com/0554/

Thanks to Tobias Reber and Musikfestival Bern for collaboration on this project. More on the festival at:

https://www.musikfestivalbern.ch/
https://www.instagram.com/musikfestival_bern
https://www.facebook.com/musikfestivalbern

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0554-cage-chord/

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This one started with a single cello chord sample which I made into a nice atmospheric loop that obviously isn't in any key so basically impossible (for me) to add anything else to. So I ended up with whatever the heck this is. 

The voice at the start is me, grumbling to myself when the neighbours were keeping me awake. 

I should start these jamuary tracks earlier in the day.

Jamuary 2024

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Performed by RTÉ National Symphony Orchestra, conducted by Gavin Maloney

Changing Rates of Change (2012)

Something made in my old Studio ,Its Laid back groove nice bass 
How would you describe it let me know

Forever Second (little blue boat)

North Wind

Composer & Performer. Ad Astra Fellow Assistant Professor of Music at UCD in Ireland. Likes acoustic & synthetic sound, mostly minimal and experimental stuff, philosophising & so on & so on...

Changing Rates of Change (2012)

Sean Clancy

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