So juice & Anderex - TBA @ Decibel 2024

Footage from So Juice Instagram Pages

So juice & Anderex - TBA

ADJUZT x ELEMENT - EXECUTE (LVLDUP EDIT) (@SUPREMACY 24)

FRAW - SUPREMACY TOOL (@SUPREMACY 25)

ANDEREX x FRAW x MICAH MARTIN - POLE POSITION (2024 LIVE EDIT) (@ MYSTICA 25)

FRAW - SOMETHING ELSE (@SUPREMACY 25)

Fraw & Adjuzt - Shooting Star (LVLDUP Edit)

Deezl & Fraw - Supercharged Anthem (Live edit)

Demeixie x dempen opheffen

The Nightmare Machine is a series of spooky lo-fi short tracks sounding like they are playing from the rusted circuits of a lost horror game cartridge left inserted in a blown up vintage game console. The dread, melancholy and creepiness they bring with them reek of the decay and fear that many times can dominate our most profound nightmares, testimony of inner torments that a lot of people have to conceal everyday and then manifest through their agitated sleep.
 
Originally aimed to be the soundtrack of an 8-bit game project that still has to come to light because of several unconveniences, I thought it would be a pity to abandon them and deny listeners some healthy shivers; thus, I decided to refurbish them as a small concept EP, with new mixing and mastering.

So... enjoy this gloomy trip, fellow listeners!

Yours Truly, 
Amorphic Mark

In Too Deep

Perceptual Geometries by Ambientes Kollektiv - Album

An exploration of the invisible architectures shaping perception, Perceptual Geometries maps the shifting relationship between sound, space, and the listener.

Across its movements, evolving atmospheres and pulsing undercurrents intersect with hypnotic tonal structures — forming patterns that seem to dissolve as soon as they’re recognised.

This is not music to simply hear, but to inhabit — a framework for altered states, where geometry becomes sensation and perception becomes form.

--

Perceptual Geometries unfolds as a continuous study of sound, space, and perception — a journey where each track acts as a chamber within a larger structure.

It begins in stillness with Resonant Axis and Inverted Symmetry, opening a meditative space where form and emotion hold in perfect balance. Gradually, shadows and tension emerge in Fractured Horizon and the dense, uncharted descent of Vector of Silence.

Midway, Ecliptic Drift marks an awakening — colour and movement flooding the architecture — before Vanishing Meridian offers transcendence and emotional release. Spectral Coordinates follows as a slow navigation toward uncharted worlds, leading to the quiet self-reflection of Topology of Memory.

The closing piece, Phase Architecture, expands outward into open air, suggesting that the geometry continues beyond the final tone — an unfinished map still resonating in the listener’s mind.

Perceptual Geometries is not background music; it is a framework for deep listening, where sonic form becomes sensation, and perception shapes its own architecture.

This sequence starts in stillness, dips into mystery and intensity, blooms into awakening, and ends in spacious release — a clear arc for both emotional and spatial listening.

—

Perceptual Geometries is a nine-part exploration of sound, space, and perception by Ambientes Kollektiv — moving from meditative stillness into shadowed intensity, radiant awakening, and peaceful release. Each track is a chamber within a larger structure, where form dissolves into sensation and listening becomes architecture.


A sonic framework in nine movements, Perceptual Geometries examines the shifting architectures of perception through evolving atmospheres, spatial tension, and emotional precision.

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Recorded live on 06 August 2025 during Natural N.17 at Astral Junction Kreativ- und Kulturhaus in Berlin.

Mastered by Gasquk at Astral Junction Blautraum Studio

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For more info about Ambientes Kollektiv, please visit:
www.instagram.com/ambienteskollektiv

For more info about Astral Junction, please visit:
www.instagram.com/astraljunction



02. AMBIENTES KOLLEKTIV - Inverted Symmetry

Wave-5

SYDNEY DOES IT BEST  | UNRELEASED + BANGERS
Insta _seanraymond_

FRAW - SOMETHING ELSE (@SUPREMACY 25)

Sean

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