Wait up, hold on
Calling back to earth
My rocket was towed away
It’s pretty cold out here in space

Wake up, got no feeling in my head
I wish that I’d stayed awake
I wouldn’t be left here instead

Hoping there’s still somebody
Out there who still might copy me
But I got nothing - just static
Feels so lonely as I float away

And all I see is stars
They always seemed so far away
But now appear so large
I never saw ‘cause I was in the way

Could this be a brand new minute?
Could this be a brand new minute for me?
Could this be a brand new minute?
All this magic right in front of me
Could this be a brand new minute?
Could this be a brand new minute?
I see a whole world and I’m right in it
All a sudden, where I’m meant to be

Who goes there? Where are they?
Who knows just how far they
have travelled the star way
If only they saw me….
 
Home never seemed so far
Was hoping to see it in another way
But oh man the scene is so dark
The further I go floating away

And all I see is stars
So many sparkles far away
But now what seems so large - 
I never saw ‘cause I was in the way 

Could this be a brand new minute?
Could this be a brand new minute for me?
Could this be a brand new minute?
All this magic right in front of me
Could this be a brand new minute?
Could this be a brand new minute?
I see a whole world and I’m right in it
All a sudden, where I’m meant to be

Brand New Minute

Ahead of the release of his new EP ‘Limitations’, Cyrano shares the introspective title track - a raw, self-reflective anthem for anyone grappling with identity, burnout, and the quiet struggle to keep moving forward. With his signature honesty and cinematic production, ‘Limitations’ captures the tension between self-awareness and self-doubt, unfolding through late-night chats on an open road. Written between time zones and emotional states, it’s Cyrano at his most vulnerable, yet most resilient. Cyrano returns next month for a special EP launch show, raising funds for War Child and those displaced from their homes due to conflict.

Limitations lyrics:

Well I guess I know my limitations
And I’m not hard defined
Well I guess I know my limitations
And I’m not hard defined
Well I guess I know my limitations

It’s typical me to leave a moment
In the sight of everyone
As I try to overcome
My typical need to be heroic
As I’m lent my time by sleep
Is this the life I want to keep?

And I'm not hard defined

Well I guess I know my limitations
And I’m not hard defined
Well I guess I know my limitations
And I’m not hard defined
Well I guess I know my limitations

In the sight of everyone
I was tired and overrun
But like the whole of my head now
I’m not hard defined

And I'm not hard defined
And I’m not hard defined
Well I guess I know my limitations

Limitations

Someday We Will Dream About Today

All songs written, performed, and recorded by Carl Hauck
(vocals, guitar, piano, synthesizers, percussion, and field recordings)

Additional musicians and contributors:

Jake Hawrylak
Drums and bass on “Two-for-One Special” and “Trophy Hives”
Drums, bass, trem guitars, and Wurli on “Monumented”
Percussion, organ, and piano harmonics on “Drug Holiday” bridge
(all recorded by Jake at Space Cowboy Studio)

Lia Kohl
Cello on “Count the Rings”
(recorded by Lia)

Jordan Martins
Pedal steel on “Two-for-One Special”, “Trophy Hives”, and “Rootbound”
(recorded by Jordan)

Lígia Pucci
Piano on “Count the Rings”

Molly Robison
Vocals on “Death Farm”

Kelsey Wild
Vocals on “Death Farm”, “Two-for-One Special”, “Count the Rings”, and “Monumented”

Production:
Mixed by Brett Bullion
Mastered by Huntley Miller
Album artwork by Pedro Gomes


Drug Holiday

Ether

Cigarettes and Daydreams

Julia

Ferris Wheel

Lyric Video: https://www.youtube.com/watch?v=5CZc0AHbgcU
Stream: https://ffm.to/dellwood-rainlost.bio

Marking nearly one year since the first Dellwood release, “Rain Lost Its Water” feels like both a return and a progression — echoing the intimate melancholy of debut single See Your Face while introducing new sonic textures that reflect the project’s evolution.

This cinematic folk song was born from two evocative lyrical seeds: 
“Half the bulbs are burnt out on my old porch” — cozy and nostalgic. And the title phrase — “The rain lost its water” — poetic and heartbroken.

“This one started with two images — the porch with burnt-out bulbs, which felt nostalgic and cozy,” explains Chris Bartels, “and then ‘the rain lost its water,’ which came out of nowhere and carried this heavy, melancholic weight. I became obsessed with marrying those two moods: the heaviness of loss, but also the warmth of memory.”

The track weaves these emotional threads into a story of love lost, rooted in memory and season. It’s deeply autumnal — not just in imagery, but in tone. A gentle unraveling. A reflection. A letting go.

The vocal production is thick and immersive: layered harmonies, octaves, and subtly processed vocoder moments build a sonic bed that mirrors the emotional weight of the lyrics. For the first time in the Dellwood discography, slide guitar appears, making a haunting and heartfelt impact.

“Rain Lost Its Water” is a clear example of what Dellwood has come to represent — a space for both craft and intuition. A balance between intensely working the material and also stepping aside to let the song emerge.

For fans of Hazlett, Novo Amor, Bon Iver, Noah Kahan, S. Carey, Iron & Wine

Press Highlights for Dellwood (Year One):

* “Soul-stirring indie-folk… raw and intimate strums wonderfully juxtaposed with cinematically produced vocal layering.” – Up To Hear Music

* “Delicate harmonies radiate raw emotion and soul… a hauntingly personal atmosphere.” – Caesar Live N Loud

* “Explores the weight of family through a haunting narrative… lyrics ache with unspoken words.” – Purple Melon

* “An intimate slice of folk… emotional power and sincerity reminiscent of early Bon Iver.” – We All Want Someone To Shout For

* “A warm, atmospheric soundscape… tackling life’s challenges and finding solace in shared vulnerability.” – Purple Melon

•

LYRICS

Half the bulbs are burnt out
On my old porch 
And the candle fragrance left me
Only wanting you more

The fall weather, sudden
Has me thinking me about
The night we stayed up laughing
And crying on the floor

I swear autumn lost its color
And the sun turned to gray
The rain lost its water
When you went away
And darling, I’m sorry if I let it slip
I’m sorry if I let it fade
The rain lost its water
When you went away

Took a trip to the mountains
Left behind our maps
Was hoping the high ground
Would help us find our breath 
But I saw your ticket’s one way
And I face our silhouette
Now the wild takes me
Back to the day we met

I swear autumn lost its color
And the sun turned to gray
The rain lost its water
When you went away
And darling, I’m sorry if I let it slip
I’m sorry if I let it fade
The rain lost its water
When you went away

I swear autumn lost its color
And the sun turned to gray
The rain lost its water
When you went away
And darling, I’m sorry if I let it slip
I’m sorry if I let it fade
The rain lost its water
When you went away

Rain Lost Its Water

The Basement

Lost in Love is a dreamy bedroom pop track with a breezy bossa nova inspired beat. It’s a playful, heartfelt love song about the dizzying wave of new infatuation that makes everyday life feel ghastly and mundane because nothing compares to making out with your new boo. With cinematic string lines and moreish melodic hooks (mi’scuzi), Lost in Love continues Gimme Gimme’s legacy of inappropriately catchy songs that for some reason, one can’t take too seriously. Lost in Love will be released via Platoon.

Lost in Love

Walking Out

💚 and follow us on Spotify :  https://spoti.fi/3hqmpCV 
 - - - -  in it for the love of it  - - - -

Cigarettes and Daydreams

Sean Waters & the Sunrise Genius

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